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The History Behind Self-Love

Tuesday, February 28th, 2017

“love of self.

you belong to you

sometimes your soulmate

is yourself

and everything

you’ve been searching for

can be found

deep within your soul”

– R.H. Sin

 

Image Credit: http://life-happens.co.uk/self-love-podcast/

Image Credit: http://life-happens.co.uk/self-love-podcast/

It’s February, and love is in the air, but often times what people forget or completely overlook, is the idea of self-love and how important it is to love ourselves. Each one of us has something unique within us, something that is not to be wasted and without utilizing those unique and special qualities that make us individuals, we are, in fact, doing those around us a disservice. Maybe you’ve heard this before, but truly believing it and feeling it is crucial to our well-being.

The journey of self-love is one that has always sat in the back of my mind, but it has more recently come to the forefront to play a large role in my life. I was raised to be strong and independent, to work hard to achieve my goals and to obtain a life where I don’t have to, or even want to, rely on anyone else for anything, whether it be physical or emotional. This ideal has always played a huge part in my life, and it is probably why the ease of falling in love caught me off guard, yet why I also made decisions that were best for me even when I was in a relationship that I thought was bulletproof. Maybe this is a bit of an oxymoron, but I was so invested in my relationship, while also focusing on my own agenda, such as: doing well in school, studying abroad, and planning my upcoming job search and career. Naturally, when my three-year relationship came to an end against my will four months ago, I was at a complete loss.

I realized that while I always had the mentality of an independent, Chanelle and not Chanelle and her significant other, and that I could do anything I set my mind to, I had to actually feel this independence again and move forward as the dynamic of my life, my daily routine and emotional state, all changed. This felt like the most difficult obstacle I had ever needed to overcome, but it didn’t take me too long to realize that I am an array of amazing qualities and I do not need to be accepted or loved by anyone who does not appreciate all of the amazing elements that make me who I am. And the same goes for you.

Nathaniel Branden Image Credit: http://mylifebook.com/blog/dr-nathaniel-branden-explores-romantic-love-and-effective-communication/

Nathaniel Branden
Image Credit: http://mylifebook.com/blog/dr-nathaniel-branden-explores-romantic-love-and-effective-communication/

So began my true journey of self-love. As a term, “self-esteem” was first introduced by William James in 1890. It is one of the oldest concepts in psychology. I personally identify more with Nathaniel Branden’s definition from 1969, stating that self-esteem is a relationship between one’s competence and one’s worthiness. Branden is considered the father of the self-esteem movement, and this definition sees self-esteem as the result of dealing with challenges of living in a worthy or respectable way and doing so consistently over time. There is no doubt in my mind that self-esteem and self-love go hand-in-hand and together take a journey to achieve. It is here where I find myself today, in the early stages of a, what I presume to be life-long, journey toward increasingly powerful self-love. The self-esteem movement really began in the 1960’s, when self-esteem first became an attractive and influential idea. 

Taking a look at Psychology Today, you’ll find that self-love is appreciation for oneself that grows from actions that support our physical, psychological, and spiritual growth. It is dynamic, and it grows by actions that mature us. When we act in ways that expand our self-love, we begin to accept our weaknesses and our strengths, we have less need to explain our shortcomings, we have compassion for ourselves, we are more centered in our life purpose and values, and we expect living fulfillment through our own efforts.

It is important to understand that you cannot obtain self-love from an outside source. Self-love must be obtained by you and for you. Again, we often turn to outside sources for encouragement, reassurance, or a confidence boost, but we need to find our own reasons within ourselves to feel encouraged, reassured, and confident. Also, understand that you will not reach a full state of self-love overnight. Self-love takes time, so be patient with yourself as you walk through this journey. Understand that everyone is capable of obtaining a state of self-love, as long as they put forth the effort and give it time. Join me on this journey and together we will begin to truly seek a state of love for ourselves.

By Chanelle Surphlis

Chanelle Surphlis is a Campus Clipper publishing intern, who is graduating from FIT this May. Passionate about giving back and pursuing volunteer opportunities, Chanelle aspires to work for a fashion or beauty company that includes philanthropy in its core values. If you like Chanelle’s writing, check out her blogs here and here. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during the Welcome Week of 2015. 

Become a fan on Facebook and follow us on Twitter and Instagram!

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Posted in onLife, onLove, onValues, Relationships | No Comments »

Having Your Novel Published

Saturday, January 7th, 2017
Image Credit: http://nerdist.com/inkshares-nerdist-novel-contest-published-sci-fi-fantasy-enter/

Image Credit: http://nerdist.com/inkshares-nerdist-novel-contest-published-sci-fi-fantasy-enter/

This blog post is for people who want to get published in some way. If you’re looking to get in print, be warned: it will be hard, it will be more commercial-based than your average undergrad creative writing course, and you will probably have to spend some money.

I got lucky and Lorrie Moore taught my creative writing class last semester, so I shall pass along some of her advice.

Don’t just send your manuscript to random publishing houses. It’s the same principle as sending your own mixtape to a record label—there are people specifically hired to go out and find new writers (or new music), and they are not sifting through pounds of unsolicited novels. If you’re determined to get this specific novel published, start small. Pick a little publisher who is not daily inundated with other peoples’ manuscripts. Send your writing to literary agents, who will in turn talk to publishers.

Send an excerpt to a magazine. Publishing houses don’t solicit books; magazines do solicit short stories. Some have short story contests alongside their regular content, some are devoted to short stories, and some love brilliant excerpts from larger pieces. The New Yorker, The Atlantic, Harper’s, and The Paris Review are mainstays. Esquire and GQ occasionally run contests. Explore magazines that are more specific to your subject and style: McSweeney’s is known for its humor, Seventeen caters to the “young adult women” genre (and they run a yearly short story contest), Asimov’s Science Fiction is devoted, naturally, to science fiction. If these all feel a little too mainstream, hit up any number of college reviews. Kenyon Review and Five Points are the most acclaimed.

Better yet, write a new short story and submit it. It’s hard to justify an excerpt of a larger work over a completed, within word count restraints, short story. Stretch those writing muscles. Word limits vary from magazine to magazine. Try to keep your story under 3,000. As a warning, submitting for contests and sometimes for general content often involves a submission fee. Don’t back out of an opportunity just because it will cost you, but know that it will cost you.

Publish online. If you’re not into the whole printing press, you do have an entire internet at your disposal: wordpress, tumblr, livejournal, AO3, etc: not just for social media. You can also set up your own page quick and simple using Google Page Creator. But if you’re serious about your writing—serious enough to put it on the internet, which is just a giant audience of Anon—it’s worth putting money on a domain name and a professional design.

Part of the getting published game is just waiting for the right moment, or trusting yourself over the publishers. A nice anecdote about this: a poetry professor once submitted his poem to an anthology; the editors sent it back with an encouraging note and a pageful of edits. He waited a few months, then resubmitted the same poem with a thank you note about the edits. The editors then published it. Trust your instincts. And suck up a little.

Sidebar: But part of the getting published game is about your writing as well.   You’re going to become disillusioned with your own accomplishment. You’re young and inexperienced and these things take time. Have some encouragement from Ira Glass:

“What nobody tells people who are beginners — and I really wish someone had told this to me…is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

By Robin Yang

Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during the Welcome Week of 2015.

Become a fan on Facebook and follow us on Twitter and Instagram

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Time for Revision

Saturday, December 31st, 2016
Image Credit: https://www.helpingwritersbecomeauthors.com/category/editing-your-novel/page/2/

Image Credit: https://www.helpingwritersbecomeauthors.com/category/editing-your-novel/page/2/

Yay! You’re finished! Congratulations. Pour yourself a nice flute of champagne and relax. You’ve earned it. You just wrote a novel.

If you just wanted to write a novel to write a novel and maybe brag about it to some people, then by all means, get on with it. If you want to share it with some of your closest literary friends or maybe send an excerpt to the New Yorker or Atlantic Monthly—still take your time enjoying the champagne. Put the whole thing out of your mind for at least a few days. When you’re still in the mindset of cranking out the words, it’s easy to get attached to passages or characters that actually drag down your writing. After a nice rest, prepare yourself for the revision cave.

 The Writing

Now’s the time to look carefully at your writing, its mechanics and logical constructions. Style has nothing to do with it; it’s strictly a close, word-by-word reading. Check your diction. Do you really need to use “twirl” twice in one short paragraph when you envision two different motions (other words: “swirl,” “spin,” “turn,” “stir”)? Do you really need to use different speech tags (said, shouted, murmured, whispered, accused, countered, replied, yelled, etc) when the characters are having a superficially low-key conversation and everything is actually just “said”? Jeffrey Eugenides raises a similar complaint about Oscar Wilde’s diction in The Picture of Dorian Gray; Wilde doesn’t abuse his thesaurus, he merely dramatizes everything. No one ever just sits, everyone “flings himself down” on something. If Dorian is uncomfortable, he always does things nervously, and when he’s nervous, he always twitches. Pick the right word for the right image.

 The Arc

Go through and, at the end of each chapter or section or what have you, record the characters’ progressions in that section, how it fits into their overall transformations, and major plot developments. If a character regresses at some point, does it make sense? People regress all the time. There’s usually an impetus. You can’t crowd everything under the umbrella of “it’s the character” just because that’s how they were at the start. Even if you’d prefer to keep a character static, make sure the justification comes through. Laying out developments in this outline can also help you pinpoint trouble spots in pacing.

 Excise, Excise, Excise

Just because it’s a novel and you can make it as long as you want doesn’t mean you need to devote lines to everyone’s hair color and outfit or the entire layout of a room. Of course, there will be parts that need more clarification, but for the most part, you can afford to cut out entire paragraphs without confusing anyone. Whatever you leave in has to have a purpose. You don’t necessarily have to follow Chekov’s Rule, but if you’re going to spend the time to note what your characters order from Starbucks, then their orders have to mean something. Hot chocolate? Iced coffee during a Russian winter? Drip coffee instead of a latte? Americano instead of drip coffee? In real life, that doesn’t indicate anything significant, but in a novel, it matters (unless your point is that it doesn’t actually matter, in which case you have more thematic issues to sort anyway). Oh, and that huge existential monologue/soliloquy with some beautifully flowery phrases you wrote in a feverish haze of inspiration can stand to lose half its length. Hemingway says of his writing process, “I write one page of masterpiece to ninety-one pages of shit. I try to put the shit in the wastebasket.” We’re not all minimalists like Hemingway, though. Hold onto some of your pretty, introspective bits. The good bits.

 Sidebar:

If you need a break or want to procrastinate even more, spend some time on www.reasoningwithvampires.tumblr.com, a snarky passage-by-passage critique of Twilight. It’s an equal opportunity hater with regards to all the things people find wrong with Twilight, so be forewarned…but definitely pay attention to perhaps the most indisputable problem with the series: it’s just not well written. There are periods of rampant thesaurus abuse; there are periods of predictable diction; there are moments when the limited first person is suddenly omniscient; there are illogical sequences of action, in which someone walks away and suddenly reappears to respond to something; there are sloppy (rather than stylistic) comma misuse. (What’s the difference between a sloppy and a stylistic one? In Twilight: “He lay, smiling hugely, across my bed, his hands behind his head, his feet dangling off the end, the picture of ease.” In Joan Didion’s “Goodbye to All That”: “It is easy to see the beginnings of things, and harder to see the ends.” Didion said in an interview, “every word and every comma and every absence of a word or comma can change the meaning, make the rhythm, make the difference.” Sometimes you have to earn the right to flaunt grammar. Life’s not all fair.) Forget Bella and Edward’s questionable status as “heroine” and “the best dark brooding boyfriend ever.” When your words and their order distract a reader from the throwaway details they describe, something is wrong.

By Robin Yang

Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

Become a fan on Facebook and follow us on Twitter and Instagram

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Hitting the Plateau

Saturday, December 10th, 2016
Image Credit: http://araugustyn.com/overcoming-writers-block/

Image Credit: http://araugustyn.com/overcoming-writers-block/

For the first few days or weeks, your novel will seem easy. You’ve settled into a style, you’re inspired by everything around you, you’re writing your favorite chunks of the plot. But then disaster will strike. You know that you have to link two sections of your novel, but the effort of thinking about it, much less sitting down to write it, is too much. Plus, every time you sit down to write, you can’t get into the rhythm of your style, and everything you produce feels trite and insufficient. It will not be fun.

At this point, many people give up on their novels (see myunfinishednovel.com). It just happens. And maybe most tellingly, you won’t think about your characters or your plot for days; you won’t notice small details in your everyday life and remember them for later. You will hit a writer’s block.

This is fine. It happens. If you’ve completely stopped caring about your seedling novel, then maybe it’s time to let it go. People do “outgrow” the stories that they once wanted to tell. But if you still like what you’ve written so far and you’re still (even abstractly) interested in seeing your characters through, then here are a few tips to get through the hard times:

Keep a notebook and pen/pencil with you always. You’ll have experienced by now the difference between composing paragraphs in your head and transposing them onto paper. A brilliant subway train of thought always deteriorates by the time you get to your stop. I know that you spent over half your life on a computer. You’ve been allowed to take notes on a laptop since the start of freshman year. But look: don’t underestimate the power of writing things down.

Make playlists. Follow the tradition of vampire/supernatural novelists (Stephanie Meyer and Kim Harrison do it) and several pop-y TV writers (The OC did this too): make character-specific playlists. It’s like making a playlist for finals. It’s a fun way to procrastinate, and thinking about specific songs also forces you to think about the specific character and how much certain songs fit into their lives. You can also make plot-specific playlists, or if you want to get super specific, cross reference the two and make a really comprehensive series of playlists for every character in every scene. Having a standard set of associations with your novel will also help you get into the same mood every time you prepare to really write.

Write. Write more. Joyce Carol Oates writes for about eight hours a day. Ray Bradbury tries to finish one short story a day. Ask any writer, fiction or nonfiction, contemporary or historical: the only way out is to keep writing. Whether you use any of the material you write during your dry spell is irrelevant. Take fifteen minutes at the beginning of everyday and just free write—don’t worry about the topic or spelling or punctuation. Write your bridge chapter badly, changing it every day until you can move on to the next bit. Write in the present. Write in the future. You know. Stick with it and all that.

Sidebar:

Casting your novel

A friend of mine is ghost-writing a creative non-fiction book about her boss’s grandmother. She finds it easier to work when she can look at the grandmother’s photo; she imagines the woman in the photo living her life and narrates that. I’ve celebrity cast my novel (Josh Jackson and Matthew Goode are in it), and I find that putting the thoughts and actions on a physical body helps me map a logical progression of what happens next. Also, looking up photos and making pretty montages is a great way to procrastinate.

By Robin Yang

Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

Become a fan on Facebook and follow us on Twitter and Instagram!

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Do Your Research

Saturday, November 26th, 2016
Image Credit: https://uwioss.com/2016/01/22/efc-tip-8-do-your-research/

Image Credit: https://uwioss.com/2016/01/22/efc-tip-8-do-your-research/

Whether you’re writing a historical or modern or fantastical or futuristic scifi novel, do your research. If your character listens to the radio in World War II, what exact kind of reports are they listening to? Is there music? Which songs, what genre, what is the character’s opinion of it and does it contrast with the historically recorded attitude? (You don’t necessarily have to pump all this information at once. Or at all. But if you choose to include that detail about the radio, then it’s significant in some way and it does contribute to the character’s definition.) If you’re writing a CIA spy novel, what screening process do people actually have to go through now to enter the CIA? Would your character have to worry about it or not?

Even in completely invented settings, the details matter. You won’t have to do much concrete research, but do consider that while you don’t care about the economical structure of the futuristic dystopia that you’ve invented, or maybe the specifics of swordsmanship are irrelevant to your medieval-esque fantasy, someone will question it. The issue of how your characters make money or whether money is even extant matters. A saber is not an epee is not a foil is not a broadsword, and certain actions simply can’t be done with a broadsword. If you just wing it, your novel will lose credibility.

A common Terry Pratchett Discworld theme to keep in mind: people can accept a large, improbable event in your characters’ lives, but they more readily notice and reject wrong (or missing) details.

On researching while you write: inevitably, you will come up with extra scenes or maybe change a character’s profession to better suit your novel. It’s easy to Wikipedia whatever details you want to add, but of course that usually devolves into lost hours clicking around on Wikipedia. Sci-fi writer Cory Doctorow uses this tip: when you come to a point that needs research, just type “TK” where your facts should be. The combination of the letters “TK” is rare in the English language, so you can do a quick document search at the end of a writing session to find where you need to fact-check.

Sidebar: Excellent places in the city to research:

The National Archives (201 Varick Street)

Houses or has access to all government-related archives in American history. Excellent collection of primary sources, from genealogy to previously passed economic policies. Good for historical American novels or more general research on political intrigues. Call ahead if you want to use an archived material in person.

The New York Public Library (Main Branch on 42nd Street and Fifth Avenue)

Holds archives on several different topics in its various branches; art and architecture at the Main Branch; Performing Arts in the Lincoln Center Branch; science and business at 188 Madison Avenue branch. Great for reading in general, but especially good for nailing down the details in your settings. Protip: The Main Branch also has a huge collection of original manuscripts from interviews with common New Yorkers to the papers of writers such as Truman Capote and James Joyce. It’s worth checking out, but if you want to take notes, use the paper and pencil provided. The librarians will not hesitate to throw you out if you write in pen. Or use your own notebook.

Central Park (Central Park)

Work on your tan and eavesdrop on passing conversations. There’s no limit to the topics that people willingly discuss in public, and it’s a great way to pick up and squirrel away some idiosyncrasies of humanity.

American Museum of Natural History (200 Central Park West)

Scads of scientific information, as well as physical reproductions of animals existing and extinct, an exhibit about space, and everything in between. Iron out the scientific justifications for your aliens’ appearances (as H.G. Wells does in War of the Worlds), or visualize your nomadic protagonist trekking across the sweeping savannahs of Africa.

International Travels (Various)

Not writing your novel on Americans? Have a love affair with Western Europe (like T. S. Eliot) or perhaps East Asia (like Pearl S. Buck)? Well, sometimes, it’s nearly impossible to get a feel for your (Earth-bound) setting unless you actually physically visit. The importance of small details in daily life, like tipping in restaurants or physical proximity to country borders or a country’s layout around bodies of water, aren’t prominent until you have to deal with a different system. (Did you know that microwavable burritos are not common in England? If your British character gets the munchies, kebabs or fried chicken are more likely.)

By Robin Yang

Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

Become a fan on Facebook and follow us on Twitter and Instagram!

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4 Things to Consider Before Writing a Novel

Saturday, November 19th, 2016
Image Credit: https://thetermaganttarleisio.files.wordpress.com/2011/11/hand_writing.jpg

Image Credit: https://thetermaganttarleisio.files.wordpress.com/2011/11/hand_writing.jpg

1) Characters

Establish your characters. It can be a quick profile to a two-page-long character history. Understand their backgrounds, how their histories shaped them and put them into your narrative, what their purposes serve. Don’t hesitate to cut one if you find that two characters are serving the same purpose (all the friends in a social circle, for example, can usually be condensed into one or two people, unless they’re specifically set as foils to each other).

2) Setting

Know exactly when and where your story takes place. You might just want to write a generic 19th century Gothic novel, but time and place matter. The dark forests of Italy give a different connotation than the swarthy heaths of England, and neither are quite as exotic (or potentially cliché-ridden) as a crumbling castle in Romania. Grounding your novel in a time and place gives it specificity, which gives the readers a concrete understanding of the world that your characters are in. It may be that the characters are used to dreary heavy clothing or terrifyingly sublime views from cliffs, but the readers are not. Familiarize them.

 3) Plot

You don’t have to know exactly how a conflict will resolve, or how it will arise, when you start writing. Often, the plot changes as you write. But you should have an idea of where the character will be at the end of the novel, so that there is some loose structure and an endgame in sight. Some people story board their entire novels; some people just start with a character in a setting and a first line.

4) Writing What You Know

It’s a general truism that writers only really succeed when they write what they know. Drawing on your life experiences in the plot and characters is inevitable. Actively pay attention to the miniscule details in your life, too. Those will help ground your settings and characters; small disappointments in everyday lives, the way some people pick up pennies on the street but not others, the fresh smell of a farmer’s market or the look and feel of a snow-heavy sky—details like these make the background feel real.

Also be careful of drawing too much from “what you know.” Pulling circumstances from your latest breakup or family tragedy is great for details. Being too emotionally invested in your personal reaction rather than the characters’ can easily devolve into rants and references that only really make sense to you. Leave some time when it comes to something that hurts.

Sidebar: For example, a character profile I wrote while I was feeling uninspired: Evelyn Mercer, the unintentional protagonist. A minor character in the fashionable set of Bright Young People in London, Evelyn works for the Special Operations Executive in Baker Street, passing and copying messages in the main office of the branch. The least political of her friends, she would prefer to pretend that there is actually no war; this is just how life is always. She lives in a flat with two roommates near Baker Street.

By Robin Yang

Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

Become a fan on Facebook and follow us on Twitter and Instagram!

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Posted in on Writing, onValues | No Comments »

In the Beginning Was An Idea

Saturday, November 12th, 2016
Image Credit: https://www.edx.org/course/how-write-novel-writing-draft-ubcx-cw1-2x-0

Image Credit: https://www.edx.org/course/how-write-novel-writing-draft-ubcx-cw1-2x-0

So you want to write a novel. Awesome. I’m writing a novel, too. Novels are hard to write in college; being in college tends to get in the way. But if you’re determined to finish your masterpiece, this is a general guide to help you along.

So you have a starting point for your novel, whether it’s a character you wish was real, or a conflict you want to explore on paper, or even just a fun bit of dialogue that’s stuck in your head. Excellent. Your novel will grow and sprawl from that seedling idea into a minimum 50,000 word work (about 175 pages, according to the official definition of a novel by the people at National Novel Writing Month).

Well. Wait. Maybe not 50,000 words. That’s an entire year’s worth of papers. That’s two senior theses. The question I’m asking is, are you sure your idea isn’t better off in a short story?

The difference between a short story and a novel isn’t in word count. A novel isn’t just a super-long short story, nor is it just a series of short stories with connected beginnings and endings. There’s an entire shift in mood and mindset. Short story conflicts are immediate; they’re not necessarily enormous, life-altering moments. They close and resolve their themes within a momentary peek into a character’s life. Novel conflicts are built up. There is just enough necessary room for a long exposition and rising action to create central conflict that logically arises from the characters you’ve established. Novel conflicts send ripples through almost all the aspects of a character’s life. Every line leads logically from not just previous lines, but previous chapters, and each line draws comparison between the individual character and our general expectations of average people. You can’t define a person in the moment of a short story. You can define a person in the chronicle of a novel.

Maybe your idea is large enough to sustain a novel. It could be political, or romantic, or fantastic. But in case you’re having trouble fleshing out your idea, it might help to think of your skeleton novel in terms of its larger themes (yes, I am suggesting that you close-read your own novel before you’ve written it). From there, you can imagine specific scenes or monologues that will further shape your novel. A theme is not a moral. You don’t have to have a moral. You do need to have a purpose.

A note about style: It’s your novel. Write it however you want. Read. Read a lot, and steal any stylistic devices you like.

Sidebar: For example, the seedling to my novel actually started as a short story; in short, it was about a woman who falls in love during World War II and the bittersweet knowledge that when the war ends, her relationship must end. It was a single (somewhat substantial but still rather isolated) period of her life. Now that I’m fleshing it out, I want to raise it from a static personal investment to something broader: a young person’s confrontation with life’s disappointment and mortality on the largest human scale, and, politically, whether her love for her country is worth her own selfish emotions.

By Robin Yang

Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

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How Not to Do Anything: An Expert Guide – How Not to Be Relied On

Saturday, November 5th, 2016
Image Credit: http://www.moores.com.au/news/unreliable-employee

Image Credit: http://www.moores.com.au/news/unreliable-employee

Despite all of your finest efforts to shirk responsibility and lead a duty-free life, if you have any friends or family, you are constantly at risk of having someone try to foist some of their own well-earned obligations on you. Even if you diligently avoid the serious commitment of having a pet or a child, an aunt, neighbor, or friend can swoop in at any moment and ask you to be a good nephew/neighbor/friend and take care of their poodle or their daughter for anywhere from a few minutes to a few days. Such a request might appear perfectly reasonable to a “busy” person, since you seem to have so much time on your hands, but who are they to presume that you can act as their butler on a moment’s notice? You had some big, um, plans for this week.

Like most of the advice in this tome, the solution to this problem is rather obvious: if you don’t want to be relied on, simply be as unreliable as possible. Assure (“yeah, sure”) your neighbor that you’ll feed his fish each day that he’s away, but don’t worry too much about the details; fish don’t need to eat every day, and a week’s worth of food can be supplied at one time. If, God forbid, your neighbor’s fish tank were to turn into a noxious wastebowl, or an unlucky fish were to die, then you could rest easy knowing that you’d never again be asked to take care of anything for your neighbor.

At times when you can’t exactly blow off an inherited task, for instance, when you’re expected to watch a child, tardiness can be an excellent way of saying “don’t count on me” without doing anything really heinous or taking out your frustration on the child, who is of course not responsible for his or her own existence. Most parents will go so far as to give up on free babysitting if they can’t be sure that the babysitter (you) will show up even remotely on time. The really essential thing is not (necessarily) to do a terrible job whenever asked to do something for someone else, but to plant a sweet little seed of doubt in the minds of those who may try to foist a task on you. It shouldn’t be too hard to find someone who’s more reliable than you are.

By Aaron Brown

Aaron Brown was one of the Campus Clipper’s publishing interns, who wrote an e-book “How Not To Do Anything: An Expert Guide.” If you like Aaron’s writing, follow our blog for more chapters from his e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

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How Not to Do Anything: An Expert Guide – How Not to Be Well-Read, and Remain Uninformed

Saturday, October 29th, 2016
Image Credit: http://www.grmatthews.com/single-post/2015/07/23/Bored-of-information

Image Credit: http://www.grmatthews.com/single-post/2015/07/23/Bored-of-information

Some of the most successful idlers are prone to expending vast amounts of time reading books or (let’s be realistic) the Internet, due to a desire to be the kind of person who reads widely and knows what’s going on in the world. Reading is as good a waste of time as anything else that no one is forced to do, and if that’s what you like to do when you’re doing nothing, more power to you. But to a true layabout, reading, or at least reading books or the news or just about anything that’s particularly serious, is a bit too much of a hassle.

For most of recorded history, reading was the best entertainment that could be found anywhere, at any time, and it was beloved of some of history and literature’s greatest loafers, like Aristotle and Hamlet. However, in today’s crowded entertainment marketplace, reading can’t compete. Even reading something as innocuous as the tabloids is infinitely more taxing than watching reality television, or having a tiny woman in a box on your computer screen tell you what it says in the tabloids. The internet is an immaculate solution to the problem of serious reading: not only can you pick from an incomprehensibly large selection of vacuous material, but you can even post your own most banal and meaningless thoughts. Which means that anyone with an internet connection can find a supply of asinine amusement that is literally limitless.

To those who aspire to the pinnacles of sluggardom, I recommend the following habits:

  • Abstain from all newspapers (and their websites), non-glossy magazines, and books not written by famous people. Basically, avoid anything that’s actually in print and isn’t colorful.
  • Get all of your news from celebrities’ twitter accounts.
  • Always go with the movie version.
  • Instead of reading canonical authors and books, read their wikipedia pages. (This trick works with less well-regarded books, too!)
  • If you disagree with your reading material, find something else to read.

By Aaron Brown

Aaron Brown was one of the Campus Clipper’s publishing interns, who wrote an e-book “How Not To Do Anything: An Expert Guide.” If you like Aaron’s writing, follow our blog for more chapters from his e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

Become a fan on Facebook and follow us on Twitter and Instagram!

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How Not to Do Anything: An Expert Guide – How Not to Be a Force for Positive Change in Your Community

Saturday, October 22nd, 2016
Image Credit: http://bit.ly/2dGIYVQ

Image Credit: http://bit.ly/2dGIYVQ

No less venerable an American than Mohammed Ali once said, “Service to others is the payment you make for your space here on Earth.” That’s one way to look at it. “I never asked to be born; I don’t owe nobody shit,” is another (suggested by the rap duo Das Racist in their song, “I Don’t Owe Nobody Shit”). Whether your views on the subject of community service are closer to one or the other aforementioned, or completely different, chances are that you will not be doing much volunteering in the near (or distant) future. After all, volunteering, like visiting a museum or voting, is one of those things that nearly everyone shares a deep belief in doing, but seldom actually does.

As anyone who’s ever done some volunteering can tell you, it is generally dull, disheartening, and thankless work (since you don’t get paid to do it, duh). Unfortunately for breast cancer researchers and homeless people, even the most heartfelt gratitude of the nicest volunteer coordinator you’ll ever meet doesn’t really compare to the material satisfaction of cashing a check and then buying some clothing or electronics. Moreover, volunteering can be incredibly depressing, since the causes that require volunteers tend to be both pretty dire and underserviced. And only some people (do-gooders, masochists) enjoy that demoralizing tang.

I’m going to go out on a limb and guess that you don’t have to change much of anything in order not to be a force for good in your community. But just in case you dabble in working for free, here are some alternative choices. When you want to see something intensely dispiriting, watch the new Holocaust movie, or read the World section of the newspaper. When you’re asked to lend a hand, inform your implorer that you’re late for your weekly nursing home tea time with Granny; that should quiet them up, and maybe even get you some encouragement, which is nice even if undeserved. And when you feel like a worthless, lazy waste of space, turn on some partisan cable news: you’ll find ample evidence of your own value as a person, in the form of commentators and politicians, whose central goals on this Earth seem to be to obtain the maximum number of fake tans and to terrify everyone else. You never even bother the neighbors.

By Aaron Brown

Aaron Brown was one of the Campus Clipper’s publishing interns, who wrote an e-book “How Not To Do Anything: An Expert Guide.” If you like Aaron’s writing, follow our blog for more chapters from his e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

Become a fan on Facebook and follow us on Twitter and Instagram!

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Posted in Internships, onValues, Student Activism | No Comments »

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