Archive for the ‘onTalent’ Category

How to be a Comedian: Week 6: Meet the Right People – And Check Out the Right College Student Discounts Below!

Monday, November 30th, 2015

Before I start, I’d like to give a quick shout out to the Campus Clipper. The Campus Clipper has been offering awesome student discounts in NYC, from the Upper East Side to Greenwich Village. The company helps support students in so many ways, from their coupon booklet to their Official Student Guide. Now, on to the blog!

Without a community of supporters, you won’t make it anywhere besides a counselor’s office and your parent’s basement.

Befriend fellow comedians at open mic nights and comedy classes. The few people who I’ve befriended at open mics have become supportive friends and offer me their much appreciated constructive criticisms. One of my open mic buddies even offered me a spot on one of the upcoming comedy shows he was producing.

A bond with fellow comedians creates an opportunity for you to keep each other accountable – to go to open mics – the expectation that you’ll both be there. Having someone to keep you accountable in going to shows will force you to not let any excuses hold you back, because you know there’s someone at the show expecting you to perform. You’re all in the same boat, so banding together to encourage one another and laugh at each other’s jokes will help push you towards your goals, and build confidence in your talents.

comedy 6

Don’t be afraid to approach big name comics after their set and shake their hand. Sometimes a big name comedian will watch someone perform, like their style, and ask them to open up for them at a few shows.

Go shake some hands so more and more people know who you are, and have a face with a name.

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Meet club owners, talent managers, and comedy producers. Introduce yourself to these people and ask if they would have any time to talk with you about the industry, or ask if they need any help at their events. Offering free service is a great way to get people to love you, and you never know where that connection may lead you! The great connection that I’ve made was through my internship with a comedy producer at one of the clubs. He pays me in stage time and allows me to sit in on seminars and meet other comedians. It’s a very valuable connection because he has a strong network in the industry and is willing to help me grow as a comedian in return for helping him with social media and planning events.

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A few words from the Campus Clipper –

The Campus Clipper not only help our interns learn new skills, make money, and create these amazing E-Books, but we give them a platform to teach others. Follow each new blog post to read a chapter of our various books and to learn how the Campus Clipper can help you follow your dreams!

Craving student savings while you catch up on your reading? Click on the link to download the Official Campus Clipper Coupon Booklet! And check out our newest YouTube video showing off some of New York City’s finest students during this year’s Welcome Week!

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How to be a Comedian: Week 5: Teach Me How to be Funny – And Learn About College Student Discounts Below!

Monday, November 23rd, 2015

Before I start, I’d like to give a quick shout out to the Campus Clipper. The Campus Clipper has been offering awesome student discounts in NYC, from the Upper East Side to Greenwich Village. The company helps support students in so many ways, from their coupon booklet to their Official Student Guide. Now, on to the blog!

If you’re funny, you’re funny; but trust me, it’s extremely helpful to have veteran comedians guide you and teach you how to harness your funny bone.

7th Annual "Stand Up For Heroes" Event - Inside

So, sign up for a few comedy classes. Don’t be afraid to break out of your comfort zone or comedic interests. Take some stand up classes, like at the Manhattan Comedy School; but also take some improv classes at a renowned place like the Upright Citizens Brigade Theatre. It will only benefit you to learn different forms of comedy, and it also might help you find out what you enjoy more and for what your talents are best suited.

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The only way you can become a master of comedy is to practice your material and watch others perform. If you really love stand up, then go to stand up shows every week to familiarize yourself with other comedians’ styles and how they interact with the crowd – you might learn something from them. If you’re interested in improv and sketch comedy, go to an improv show every week (go a few times a week if your budget and time permits).

Making comedy shows a weekly part of your schedule will help you stay focused on pushing yourself to the next level in your own career and will make you a lot more comfortable with the business. Watch shows, watch shows, and watch more shows.

comedy 5

I find that the funniest comedians are those who I trust. What I mean is that I trust their ability to make me laugh – they’re reputable. They have confidence, which makes me have confidence in them. I’m not constantly anticipating them to mess up or break into a nervous fit. You have to gain people’s trust for them to believe that you’re funny, so it’s important to show confidence when you’re on stage to let everyone know that you’re in control. When I don’t feel confident on stage, sometimes I have to convince myself that I am confident, or at the very least act like I’m confident.

Things to put on your comedic to-do list:

– Practice in front of the mirror

– Practice jokes in front of your friends

– Record yourself and analyze the video

– Write, rewrite, edit, practice, rewrite, practice, rewrite, practice

– Open mic

A few words from the Campus Clipper –

The Campus Clipper not only helps our interns learn new skills, make money, and create these amazing E-Book, but we give them a platform to teach others. Follow each new blog post to read a chapter of our various books and to learn how the Campus Clipper can help you follow your dreams!

Craving student savings while you catch up on your reading? Click on the link to download the Official Campus Clipper Coupon Booklet to enjoy some great student discounts! And check out our newest YouTube video showing off some of New York City’s finest students during this year’s Welcome Week!

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How to be a Comedian: Week 3: Go up There and Bomb – And Check Out some Bomb College Discounts Below!

Monday, November 9th, 2015

Before I start, I’d like to give a quick shout out to the Campus Clipper. The Campus Clipper has been offering awesome student discounts in NYC, from the Upper East Side to Greenwich Village. The company helps support students in so many ways, from their coupon booklet to their Official Student Guide. Now, on to the blog!

Nothing beats experience. It’s incredibly important to get as much time as possible in front of a crowd. Unless you’re the reincarnation of Bob Hope, then you’re going to bomb the first few times you get on stage. We all do. It’s just one of those obstacles that you have to overcome; but don’t worry, it always gets better.

When you start out, you’re nervous, doubtful, and go up there and totally bomb – fumbling over your words, forgetting punch lines – but each time you do it’s a learning experience that will help you progress to the next level.

stage fright

In comedy, you have to have thick skin and roll with the punches. The best way to toughen up your emotionally fragile skin is to endure several cold audiences (most open mic crowds). Few situations make my lip quiver and face turn red like a stale room while I’m telling jokes. Blank stares, silence, and the sound of your heart beat. I hate performing for a cold crowd – I’m up there baring my soul and sometimes the best reaction I get is a lady sneezing.

One of my worst bombs was my second time ever performing stand up. A comedian I had befriended, Steve Brown, offered me a 5 minute opener spot at one of his shows at the Nashville club “Jazz ‘n Jokes.” I was the only white person there and felt extremely intimidated because I was most certainly not the person whom the audience paid good money to come see. I hadn’t rehearsed and my delivery of jokes seemed like I was trying to tell everyone about a dream I could barely remember.

The result: blank stares and a few pity laughs. Lesson learned: always be prepared! Any reaction is better than no reaction though, because you’re trying to create a dialogue with your audience and get a response from them. If you can start off with a strong opener and get a laugh in the beginning, then the rest of your set will run more smoothly – you broke the ice and they trust you. To gain the trust of the audience, I use self-deprecating humor to humble myself and let them know that I’m confident as well as comfortable talking to them.

There’s hope from these grueling moments though, because you’ll find that you continue to grow more and more jaded to a cold crowd. The less you allow cold audiences to affect you, the more you rely on yourself and the less you rely on their validation. Plus, each time you bomb, you become more aware of what areas in your routine need improving. Also, you know that the next time can’t possibly be any worse!

My best advice to avoid letting a cold crowd affect your stand up, is to fully immerse yourself into your monologue and become so consumed by your jokes that nothing can damage your mojo. I’ve found that when I’m fully consumed by my monologue, I believe in myself more. You’ve got to sell yourself on your act. If you can’t sell yourself on your own jokes, then you can’t expect anyone else to buy them.

How-to-Get-Stand-Up-Comedy-Gigs1

There’s no shortcut to gaining confidence on stage and becoming famous. Everyone I’ve talked with has told me the same thing: get up on stage as often as possible.

A few words from the Campus Clipper –

The Campus Clipper not only helps our interns learn new skills, make money, and create these amazing E-Books, but we give them a platform to teach others. Follow each new blog post to read a chapter of our various books and to learn how the Campus Clipper can help you follow your dreams!

Craving student savings while you catch up on your reading? Click on the link to download the Official Campus Clipper Coupon Booklet to check out some awesome college discounts! And check out our newest YouTube video showing off some of New York City’s finest students during this year’s Welcome Week!

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How to be a Comedian: Week 2: Seriously Funny – And Check Out some Seriously Awesome College Discounts Below!

Wednesday, November 4th, 2015

Before I start, I’d like to give a quick shout out to the Campus Clipper. The Campus Clipper has been offering awesome student discounts in NYC, from the Upper East Side to Greenwich Village. The company helps support students in so many ways, from their coupon booklet to their Official Student Guide. Now, on to the blog!

You have to be serious about being funny. No joke. Kidding aside.

It’s a long, hard road trying to make a life in comedy, but if you stick to it and persevere, it’ll be the most rewarding experience of your life.

Make a commitment to yourself to not give up. Go look in the mirror and say, “[insert name], I am a funny comedian, and I’m going to make it. I’m also extremely good looking with irresistible physical attributes” (you don’t have to say that last part, but I like to because it adds a little spice to my day).

All right, so maybe it seems a little cheesy to give yourself a pep talk in the mirror, but my point is to believe in yourself and nurture your confidence.

Make sure that you’re prepared to make the sacrifices necessary in order to achieve your dreams. Having a career as a comedian is far from easy– filled with part time jobs and open mic nights, until someone recognizes your talent. Then, maybe if you’re lucky, you get popular enough to travel 350 days out of the year, from gig to gig, across the country. One of the biggest sacrifices you have to make is being comfortable. Once you find yourself comfortable, that means you’ve lost forward motion. Challenge yourself with new jokes and different styles. Each time you reach a new level of comfort, break out of that comfort zone and try something new.

Ask yourself why you want to be a comedian. What’s your answer?

Do you want to be a comedian to become rich and famous? (You have a better chance of winning the lottery and getting struck by lightning on the same day).

Or, is it because you genuinely love to make people laugh and can’t imagine pursuing a life other than one devoted to telling jokes?

Be real with yourself. Find what’s at the heart of your desire, and stay true to that. If a Southern boy like me can move to New York City, not get stabbed by Yankee Liberals, and survive a night in a stairwell, then trust me, you can do it too! 

A few words from the Campus Clipper –

The Campus Clipper not only helps our interns learn new skills, make money, and create these amazing E-Books, but we give them a platform to teach others. Follow each new blog post to read a chapter of our various books and to learn how the Campus Clipper can help you follow your dreams.

Craving student savings while you catch up on your reading? Click on the link to download the Official Campus Clipper Coupon Booklet to enjoy some great student discounts! And check out our newest YouTube video showing off some of New York City’s finest students during this year’s Welcome Week!

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How to be a Comedian: Week 1 – And Check Out Our College Discounts Below!

Monday, October 26th, 2015

For the next eight weeks, follow the advice of a Campus Clipper comedy connoisseur, our former intern, as he goes through the rigorous steps of taking the route of comedic entertainer in one of the most competitive cities in the country: New York City. If you’re looking to be the next Louis C.K. or the next Amy Schumer, you may want to soak up as much comedy genius  as you can.

amy-schumer-louis-ck

Let’s take it easy and start with the introduction.

There are many different ways to be a comedian, and even more ways to succeed, but an infinite amount of ways to fail.

Don’t give up yet.

It’s important to learn from the success stories of others and be prepared to meet your own challenges head on – learning from them and becoming stronger. That’s what I hope you gain from this series – How to be a Comedian. I hope that you will learn from my mistakes and get a sense of what the industry expects of a successful comic.

I had a slew of questions when I first started in comedy. Over time, I learned some answers the hard way out of my own personal experiences:

How do I get stand up experience? – Open mic nights

How do I make money? – Ha ha!

What if I’m not good? – Practice more

How can I get recognized? – Social networking, videos, stage exposure

The list could go on forever, but all of these questions and more will be answered by me and some of the best experts in comedy. Getting in the comedy game isn’t just about grabbing a microphone and rattling off jokes off the top of your head (although a rare few are talented enough to do so). It takes writing, rehearsal, mental preparation, and overcoming self-doubt.

open-mic-levi

A comic has to network, to grow, and to expose themselves to everyone they can (not like that – get your mind out of the gutter). However, you need to make sure you bring your “A-game” if you’re going to put yourself out there. You wouldn’t go into battle with zero combat training and no weapon, right? Keep laughing, keep crying, and keep reading.

Stay tuned next week to learn how to take being funny seriously. It works, just trust me.

A few words from the Campus Clipper –

The Campus Clipper not only help our interns learn new skills, make money, and create these amazing E-Book, but we give them a platform to teach others. Follow each new blog post to read a chapter of our various books and to learn how the Campus Clipper can help you follow your dreams!

Craving student savings while you catch up on your reading? Click on the link to download the Campus Clipper Coupon Booklet!

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#MakingMemories: How to Document a Study Abroad Trip

Sunday, October 19th, 2014

#tbt (noun) – A hashtag frequently used to brag on social media about past travel adventures.

However, Instagram-ing your “Throwback Thursday” pictures isn’t the only way you can document your study abroad adventures—though it is a popular one.

Journaling is another inexpensive way to preserve your trip memories without breaking the bank. It can be difficult to have the discipline to write in a journal every day, but in doing so you’ll have something to look back on for years to come.

 

The journal that I kept during my study abroad program in China. The cover is decorated with stickers and ticket stubs that I collected during my month-long adventure.

The journal that I kept during my study abroad program in China. The cover is decorated with stickers and ticket stubs that I collected during my month-long adventure.

 

Journaling can be an intimate experience, but for those looking for a more public outlet, social media is the way to go. Many travelers hoping to update friends and family overseas may want to consider creating an Instagram account. It’s free, works through WiFi and is a quick and easy way to document the highlights of your travels.

Some travelers do not understand the need to take frequent photographs, however past study abroad students, like Kimberly Rogers, 21, disagree.

“I am definitely the type of person to take a lot of pictures when I go on a trip,” she says. “People tell me to stop and take in the beauty of wherever I am, [but] I’m gonna want to look back and reminisce.” Rogers recently traveled to China with CUNY Brooklyn College in the summer of 2013. “I can be one of those old grandmas who tell my grandkids to come look at how cool I was [through pictures]!”

Kimberly Rogers holding the scrapbook she made after her study abroad trip to China.

Kimberly Rogers holding the scrapbook she made after her study abroad trip to China.

With more and more advances in technology every year, the amount of photos we can take and store is growing. Many of these photos get mindlessly uploaded to websites like Facebook and Flicker without a second glance, but the more creative you are with your photos the more memorable your trip will be.

Scrapbooking, a widely practiced pastime in the United States, is a useful tool for preserving study abroad memories. Rogers, who frequently used Instagram during her trip to China, also created a scrapbook upon her return home.

“I think it’s really important to document my travels,” she says, displaying her China scrapbook.

Four pages from Rogers' China scrapbook.

Four pages from Rogers’ China scrapbook.

 

The scrapbook that she created contains photographs of her friends, landmarks and other memories of her trip. She bought stickers that went along with the China theme and decorative paper to make the pictures pop.

Some places to go for cheap deals on scrapbooking supplies are stores like Target, Amazing Savings and Michaels.

“I could have just printed out pictures,” Rogers says, “but I wanted to put effort into what I collected and make something I could cherish forever.”

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Sam Levitz is a graduate of Brooklyn College and went on the CUNY Study Abroad trip to China the summer of 2013. Follow her on Instagram: slevitz

Follow the Campus Clipper on Twitter and Like us on Facebook!

Interested in more deals for students? Sign up for our bi-weekly newsletter to get the latest in student discounts and promotions  and follow our Tumblr and Pinterest. For savings on-the-go, download our printable coupon e-book!

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Where I’ve Been: A Solo Exhibition by Christine Cha

Monday, December 9th, 2013

In this vast city that is New York, art is all around us. Whether we are observing, analyzing, criticizing, or creating, the artistic realm is always at our fingertips, and it is our choice if we want to be a part of it. As a student at The New School, I am surrounded by artists every day. No matter the focus, whether visual, musical, or written, art plays a large role in my life and in the lives of all of The New School’s students. Some of these very artists will extend their craft past the walls of the Parsons, Mannes, or Lang classrooms and develop a life revolving around their artistic passion. As an aspiring musician and writer, watching my peers establish themselves as creative beings in this bustling, competitive, overwhelming city is nothing short of miraculous and motivational. Christine Cha, a former student at Parsons School of Design, and a former intern at The Campus Clipper, has fulfilled this aspiration as a painter, as a city-dweller, as an artist.

Painting by Christine Cha

At her solo exhibition, Christine Cha displayed her works of art, which express the comparison of  the earth and the body through oil paint on canvas. Through a contrast of reds, browns, and yellows against greens and blues, an image of the abstract human form is perceived, resembling the mountainous terrain of our Earth. Her work is sensual, natural, and incredibly conceptual. With a display of ten different works, visitors at the Wix Gallery in Chelsea could view an array of Cha’s work.

Paintings by Christine Cha

Painting by Christine Cha

The experience, as a whole, was worth the trip into Chelsea from my Crown Heights apartment. In addition to the art viewing, free Brooklyn Brewery beer was available as well as free homemade empanadas. Cha also provided a variety of live music, playing softly in the background to enhance the guests’ overall viewing experience.

Live music enhanced the overall experience of the exhibition!

As a first time visitor at the Wix gallery and a first time viewer of Cha’s paintings, I was nothing short of impressed. The dedication to her craft as well as her appreciation for her followers and peers was commendable. In order to fulfill a life in the arts, a certain drive is necessary in order to succeed, a drive that Cha seems to possess. Since her time at Parsons and The Campus Clipper, Cha has motivated fellow students and created a life for herself among the other great artists in this fair city. For this, we congratulate her and wish her the best of luck in all of her future endeavors.

 

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Daniela Bizzell, Eugene Lang College, The New School University.

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Write For Campus Clipper

Monday, September 2nd, 2013

 

Scenario 1: You’ve lived in New York City for the past year or two—or maybe your entire life. You’ve mistakenly taken the 4 train instead of the 5. The initial awe and shock of seeing street performers has worn off. You can successfully navigate through the tiny, winding streets of Chinatown and know where to get the best and cheapest bubble tea. You avoid the Thanksgiving Day Parade like the plague. You scoff at foreign friends’ suggestions to see Times Square or the Statue of Liberty. You know where the next Starbucks is without consulting your iPhone app (let’s be honest, thoughthe answer to this is usually one block from the last). You have funny stories about tourists and run-ins with celebrities, and you have much sought-after thoughts about what to do on Saturdays.

Scenario 2: You stepped off the plane at the LaGuardia airport just a few days ago. You’re reading this blog because you’re crazy excited but also a little terrified about living in this insane city. You want to record your first year experience and be part of a community of people who are making mistakes, making progress, and making a difference.

Scenario 3: You feel strongly about New York City. Maybe you’re like Walt Whitman. Maybe you just want to write poems about how wonderful everything is here. Maybe you want to rant about how the MTA messed up your morning commute again. Either way, you feel the need to share your stories, your sage advice, and your city with other people.

If any/all/a combination of these scenarios reminds you of yourself, you should seriously consider writing for Campus Clipper! We want to hear your regrets, your triumphs, and every experience in between!

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Katie Yee, Bennington College

Follow the Campus Clipper on Twitter and Like us on Facebook!

Interested in more deals for students? Sign up for our bi-weekly newsletter to get the latest in student discounts and promotions  and follow our Tumblr and Pinterest. For savings on-the-go, download our printable coupon e-book!

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Interactive Art Exhibitions at the MoMA: The Rain Room and “Blood-Splattered” by Imran Qureshi

Thursday, June 27th, 2013

From the staging of free concerts to the screening of films in various parks, the onset of the summer has been replete with stimulating, cultural occurrences. In addition to the former and the latter happenings, the months of May and June have also been marked by a proliferation of ground-breaking interactive art exhibitions. Within this grouping, a wide breadth of acclaim has been allocated to MoMA’s Rain Room installation – a breathtaking exhibition wherein motion sensors allow participants to activate streams of simulated rain through bodily movement. Bringing recent technological developments and human movement into a fluid parlance, MoMA’s Rain Room installation allows its participants to transpose the most pristine and malleable of the four elements into graceful, cascading fugues.

 As with the Rain Room, Imran Qureshi’s “Blood-Splattered” installation – situated on the roof of MoMA’s main building – represents one of the most ineliminable artistic experiences of 2013. From an initial exposure to Qureshi’s work, the macabre hue that constitutes “Blood-Splattered” has led many visitors to testify that an initial exposure to Qureshi’s style is both highly provocative, as well as singular in its treatment of violence and mortality.

 According to Qureshi, the composition of “Blood-Splattered” stemmed from a desire to address the  psychological trammels that have resulted from recent events, from the Boston marathon bombing to terrorist actions and infighting in the Near East. Rather than attempting to justify these wide-ranging occurrences, Qureshi in “Blood-Splattered” seeks to impart a sense of consolation to those who have undergone them through the modicum of painting.

 Even in the absence of this background information, it is clear that Qureshi’s intention in “Blood-Splattered” is to transcend the concept of mortality by bringing it into dialogue its direct antithesis: that of resuscitation. Emerging from the stark matter that composes the work, the vivid forms of foliage, wings, and feathers come to attain an ever-clearer distinction in the viewer’s mind. As many visitors have testified, the contemplation of Quershi’s wondrous work before the wide expanse of Central Park is a testament to the beauty and the incorruptibility of life.

For students that express a desire to witness art that is exceptional in its formal qualities, or for those that merely wish to wile away the afternoon hours in a calm and meditative setting, a visit to Qureshi’s “Blood-Splattered” exhibition is highly recommended. Remember to present your Student ID to gain free admission to MoMA, as well as other cultural institutions in the New York City area. Stay tuned for more museum-related postings in the near future!

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Pietro Crotti, New York University. Check out my Twitter!

Follow the Campus Clipper on Twitter and Like us on Facebook!

Interested in more deals for students? Sign up for our bi-weekly newsletter to get the latest in student discounts and promotions  and follow our Tumblrand Pinterest. For savings on-the-go, download our printable coupon e-book!

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Small Language in a Big World: Latvian – To Preserve, Adapt, or Give Up?

Thursday, March 7th, 2013

In a world where the value of the English language as a global social skill is becoming less a skill and increasingly a necessity, how do we convey to our children the importance of learning another, less frequently used language?  And, equally pressingly, how do we instill within them the desire to understand and voluntarily use that second language?  As the demand for and the convenience of using the English language, both within the US and beyond its borders, continues to grow, many other languages are finding themselves forced into a periphery.  It is precisely this issue that the Latvian language faces, and that several organizations within the US are trying to counter.

Where in the World. . . ?

Latvia, formerly part of the Soviet Union, has a long coastline on the Baltic Sea.

First problems first: the Latvian language, and the country of Latvia itself, is one that many people admit they have never heard of.  Located on the Baltic Sea and sandwiched between Estonia and Lithuania in Northern Europe, Latvia only established itself as a nation independent of the Soviet Union in 1991.  WWII marked the mass exodus of Latvians seeking haven from the war-torn country, many of them resettling in North America, where they integrated into American society, while simultaneously maintaining their Latvian cultural identity.  Now, however, two generations later, Latvian-American youths are finding themselves further removed from the Latvian culture, speaking a broken version of the language, and, as a remedy to both these issues, turning to summer camps as a form of heavy Latvian immersion and education.

Who Cares?

Lina Batarags, a 22-year-old from North Jersey, grew up speaking Latvian at home with her parents and her two brothers.  “We went to Latvian school every Saturday up through eighth grade, and every summer, all three of us went to Latvian summer camps, first in the Catskills (in New York), and later on to the Latvian Summer High School in Michigan,” she says.  “I had two sets of friends: my friends from school, and my Latvian friends.”  Now a college graduate, she is one of the many Latvian-Americans who dedicate their every summer to working at one of several Latvian summer camps across the US.

 

So, What Are You Going to Do About It?

These camps, such as the Latvian Church camp in Elka Park, New York, where she has worked for the past four years, are run exclusively in Latvian.  “All the kids, all the counselors, interact only in Latvian.  It can be challenging, but it remains the defining feature of the camp.”  In addition to acting as one of the places where kids are required to push themselves to regularly use and improve upon their language, the camp also teaches its campers cultural and historical values; educational lectures and lessons in traditional singing and dancing are two landmarks of the everyday schedule.

Campers and their counselors link hands into a chain on the first night of camp.

In addition to serving as one of the camp’s three lifeguards and as head counselor for one of the eleven cabins, Batarags ran the camp’s educational program last summer.  For about an hour every day, she organized lectures and activities revolving around the customs and lifestyles of Latvia’s initial proto-Baltic settlers.  Not the most captivating topic, perhaps, but, as she notes, “I was surprised to find how attentive and responsive the kids were.  They were asking questions, some of them more involved than I was prepared to answer. I got the feeling that they really took something away from it.”

Given that fluency in Latvian is a requirement to attend the camp, it may seem surprising that the size of the camp has grown steadily since its founding in 1956. In the summer of 2012, the camp hit its maximum capacity, with over 100 kids (from across the US, Canada, and Europe) attending.  “Our counselors range from teenagers to parents, from athletes to professional artists.  Probably the one, single thing common between all of us, is our Latvian heritage — and our active desire to ensure its longevity.”

On Quality Control

Asked about the quality of the language, both at the camp and in comparison to previous generations, Batarags says, “I definitely think that our understanding and mastery of the language has become diluted as it has been passed down from generation to generation.  However,” she goes on to say, “I think that this is an inevitable shift.  My every day, except for the summer months, is conducted in English; of course I am going to be able to write better, to speak more easily, in English.”

Campers line up for the daily raising of the two flags - Latvian and American.

She makes a point of stressing that although higher proficiency in English than in Latvian does seem natural, this discrepancy should not be a result of a decreasing ability to speak Latvian; instead, it should be the result of ever-increasing proficiency in the English language.  “We continue to use and develop our English language skills, but this should not come at the cost of another language,” she says.  “As kids growing up in America find themselves with fewer opportunities to speak Latvian, their grammatical abilities, their innate sense for the language drops accordingly.  With this summer camp, we get one month’s time, sometimes less, to try and surround these kids with as much Latvian exposure as possible, in the hopes that they will continue to speak Latvian outside of the camp’s boundaries, too.”

So, why is it so important for kids and adults alike to continue practicing and developing their ability to express themselves in Latvian?  As Batarags puts it, “If we’re going to continue calling ourselves Latvians, I think it is essential that we be able to speak the language.  Otherwise, we’ll be able to discuss Latvian things, Latvian cultures, Latvian traditions, but only as outsiders.  Something intrinsically important, some building block of a culture, disappears when its language disappears.”

 

Variations on a Theme

Batarags notes that the Latvian language is developing in several different strains. “In America, most of us speak the ‘old’ language, which our grandparents taught us.  It’s quite different from the Latvian currently being spoken in Latvia, where a wider array of Russian and English words is commonly integrated into everyday speaking.”  The different developments within the language, primarily geographically based, aptly reflect the different ways the culture is developing in Latvia and abroad, respectively.  In this sense, the language tracks major shifts and movements in a culture.  “In the US, many of us regard the language as something to be preserved, to be kept as it once was, and purposely try to steer clear of mixing English and Latvian words.  But in Latvia itself, which is more concerned with staying globally relevant than it is with staying linguistically ‘pure,’ we see other, widely used languages beginning to infiltrate and to heavily affect the vocabulary.”  Each version of the language with its morphing linguistic patterns can be praised and faulted accordingly; undeniably, however, each is as relevant and necessary to its own culture as it is incompatible with its counterpart.

In the summer of 2012, the camp was home to over 100 campers and more than 30 counselors/personnel.

In addition to the summer weeks she dedicates to the camp, Batarags also currently serves as the co-editor of the Latvian American Youth Association’s (ALYA) bi-monthly newsletter.  “We have several regular contributors, such as people writing about Latvia’s economic situation, its ever-changing politics; other articles we have to specifically ask for, or write ourselves.”  Each edition of the newsletter is written entirely in Latvian, which Batarags describes as yet another great opportunity to use the language, and to expose others to it.  “Our articles are specifically written about and tailored to our audience, so I think people are genuinely interested to read them. . . . The fact that they’re reading them in Latvian is an added bonus!  It’s a great way to keep in touch with people, and to keep people in touch with each other.”

The opportunities to keep the language alive, as Batarags has and continues to demonstrate, are available: they just have to be sought out.  And in this case, it is imperative that the chances for consistent language use and improvement be capitalized upon.  Fortunately, she is far from alone in her beliefs and endeavors. “I’m only one of many people looking to keep the language alive and relevant today.  It’s an ongoing network in which all generations work together to influence and educate each other. I hope — and really do think — that we can keep it going.”

 

Written by Lina Batarags, February 2013.

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