Archive for the ‘on Writing’ Category

Dreamland Ch. 7: Why you should send that cold email

Thursday, July 24th, 2025

You’ve surely been told that the worst thing someone can say is “no.” It’s true, and useful, but I think it’s a bit unempathetic. No one ever tells you how awful it can be to actually hear “no” then have to move on knowing there’s nothing you can do — and no real reason to feel resentful of that response. As a teen writer, I heard “no” quite a bit, from publishers who didn’t work with minors, agents who weren’t interested in representing me because they “didn’t fall in love with the idea,” and other professionals who passed on the work for some reason or another. I just had to accept this and move on, every single time.

Like I’ve said, I’m self-published. Not traditionally published. It’s definitely a hurdle, as there is no reason for anyone to go looking for my books, and I’m still learning how to market myself. But for any young authors out there looking for accessible ways to put your work out there, I definitely still recommend self-publishing. Try out other things, but this is always an option, not just a last resort.

I started off looking for professionals on Reedsy, where you can hire freelance editors, illustrators, etc. to work on your project remotely. I found an editor based in London who provided a more seasoned perspective on my work, even for a book targeted to teens. Then I found an illustrator, but I actually should have found a formatter first as I needed to send the fully formatted manuscript to the illustrator so that she could size the cover and deliver the proper files. This was a mistake I made, and then I did it right for the second book.

However, the second book had a completely different issue. Due to extenuating circumstances, my illustrator had to drop out of the project. This was mainly an issue because she took months to communicate this to me and didn’t help me find someone else, meaning I couldn’t rely on Reedsy anymore as I needed a quicker response and turnover time.

So I went hunting. I found websites and portfolios that were similar enough to the previous illustrator’s style that they could adapt. I found covers that those artists created that I liked, that would suit the genre of my book. One email I sent didn’t immediately produce a collaboration, but the artist sent profiles of other artists that she thought would be able to work with me. And it was one of those profiles that ended up becoming my illustrator for the second book.

It was a hectic and scary process. Things fall through, and you always have to hope for the best and prepare for the worst. I’m so grateful I managed to secure these collaborations each time, and I pray I’m able to keep them for when I’m finished with this third book. 

This whole ordeal reminded me that I’m still responsible for the labor of getting my work out there, since I don’t have a big company investing in my talents to do it for me. If you’re looking to self-publish, send out emails. Find freelancers and professionals that are familiar with young writers and can teach you about the industry. Don’t be afraid to not know everything and everyone immediately. 

Since I had to do all this myself at such a young age, I’m truly an expert at cold emailing. I can’t even tell you how many applications I’ve sent out into the void, how many email threads I’ve followed up on weeks after getting completely ghosted, how many reporters and publications I’ve contacted as a marketing intern. It can be tiresome and tedious, but you never know what lifelong connection you’ll forge from a simple email.

Self-ownership is both terrifying and freeing. It’s wonderful to have control over my work and authority over the people I work with, but it creates so much more labor for me, a full-time student, and also has little to no guarantee of profit. Amazon, which hosts Kindle Direct Publishing (KDP), takes far more royalties than I do. It’s quite irritating. If you self-publish, be aware that it does more to build your portfolio than build your bank account. It’s still valuable, but you should definitely look into different ways you can use your storytelling skills to make a long-term career.

Until then, cherish the liberty of being creative. You are no less an author if you publish online. You’re just taking the necessary steps to put yourself out there. Always aim for the stars, but it’s also always alright to just aim for an email back.



By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Chapter 6: The Screen Between Me and Myself

Wednesday, July 16th, 2025

I was convinced I had everything under control in high school, and I even signed up for a debate on “How Media and Devices Shape the Youth.” And guess what? I argued passionately about how my phone helps us stay connected, learn faster, and express ourselves. And honestly, they do — but only if we know where to draw the line. ​​

But looking back… I wasn’t defending this media and devices. I was defending my dependence on it. I was using “productivity” and “connection” as a mask to avoid admitting the truth: I couldn’t go ten minutes without checking my phone. That it gave me dopamine hits, I didn’t want to give up. That I needed it more than I wanted to admit.

For the longest time, I thought this addiction started in college, but the truth is,  it’s been with me for years. I just didn’t realize it until now. You might wonder how I didn’t notice it back in high school. Well…I was wrapped up in my ego back then. My mom used to tell me I was addicted to my phone, but I would always brush it off. In my mind, as long as I kept my GPA high, it didn’t count as a real problem. And to be fair, I was pulling 90s, even while glued to my screen. So I thought, “How bad could it be?”

But then college hit, things changed. My grades slipped. My confidence collapsed. Suddenly, the tricks that used to work didn’t anymore. My ability to multitask, to study with distractions, to function while constantly checking notifications — it all failed me. And for the first time, I couldn’t deny it: this was an addiction. 

I started to realize that my phone had become a coping mechanism. Any time I felt anxious, bored, lonely, or overwhelmed, I’d reach for it without thinking. 

One thing I’ve really started to notice is how much my behavior has changed. I’m almost always in a bad mood. I barely have the will to do anything, even the basics. It’s like I’m constantly stuck in this fog, and I can’t shake it. I used to have drive, ideas, and things I wanted to get done. But now, even getting out of bed feels like a chore. Everything feels forced, like I’m running on empty.

It hasn’t just affected how I feel, it’s affected how I treat the people around me, too. My relationships with my family and friends have started to change, and not in a good way. I’ve become more impatient, more distant. I snap at people for no reason. I zone out when they’re talking to me. I’ve noticed myself getting irritated over the smallest things. I give short replies, ignore calls, and cancel plans. And the truth is, it’s not because I don’t care. It’s because I don’t have it in me to care the way I used to. I’m so caught up in my own fatigue, my own scrolling, my own world on a screen, that I’ve started pushing people away without even realizing it.

The worst part of dependence is that you don’t know how to stop. And even when you do know, it still feels like you can’t. You feel trapped in your own habits, in your own head. And you keep hoping one day you’ll just snap out of it.

But change doesn’t come all at once. It starts with awareness. With honesty. With moments like this, you finally stop pretending everything’s fine and admit that something needs to shift.

And that’s where I am now. I don’t have it all figured out. But I’ve stopped lying to myself. I’ve started setting limits. Whether in the form of feeling guilty after every doomscroll, or setting a timer, or just acknowledging the limit. I’ve started trying, even if it’s messy and slow. Because at the end of the day, I still believe in who I can become. I still believe there’s a version of me out there who’s more present, more connected, not to a screen, but to life.


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By Marzia Seemat

Marzia Seemat is a sophomore at NYU studying civil engineering and creative writing. She loves being close to nature, especially at the beach. Her favorite things include good food, morning tea, hour-long movies, and spending time with the people she loves.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Dreamland Ch. 6: The Notes App, and other holy grails

Wednesday, July 16th, 2025

If you’re getting sick of my complaining, you’re in luck — I’m finally going to talk about my actual process of writing. My routine is hardly defined and not in any way a rulebook, but I believe it capitalizes well on my sudden bursts of motivation but also works well with a lack of powerful motivation.

It always starts with a note. The birth of an idea, the concept of a concept, that I scramble to make real with text before it fades away. 

I first conceived my fantasy series when I was in sixth grade.My memory of this time of my life is hazy, so for the purposes of this first step I’m going to use a slightly more recent example. In tenth grade, I did a project on World War I and spent a lot of time researching that era of history. I had also been reading a lot of young adult and teen fantasy, returning to recreational reading for the first time since middle school. Sitting in that overlap for multiple months, much of my imagination branched off from this mindspace, and one night I shot up from my bed in the pitch black, already reaching for my laptop. 

I ended up with an incoherent, garbled mess of ideas listed in my Notes App — the early scraps of a duology set in a fictional world based on 1910s Slavic Europe. The main takeaway here is that inspiration will strike quite randomly, so if you aren’t able to force yourself to find it (just as you might not be able to force herself into “the zone”), do what you can to more naturally find a spark. Engage with the things that you are already interested in. Read books, watch movies, learn new topics and skills. While I was fostering an interest in history, I discovered a wellspring of images and narratives. You might encounter the same phenomenon doing something completely unrelated, like with a niche hobby or even while scrolling on your phone mindlessly. You’re never truly mindless, is what I mean.

After this initial conception, I reconfigure the mess into something more comprehensible: a vague summary, followed by a bulleted outline of story beats, and then a chapter-by-chapter outline. Essentially, break your book down, and then break it down some more. Each book in my current series is split into three parts (you obviously don’t have to do this), which helped me visualize the arc for each part and then sever those arcs into individual chapters. I determine what each arc needs to accomplish, so even if I end up shifting chapters around, I don’t lose focus.

For the story I’m currently working on, the third in the series, the main notes folder currently holds three pages: an outline, a bulleted list of various things to look out for during my rounds of edits, and random notes that include a hastily drawn map and outlines for very specific events in the book. For example — spoiler alert — a prison break. 

My three homepages. Don’t mind the caps lock.

There is also a sub-folder for “potential scenes” that I need to have prematurely written lest I go insane with all the circulating images in my head. Remember, your story may follow a certain chronology, but you don’t have to. Even in my drafting, if I don’t have the motivation for a certain scene or I want to skip a little ahead, I’ll type in something like “[more dialogue]” or “[walking along the road]” to signal to future me that a transitional or elaborating scene has to be entered here. If you have the motivation to write at all, don’t waste it — write what feels right.

Of course, the outlining structure depends on the book and what I think feels right for this particular style and/or genre. Below is the way I created sub-folders for the 1910s-inspired story I mentioned earlier. Here I have a section for characters, because of the multiple points of view, and world-building because of the more intricate details of the setting. 

An alternate way to organize your folders.

Don’t box yourself into my process, because I don’t even box myself into my process.

The rest of the method varies. I draft the entire story, rewrite scenes or even entire chapters, and cycle through rounds and rounds of editing until I feel confident in sending the manuscript to my editor. Sometimes, I find things like Google Calendar or Notion helpful to carve out time during the week to work on writing. Next chapter, I’ll talk about the process of finding professionals and self-publishing, but for a long time you as the author have sole authority over your draft. It sounds terrifying, and it is, but it is also liberating.

Your process is your process, ultimately, but I highly recommend taking the steps to make the actual writing and publishing part feel less daunting. It will take more than that to surpass the initial insecurities, but I promise you will benefit from breaking down your ideas into palatable, consumable pieces. Even if things change later on, even if you as a writer and person change later on, outlining and planning will keep the heart of your original idea alive — thus honoring who you were when you woke up in the middle of that fateful night, already opening up the Notes App.



By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Dreamland Ch. 5: Worldbuilding at 2am, breakfast at noon

Wednesday, July 9th, 2025

There is one thing that any artist understands: the elusive “zone.” The runner’s high of writing. Your brain, your heart, and your fingers forming a holy trinity. The story unfolding on its own. It’s a constant chase, finding the zone. It escapes you, but you don’t escape it. Some people melt into it, some dissolve completely, while some throw pebbles at it until it remembers that you’re still there waiting. I covet this feeling all the time, even when I’m working on schoolwork or writing an email. Hell, even this chapter. I feel the healthiest when I’m at my most productive, and vice versa, but per the last chapter, striking this productive balance is a battle of its own.

Something that’s been fairly difficult to admit to myself is that in order to be productive, I need structure. I’ve always been an imaginative kid at heart, and I’ve always aspired to have free time and flexibility. In my mind, this gives me the space where I have the most control, where I decide what I do, and I determine my own capabilities and limits. Instead, I retreat into a less productive, less ambitious, less willing version of myself, when I am normally very eager to be doing something. Idleness is one of the worst feelings to me, and yet I seek it out so frequently.

If I don’t have something to do in the morning, I don’t get out of bed before 11 AM. Without classes and deadlines, I spend the hours until lunch on my phone or computer doing nothing. In the evening, I might push myself to write half a chapter or work on something for my internship, or at least talk to my friends in a way that feels emotionally or intellectually stimulating. But ultimately, the day ends the way it did the night before, with me thinking to myself, “Tomorrow will be better. Tomorrow won’t be a waste.”

In my most introspective moments, I wonder if this regression happens because it’s safer than trying and failing. Safer than realizing I’m not as good as I’ve been made to believe. Safer than confronting my shortcomings. Or I might just be lazy — until, of course, I know that something is expected of me by someone else, and I have a time limit. 

None of us need a Hallmark card to know that the only real failure is a lack of trying. 

Still, the pressure of a blinking cursor near equals the potential. I am just as anxious as I am excited. Every day, I wish I could airlift the beautiful images I’ve conjured in my head and put them to paper without having to lift a finger. I can imagine all I want, and I do, but if I want to write, I have to just write

In my experience, the strategy is to be willing to write without the zone. If you’re a student, or you work, or you just have many obligations, you likely will have long stretches of time only once or twice a week. Which is why you can’t be afraid to just spend five to ten minutes writing uninspired paragraphs of nonsense that you can return to when you’ve actually found the zone, gawk at them because they’re so bad, and edit.

This is a tough habit to contend with because it makes my fear of mediocrity a self-fulfilling prophecy. I delay writing because I don’t want to be bad at it, and every time I try writing, it’s bad — and I just have to accept that. Consider it a sort of exposure therapy, and remember that by writing something, literally anything, you’ve already evaded failure. 

As you do this, structure will follow. You’ll find the times of day that feel the most motivating. You’ll improve as a writer, little by little, until you’re confident enough in writing past those ten minutes, maybe even reaching a whole hour. You’ll realize you have a couple boring, unoccupied hours here and there. Once you develop a willingness to start writing, set timers and do nothing but write until the alarm goes off. You might not begin in a zone, but you’ll induce one and stay there for longer than you expect.

The idea here is to stop crucifying yourself for not meeting your expectations of productivity or quality but to also stop enabling your lazy behavior. Not everyone can naturally fall into an ideal routine, especially in a world with so many things begging for your attention. 

Your attention is so much more valuable than you think. Direct it to fulfilling, meaningful activities. If you think you aren’t good enough, prove yourself wrong. 


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By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Dreamland Ch. 4: You are not a sellout, you are just 20 years old

Thursday, July 3rd, 2025

Every college student struggles with time management, with classes piling upon classes and the additional pressure to build your resume with clubs, jobs, internships. They say every hour of your day should be spent investing in the rest of your life, which leaves nanoseconds for fostering hobbies and interests. But over time, it gets easier. I’m surely not the first to say to you that you should allow yourself free time; that in itself is investment in your future. If you have it figured out, congratulations. 

I do not.

It’s not so much that I overbook my time or even procrastinate. More often than not, I frontload my work and finish all my smaller tasks before the weekend. I take pride in my work ethic when it comes to my academic life, but the remaining time is no man’s land, a space where a million obligations orbit and eclipse one another. When I’m writing, I think to myself that I should be applying to jobs. When I’m applying to jobs or generally lengthening my resume, I want to be writing because it feels more meaningful. I often end up doing neither, and the idleness at once comforts me and tugs at my skin.

This is only a dilemma because my brain compartmentalizes these two activities — writing books, and working toward a good resume — as not only different things but polar opposites. There is a solid rationale here. I’m not pursuing creative writing as my full-time career, which means I have to find other things I’m interested in that suit me. That’s what I suggest everyone does. However, I find myself also separating the pursuit of stability and the pursuit of fulfillment and creativity. 

I end up prioritizing quantity over quality. In many ways, this works. You should apply to and try out as many things as possible to find what you like. But sometimes this habit decays into an ingrained psychology where what I’m interested in does not matter. Anything will do, as long as I am doing it.

Content warning: job application. Image Credit: https://www.verstela.com/blog/tips-to-get-your-job-application-noticed/

In practice, I haven’t done anything that I absolutely despise. Not yet, at least. But no matter what I do, I feel that I should be doing more, something better, something that plants a direct line to six figures by my mid-twenties. I don’t actually care that much about money, but that lack of care itself is a huge privilege that I might someday lose. Rent is so expensive everywhere, entry-level positions require master’s degrees, eggs are a million dollars, and I still haven’t made time to write today.

The more I spiral, the sillier and guiltier I feel worrying about problems that I created. Isn’t it so terrible that I can’t manage my time at a prestigious university because I get insecure sometimes? There’s no “but” here. It really is just silly. What I’m trying to say is that I don’t want to waste the amazing opportunities I’ve had by making no solid, practical plans for a job, but I also don’t want to waste my capacity to care about things outside of these plans. 

Like me, you may be a natural creative and plan to pursue something adjacent to that passion (or entirely separate from that passion, even) with your creative outlet on the side. Like me, you may not know which you should focus on at any given time, because each is unfulfilling in its own way, emotionally or financially. The best advice I can give you is to avoid thinking of your creative passion as lesser or smaller and instead let it run parallel to your practical pursuits.

I’m sort of stating the obvious here, I know, but it’s very easy to abandon parts of yourself when you grow up, and that abandonment begins in your formative years. In between classes and other obligations, you should be making time to tend to your lifelong dreams, even if they end up having nothing to do with your career. Don’t treat them as a waste, and don’t even treat them as a hobby. Treat them as sustenance, the very essence of you. 

And if you want some even better advice, make a schedule for each week. Life-changing.


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By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Dreamland Ch. 3: Humility, and how the city of dreams can make you feel like a nobody

Wednesday, June 25th, 2025
The city of dreams in question. Image Credit: https://www.rolcruise.co.uk/blog/a-guide-to-new-yorks-skyline

It turns out I’m not the only person in the world who loves to write. Wild, no? I grew up around Indians and Indian Americans, which meant that, generally speaking, any artistic prowess was meant to be fostered in between better, more lucrative things. But more than that, I just happened to not surround myself with people who would’ve thought to seriously pursue English. I didn’t think myself above or below them in any way; we were just different. I appreciated that, honestly. But I did spend those months before college eager to meet more like-minded people, and it was still a shock to see the gradient of creatives walking down the street alongside me.

Something I didn’t expect to contend with was this feeling of no longer being special. I’ve always been friends with curious, bright people, but at NYU it’s as though every single person I meet has created something, reinvented something, pushed something to its limits and then beyond. I, on the other hand, have written something that falls in a long line of stories in the same exact genre, and will soon fall to obsolescence. 

In New York, I began to feel this immense pressure to be entirely singular. I have always been reserved about sharing the details of my writing with other people, but I now felt obligated to add caveats: I wrote these books at such a young age that they are bound to be less than perfect, I plan to move beyond this genre when I’m older, I read so much more than this (I read classical literature, please recognize my intellect). 

The craziest part about this? Nobody cares. 

I keep having to remind myself that I can still take pride in having put in the effort to bring something to fruition. It doesn’t make sense that I can write two entire novels and still feel inadequate, then turn around and assure everyone else that there is no time limit to accomplishment. Why can’t I apply that logic to myself?

Also, there are students at NYU better at writing than I am, big shocker. I see that every day I sit in a creative writing class, and before the disheartenment sets in, I force that fact to motivate me instead. I get more passionate, and I become a stronger writer.

What people actually love to hear is you talking about why you care, what you’re passionate about, the things that make you happy, whatever that might be. Not once have I experienced judgment or scrutiny for not looking to write the next Great American Novel, but I preempt my explanations in anticipation of that. It’s more pathetic, I think, than actually facing judgment. If someone does not want to hear about your dreams, they will not be privy to their fulfillment. That is their loss, not yours.

I can go on and on about this, prove with receipts what you can learn by understanding your merits and embracing your shortcomings, but the truth is, I’m still working toward practicing the certain, unadulterated self-confidence I preach about. I can be awful about taking compliments from other people, and even worse from myself, so I imagine it will take a while to talk myself up to other people without feeling the weight of unease. Even during interviews, when I enumerate my skills and qualities, I am simply performing. If I get the position, it isn’t me I have to thank, it is that facsimile of myself. The city and its endless opportunities can at once make you feel like a star and an imposter.

But I am the one who wrote those books. I am the one meeting those people, getting those internships, putting myself out there. I am the one experiencing the countless rejections, and I am the one who breaks down and picks myself back up to try again.

Whatever it is that you do, if it is something you are passionate about, the people worth your respect will respect your passion in kind. But more importantly, you will learn your own value once you set aside the impression that you must be uniquely expert in all that you do. Someone will be better than you, more reputable than you, and receive accolades you’ll take years to touch, but that’s no excuse to stop. 

The people you meet are not looking to rate you but to learn about you. So tell them, and leave nothing out.


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By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Dreamland Ch. 2: Surefire tricks to get your relatives to stop asking you about school

Wednesday, June 18th, 2025

Money. It makes the world go round, or something like that. I may have decided my passion from a young age, but I hadn’t decided on a job, not in any practical way. The hard lesson everyone learns between ages 17 and 21 is that choosing your dream is different from choosing your major, which is yet again different from choosing your career. I learned this lesson the moment I fostered my love for creative writing, and I keep learning it every day.

It’s not so bad, really. I’m studying English, which is very transferrable to a number of different fields, no matter what people will tell you. You only have to engage in a quick cursory scroll through any social media platform to understand that people lack writing skills, communication skills, and critical thinking skills. People lack empathy and can’t formulate nuanced opinions. I’m not suggesting that everyone become an English major, but I do encourage a reworked perception of what the field can offer. 

So I don’t regret what I’ve chosen; I only regret not pushing myself out of my comfort zone far sooner, all the way back in high school, in order to learn the skills I’d need to shape my career in English. In freshman year of college, I unfortunately hesitated to join extracurriculars and attend general meetings that would allow me to meet new people and find things I might be interested in. I’ve since overcome that hesitation, thankfully, and now I know that I enjoy journalistic writing, marketing, communications, and more generally, learning new things.

That doesn’t mean the insecurity doesn’t creep in every once in a while. Every month, I spend at least one evening freaking out about what I will do after I graduate, and I panic-apply to a million jobs that I ultimately don’t hear back from. My parents are incredibly supportive and love to hear about school, but I’ve noticed that my family friends, the aunties and uncles, aren’t quite sure what to ask or if there is anything to even discuss. I get it, truly, but I can’t help but compare myself to my sister and others in our family who’ve chosen something more recognizable.

If you’re in the humanities, you probably understand this feeling—the tugging sensation that suspends you between your wildest dreams and the real world below. The Icarian knowledge that either side will damn you. Most of the time, it doesn’t feel quite this theatrical, but I don’t think anyone is immune to the chilling realization, even if inaccurate, that the things you do as a teenager determine the rest of your life. Such is the condition of being a teenager in the first place. Why can’t we all just do what we love, right?

NYU’s Silver Center for Arts and Sciences, home to English majors and others. Image Credit: https://meet.nyu.edu/locations/silver-center/

The divide between your passion and your career prospects might feel chasmic now, but there are ways you can reconcile even the most distant of pipe dreams and the most mundane 9-to-5 jobs. 

I used to work for NYU’s outreach and fundraising organization, which was often the bane of my existence, but I took every shift as an opportunity to learn about other people and their backgrounds. I learned about their fields of interest and the ways they used their schooling to propel them into careers that suited their niche interests. I once spoke to someone that illustrated tarot cards. I still quit that job after a semester, but I have plenty of stories to tell. which makes the semester of asking strangers for money sort of worth it. I don’t intend on continuing that sort of work full-time, but I know that if I keep collecting stories and experiences like that one, I’ll find joy in any job.

My ultimate goal is to have a job that sustains me financially and doesn’t make me dread it every night and morning, but I think eventually I’ll come to accept that your job won’t and probably shouldn’t be your life. If I completely turn creativity and writing into my source of income, will I still covet them as I do now? 

If you siphon all your passion into the thing that you have to do or you lose your stability, is it still passion? 

My hope is that I can look down that cavernous gap and feel security in traveling between both sides of it. My hope is to make just enough money that I feel content waking up each morning—though I certainly wouldn’t be mad if I made a little more. Money might sustain you, but your passions will keep you alive.


Students receive a 10% discount at Dim Sum Palace at three locations in NYC. Redeem now for authentic Chinese dim sum.

By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Dreamland Ch. 1: A thousand empty notebooks

Wednesday, June 11th, 2025

Every year, without fail, someone will gift me a notebook. It’s not exactly a secret that I love to write, though I tend not to advertise it all the time, and I can’t blame that first instinct to give the writer a place to journal her thoughts and ideas before they vanish. Unfortunately, I was born in 2005, which means I started using laptops in fourth grade and haven’t stopped since. Kids these days, right?

But my first ever story was written in a red notebook.

I was five years old, and I didn’t know how to spell all that well, but I’d learned the word spectrum fairly recently and wanted to do something with it. So I pieced together something about rainbows and other worlds. An adopted little girl who plants flowers in an apocalyptic wasteland. I illustrated the cover and everything. With little fanfare, I realized I wanted to be an author.

Since then, that was my Thing. Once I got a handle of Google Docs, it was over for everyone. I wrote silly stories throughout my childhood, once with a friend in sixth grade just because we finished our English quiz early. I centered my personality around the fact that I enjoyed reading and writing, because these were the formative years nobody knew who they were so they picked an archetype for themselves. I could’ve done a lot worse than The Writer, I think, but that stack of notebooks is still growing.

It was a natural next step for me to conceive a full-length novel when I was eleven. That is, I thought vaguely of this story in idle moments and the liminal space between sleep and consciousness, but I didn’t suck it up and start drafting until I was twelve. It was pretty terrible, because I was twelve and all, but I owe everything to that decision. It’s that same story that I rewrote in high school and self-published when I was sixteen, and whose sequels I’m working on right now.

My first book. Do you get the blog title now? Image Credit: https://www.amazon.com/Dark-Reflections-Land-Dreams-Book-ebook/dp/B09KKXPK39

The thing is, it’s exceptionally rare to decide your lifelong passion before you’ve graduated high school, let alone before you’ve learned your times tables. But it’s not as though I’ve approached the rest of my life with absolute certainty or that I now have telescopic vision of the next twenty years. I may have chosen what I like, but I didn’t know who I was, not really. Often, I don’t have the faintest clue of the next five years, or even the next two. I still oscillate wildly between that wonderful surety and a debilitating fear of the future. Especially since that aforementioned lifelong passion happens to be creative writing and not, you know, hedge fund management. You’ll learn soon enough about my less-than-fully formed productivity habits and my monthly crashouts about jobs and internships.

Indeed, I happened to form the nucleus of my interests and aspirations from a very, very young age, but that passion has evolved with me in the same way someone might start out wanting to pursue acting and then realize they’re better suited for behind-the-scenes work. I still feel a certain catharsis from writing fantasy fiction like in the pages of that red notebook, but I see myself switching genres someday, and I also see myself doing a lot more than creative writing as an adult. Over the years, I’ve looked into work in fields like publishing, PR, academia, journalism, social media marketing, and so on, and I don’t want to box myself in even if I will always be writing no matter what. 

For instance, I write articles on movies and music for NYU’s newspaper. I’ve picked up minor marketing internships and taken business classes to learn about the professional world. Some things I like more than others, and I’m sure one thing or another will fall to the wayside once I graduate. For every notebook I fill, another remains unfinished. The easy part is figuring out how I can use my ability to write wherever I work, but the scary part is that it’ll never look the same way as it did as a child, when I could just tell myself I would be an author and leave it at that.

That’s the thing they don’t tell you about choosing what you want to do at five years old. You’ll have to keep choosing—and wisely this time.

TL;DR: If you picked a lifelong passion as a child like I did, you still have endless opportunities to figure out who you are. If you didn’t, don’t worry. You’re probably better off anyway.


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By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourages them to discover new places in the city and save money on food, clothing, and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during the Welcome Week of 2015.

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Chapter 1: Two Dreams, One Me

Tuesday, June 10th, 2025
A picture of myself at my favorite restaurant

Hey, welcome to my first-ever blog! I am Marzia—part engineer and part writer, but a full-time yapper. Stick around—it might get messy, but it’ll be fun!! 

My childhood was filled with countless ferry rides from my city to my grandma’s house. As the ferry cut through the gloomy water, I would always stare at the buildings along the shore. They didn’t seem just like structures—they seemed like interesting designs. I would spend the entire time staring at them, the windows, the colors, the shapes, the balconies, and the way they stood next to the water. Sometimes, I would even take wild guesses about the materials used or the money spent on building them, and at other times, I would be too busy wondering how the design could have been better.

It wasn’t long before I started experimenting on my own. On my eighth birthday, my parents gifted me a Lego set. It was more than a toy to me; it was a door to my imagination. I was building hundreds of buildings in a day, experimenting with each one. Each structure was a new challenge—could it be taller, stronger in the base, and more color-oriented? Every time I finished one, I would run around the house to show off my masterpiece. When I was done being showered with compliments, I would take it apart and start over, hoping to come up with a design even more intriguing. 

The more I built, the more I began to believe that I could be an engineer. And the more I believed, the stronger my desire to be one became. So I did everything I could to be an even better engineer. The math geek that I was, I tried to skip every basic arithmetic lesson and dive into the math involved in making real buildings.

As a full-on math nerd, I used to hate writing. But when COVID-19 hit and I was stuck at home with the same three people every day, I started to go a little crazy. That’s when I was struck with a shocking desire to journal. I wanted to write down everything I was doing in the day as if I was going to suffer from memory loss the next day. I still don’t know why.

The more I wrote about my days, I more I discovered that damn I can write?!?! I would try to be poetic and use insanely long formal words to describe simple things. Instead of writing “I took a sip from my cup of coffee,” I would try to write some ridiculous, thing as “I delicately sipped from my cup of coffee, allowing the warmth and bitter aroma to settle before continuing with my thoughts.” Before I knew it, I was writing stories, editing them, and proofreading them. 

As the days of the lockdown extended, my writing habit turned into a ritual I couldn’t live without. The engineer in me couldn’t believe it: I was falling in love with writing. When my works finally got published in physical books, I knew I couldn’t turn my back on writing anymore. 

Just like that, my dream of being an engineer expanded—I wanted to be a writer too.

Funny how the worst times can bring out parts of you that might’ve stayed hidden. Without COVID, I don’t know if I would’ve ever met the writer in me. I was so set on being an engineer, I never even thought about writing. But when everything shut down and the world got quiet, I had nothing but time and thoughts. Writing became my way of making sense of it all. What started as something to pass the time turned into something I loved. Now, I am someone with two dreams, two passions, and two identities.


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By Marzia Seemat

Marzia Seemat is a sophomore at NYU studying civil engineering and creative writing. She loves being close to nature, especially at the beach. Her favorite things include good food, morning tea, hour-long movies, and spending time with the people she loves.


For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC, from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourages them to discover new places in the city and save money on food, clothing, and services. At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during the Welcome Week of 2015.

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Candle Ceremonies, Pinterest Boards, and the Art of Manifesting

Tuesday, March 4th, 2025

One of my closest friends was recently flipping through pages of her journal from a few years ago. She had written down manifestation statements back in 2021, setting up goals for herself to actualize in the next few years. “I’m so happy I was able to buy a house in the Dominican Republic by age 24” was one of them. “I’m so happy that, by age 25, I found someone who is right for me, loves me, supports me, and makes me a better person” was another. She cringed while reading them, but she also started tearing up because those two statements came true. 

I’m the kind of person that will try anything as long as it can’t hurt me. With manifesting, I always figured nothing necessarily bad could come out of it, so why not try it? When I first moved to Boston, I went to Salem and bought ‘magic’ candles from a witch store. They were color-coded to what aspect of life one wanted to manifest good things for: green for finances, white for peace, yellow for intelligence, and so on. I went home and lit the red candle, symbolic of love and attraction, and I let the wax melt onto a piece of paper where I had written about my crush on my now boyfriend. Did I feel silly, trying not to set off the fire alarms as I performed a ritual in my bedroom? Yes. Would I do it again? Probably. And THAT’s on girlhood.

My boyfriend’s and my new shoes: manifesting at its finest

I’ve been using the word ‘manifest’ a lot over the past few weeks, and the people around me have been using it as well. In our 20s, we’re all manifesting new jobs, better relationships, and internal peace. “Please manifest for me!” and “I’m manifesting it” and “Manifest good shit” have a surprising amount of hits in my text message results. I’ve never considered myself a believer of pseudosciences like astrology or chakra alignment, but I do think there’s something to be said about the mental energy that goes into getting what you want, along with the inherent determination that comes with it.

According to the Cambridge Dictionary, to manifest is to “imagine achieving something you want, in the belief that doing so will make it more likely to happen.” The word ‘manifest’ was looked up almost 130,000 times on the Cambridge Dictionary website in 2024, making it one of the most-viewed words of the year. In the United States, the idea of manifesting has grown less taboo with time, with many people turning to it daily.

Today’s concept of manifesting can be traced back to the New Thought Movement of the late 19th century, which is based on the idea that our thoughts and beliefs can have an influence on our health, prosperity, and success. The New Thought Movement emerged in the United States and Britain, drawing influence from the literary transcendentalists, the celebrity mesmerists, and, most prominently, Hindu philosophy. In Hinduism, manifestation is connected to the belief in Karma, meaning that our thoughts, intentions, and actions directly influence our reality.

In 2006, Rhonda Byrne published a best-selling self-help book, “The Secret,” exploring the topics of manifesting and the Law of Attraction, which centers on focusing your thoughts and energy on positive desires to attract positive life experiences. “The Secret” went on to sell over 35 million copies worldwide. The rise of celebrities like Jim Carrey, Oprah Winfrey, and Will Smith speaking about their practice of and belief in manifestation aided the book’s sales and reputation despite its lack of scientific foundation. 

Manifesting was brought back into the mainstream media during the early months of the COVID-19 pandemic, with people turning to the concept as almost a coping mechanism for the tough times ahead. During 2020, Google searches for the word ‘manifest’ rose by over 600%, and trends on social media skyrocketed with practices like positive affirmation statements and the 777 method. Pinterest saw a 565% increase in searches related to creating vision boards based on the cultivation of desired self-images. The conviction of social media participants seemed to be split in half, some manifesting comedically and others religiously. 

A few examples of the affirmation memes that circulated the internet during COVID.

From candle ceremonies to Pinterest boards, the art of manifesting today has become a staple in Gen Z’s self-care and wellness culture. New research from American Express reveals that nearly seven in 10 Gen Zs (69%) engage in manifestation practices, with over half saying it’s to help them achieve their goals.

While there is certainly no evidence to support the idea that manifesting gives you exactly what you want without any work involved, there are legitimate mental health benefits to practicing it. If we look at manifesting as not just a trend, but not a whole identity, either, we see that it can be something of a self-care practice, promoting positive self-talk, long- and short-term goals, and confidence in those who participate. Many of us are ‘manifesting’ without even knowing it.

Implementing manifestation tactics like positive self-talk, personal affirmations, and goal visualizations into our daily lives has been shown to improve self-esteem, stress management, and well-being, as well as reduce symptoms of depression and anxiety. In studies by the National Institute of Health, self-talk specifically has beneficial effects on attention and emotion regulation and is widely used for performance enhancement in sports, academic engagement, and regulating anxiety or depression. Additionally, according to BetterHelp, “The latest research shows that the brain does not recognize the difference between real or imagined scenarios and that “rehearsing” future scenarios with visualization can build new neural pathways, calm anxiety, and increase confidence as you work toward your goals.”

Affirmation: I will catch the train on time. I will not miss the train and wait outside in 20-degree weather. The T is on my side.

Olympians across the globe have discussed the mental training that goes into achieving their dreams, from visualizing their race over and over again like Grant Holloway to posting manifestation statements on Instagram like Noah Lyles. It’s clear that the activities involved in manifesting are more than just wishing and wanting; they’re active steps taken to achieve one’s dreams. 

The truth is, when we show up our best, we do our best, both mentally and physically. If we are constantly telling ourselves that we don’t deserve something, that we aren’t good enough, or that we don’t believe in ourselves, it’s more likely we won’t even put the time or energy necessary into our goals. With that, how are we ever supposed to get what we want, or get closer to getting what we want? No one is saying you can just sit on your couch, light a bunch of candles, and wait for a million-dollar check to fall into your lap. Likewise, there’s nothing wrong with being mentally diligent and committed to your goals, either. 

I like to think of it as a self-fulfilling prophecy. A self-fulfilling prophecy, in a gist, is when what you predict to happen becomes what actually happens because it is what you expected to happen (I know, it’s a bit wonky). Basically, your actions end up aligning with your expectations. For example, let’s say I was going to a party, but I was afraid that no one was going to talk to me, and I wouldn’t make any friends. The self-fulfilling prophecy here would be that I went to the party, was too afraid to talk to anyone for fear of rejection, and consequently did not make any friends. I fulfilled the prophecy I set out for myself because I didn’t visualize a different outcome. It’s similar to people who say, “I’m going to fail the test anyway, so why even study?”

However, if I had told myself–whether it be by writing it down in a journal, visualizing the scenario in my head, or using positive self-talk to affirm my wants–that I was going to make friends at the party despite the chances of no one talking to me, I may have been more inclined to talk to people myself. I most likely would start up conversations with strangers and make friends via my own determination and confidence to get what I want. This is how I see manifestation: taking the time and energy to be specific about your desires and how you’ll fulfill them. “I will study, and my hard work will pay off.”

Of course, things don’t always go the way we want, and we can’t expect life to be all smooth sailing. We could easily talk to people at the party only to find out they’re kind of annoying and not really our speed. We could easily study all night and still fail the exam. We could easily be on time for the subway only for it to stand by at the stop before ours for 20 minutes. However, the point is that by focusing on the possible positive outcomes, we open ourselves up to opportunities that we may otherwise not have. If nothing bad can come out of it, why not give it a try?

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Brenna Sheets is a graduate student in Emerson College’s Writing and Publishing M.A. program. Her hobbies include going on long walks, watching bad television, reading, and writing.

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