Archive for the ‘onBooks’ Category

International Students Club: Books

Friday, October 4th, 2024

I simply cannot continue with this International Students Club: Making Community Through Entertainment series without including books. As a serial book lover, it’s imperative to not discredit books as one of the best sources of entertainment. Books are often overlooked when entertainment comes into the conversation because they’re probably the most time-consuming way to have fun. The act of reading, however, and creating or joining communities with other like-minded bibliophiles is a fantastic way to connect with people through a shared hobby. 

The first step to making a community through bookish entertainment is book clubs. The great thing about book clubs is that they are literally everywhere. Check your university’s student organizations and there will likely be a book club of some sort. If there isn’t one that suits your reading tastes, you can always start your own! If you start showing up consistently, bonds will inevitably spark. At Emerson College for example, where I attend as an undergraduate, the main book club is called Emerson Reads, previously known as Emerson Reads YA. They host monthly meetings about the book they picked that month, while also holding all sorts of fun events to relax, talk about books, and make cute bookish items, such as bookmarks. 

In-person book clubs are not the only option, however. Fable is a great app to join or create virtual book clubs. You can even buy the e-books straight from the app, making it a one-stop shop and social media for buying books, tracking them, rating and reviewing, joining clubs, and making posts about anything book-related. I myself have joined book clubs hosted by some of my favorite book content creators on YouTube, and it’s been fun to see everyone’s reactions. Apps like Storygraph and Goodreads are also great tools for tracking your reading and interacting with other users about books.  

Courtesy of Fable / Mashable

I also recommend going out into the physical world and exploring bookstores aside from the typical Barnes & Noble. Going out to independent bookstores is such a fun and exciting way to get to know your community. Go with friends or go alone — it’s a different experience every time. I also suggest being on the lookout for author talks and signing events. Many independent bookstores partner with authors to have them talk about their newly released books. Most of these events are completely free to attend and the authors will usually sign their books too! And as a little caveat, don’t neglect your local libraries. Libraries often also hold talks and author events, writing workshops, and book clubs of their own. 

Brattle Book Shop / Courtesy of Brattle Book Shop / Ziptopia  

The last thing worth knowing about is to watch out for book festivals. The Boston Book Festival is an annual festival being held on Saturday, October 26th this year. According to the Boston Book Festival website, “The Boston Book Festival celebrates the power of words to stimulate, agitate, unite, delight, and inspire by holding year-round events culminating in an annual, free Festival that promotes a culture of reading and ideas and enhances the vibrancy of our city.” The festival is in Copley Square, it’s completely free to attend, and registration is not required. So, show up, browse books, talk to authors and literary agents, and have some fun! If you would like to volunteer at the Boston Book Festival, you can register on their website

The Boston Book Festival / Courtesy of Olivia Nadel / Boston Book Festival / GBH

These ideas are just a few ways to create and join communities through shared hobbies such as reading. These tips may be especially helpful for international students because apps like Fable can connect you with other readers from across the world, bookstores can host authors and events that represent different cultures and groups of people, and The Boston Book Festival is known for its inclusion and celebration of all kinds of people. These avenues are truly wonderful if you want to appreciate book culture, but may be apprehensive if there is a space for you. In the book world, there is always space for everyone. 

Use this student discount to get a FREE coffee with any $5 purchase at TaiyakiNYC in Cambridge!

By Natia Kirvalidze 

Natia Kirvalidze studies Writing, Literature, and Publishing at Emerson College. She is a Publishing Intern at Campus Clipper, serves as the Features Editor for Page Turner Magazine, and is the Managing Editor of Green Magazine. She enjoys playing chess, hiking, and making checklists. 

For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourages them to discover new places in the city and save money on food, clothing, and services.  At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during the Welcome Week of 2015.

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Chapter One: You Could Be a ‘Good Girl’ and a ‘Bad Girl’

Monday, June 17th, 2024

When I first took a step on my college campus, I was terrified. Mostly of myself. Coming from a K-8 Catholic school education and a militaristically run charter high school, I had built a strong “good girl” persona that today I still find myself trying to deconstruct entirely. To my pleasant surprise, college was the right and best place for me to do just that.

As a preteen, I had this idea that I would transform into a completely different woman. A woman with major presence, high-energy, and is unabashedly quirky. All the qualities I think would have been fully-fleshed out before my 20s if I hadn’t been disciplined out of them. I could finally use my 20s to revive that excitable little girl that was always in me but was made small. She often found shelter in free-spirited fictional characters who’d given her (and me) inspiration for a satisfying womanhood. I was excited again to be outside of my home.

As an English major, I was already being taught how to think critically about gender, race, sexual orientation, and even Catholicism to a lesser extent. I peeled back layers of lies and false promises made to me by my parents and by the Church. I thought my parents’ home and the home of worship were places that would offer me belonging and safety, but I only ever felt like I was in constant danger. I was explicitly and implicitly told that the woman I was dying to be wasn’t the right woman and wasn’t the woman I was born to be. So, I became of afraid of her. Afraid of who I would turn out to be.

I have to admit that I often found it easier to learn about critical theory than I did putting it into practice in my everyday life. I was avoiding the reality that I had the experience that showed I wasn’t a little girl anymore, yet I wasn’t owning the “woman” label. And it was just that that I learned—the knowledge and experience that you gain outside college lecture halls matters just as much as on the inside of a college campus; and both can’t really exist without each other.

I grew to think of my college experience as my “bad girl” era. My personal Garden of Eden. It was where I could find so much forbidden fruit (both of the academic kind and of the human kind, if you know what I mean). There is so much hidden about yourself that requires constant discovery and rediscovery. And that is what happened with me; during college, I had realized there were sides to myself and to other people that were almost invisible to me because I had finally been given the space to have conversations that would have been useful to myself as a young girl and most likely for many other young girls too.

Girls just wanna have fun!

It was where I realized I had autonomy and choice, even if I had been raised in a culture that made me believe the opposite. While I had technically taken a women’s studies course in the latter-end of my college journey, I had learned so much about feminism through my other humanities courses. I wasn’t just inspired by these humanities courses but by just being in a space away from the surveillance of my parents at home. Inspired to make certain decisions for myself and even just for myself, as much as that sounded selfish to most around me.

I received a lot of pushback for just exercising my autonomy. For revealing my true opinions on different social and political issues. For furthering myself away from people and activities that I was considered to be culturally and politically obligated to in my childhood and adolescence. I grew up taught to be overly concerned about being moral (or more accurately, looking moral) for the sake of fitting an unrealistic mold made for imperfect humans. Us women and femmes know too well the pressure not to be the “bad girl.” Yet, there will always be something about a woman that makes her a rotten apple.

For me, it was keeping my head too far into my books—my bibliophilia. According to my parents, my love for reading and writing just turned me into an overemotional, self-involved, and distracted daughter. Initially, I thought my knowledge would stand in for morality considering how much importance my parents and general society give education. But then I realized that my parents mostly cared about the grades and social status my education would give them and myself whereas I mostly cared about how I could support myself and others with the knowledge I gained.

In the end, I believe many of us humans, especially women, are more than just completely “good” or completely “bad.” I love words too much to have continued latching onto this extreme form of language into my mid-20s. I prefer to recognize the complexity we all carry in us and that my “bad girl” era college gave me was never really a “bad girl” era. It was more like a me-growing-into-my-womanhood era. I will admit—though—that calling it a “bad girl” era always sounded like fun.


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By Daeli Vargas

Daeli is a recent graduate from the City College of New York with a BA in English and a publishing certificate. She is from the Bronx and is very passionate about all things literary. She hopes one day to publish many books of her own and share her passions worldwide.


For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourages them to discover new places in the city and save money on food, clothing, and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during the Welcome Week of 2015.

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Are You Still Watching?

Sunday, July 24th, 2022

Surely we have all come across this question once or twice before in our lives—the one Netflix asks you when you have been watching TV all day and they want to do a cute little check in to make sure you’re still there. At which point you pause, think to yourself, “wow, have I really been watching all day?” and then you proceed to hit “continue watching.” What fun!

If there was a time that we needed entertainment the most, it was during the pandemic. We were cut off from our friends, our family members, our neighbors, and basically everyone who we didn’t already live with, and aside from worrying about our safety, it was a time of mass boredom. We seemed to have so much time on our hands, so what were we to do with it?

At the beginning, for me at least, keeping busy took the form of watching TV. It was easy to do before, in between, or after Zoom classes, and it doesn’t take a lot of energy to keep you engaged. I had just gotten Disney+ the previous winter, and during a time of increased isolation, you could say I was feeling a bit nostalgic. I started watching some of my favorite childhood TV shows like Wizards of Waverly Place. Then, I obviously had to undertake the very strenuous task of watching all of the Marvel movies in timeline order. I later started watching the more predictable teenage fan favorites, like The Vampire Diaries and Outer Banks, and after finally succumbing to all of the traction it was gaining on TikTok and Twitter, I regrettably watched the first season of Tiger King (key word, first). As many I’m sure can agree, it was a time that was favorable to consuming all kinds of content in whatever way we could get it.

But the allure of the television could only last for so long, and soon I was looking for other things to do once my time freed up after classes were done for the semester. First, it was making friendship bracelets (which turned out terrible), then it was painting any and everything in my room (not as bad as the friendship bracelets but still not my best work), and finally it was doing 1000-piece jigsaw puzzles (subtle flex, I know).

My family was also trying to find new ways to spend time together, since we were all getting caught up in the monotony. We started getting takeout every Wednesday so we could have a treat to look forward to, even though we usually just rotated between our usual favorite restaurants. When the weather started to get nice and it was safe to spend time with people outdoors, we took our dog on a family walk every Sunday at nearby parks and trails. Although I did not love getting up early on weekends, it was a nice way to get some exercise, leave the house, and spend time with my family.

Hunter, the 15-year old dog in question.

At school, trying to find ways to be social and have fun while keeping myself and others safe was also a challenge. We couldn’t go back to doing all the things we enjoyed doing at college, but we just had to find new things and expand our horizons. For instance, during the fall of 2020, my roommates and I went to a pumpkin patch to pick pumpkins and get ice cream. It was a great way to do something fun while also abiding by COVID-19 guidelines.

Self-explanatory.

Out of all the activities I did to keep myself occupied during the pandemic, the thing that I did the most was read. Throughout my life, I have always loved reading—getting lost in fictitious worlds, being inspired by my favorite characters. When I was little, I would go through books incredibly fast, especially if they came from the Magic Tree House series. Of course, children’s books are shorter, but I also just had more time and energy to immerse myself in a good read. In middle and high school, I still loved to read, but I didn’t make it as much of a priority as other things—like homework, sports, and extracurriculars. It wasn’t until quarantine that I truly began to rekindle my love for reading. I would take my books, lay outside in the sun, and read for hours. I also started to read a little bit each night before I went to bed, which had one of two effects: either it would help me fall asleep, or it would keep me up half the night turning the pages. Regardless, I made a promise to myself that I would read a little bit each day, even while I was at school; reading was not only something that I loved to do, but it was also a great form of escapism during a time when many of us needed it most.

Our lives are so busy that we rarely take the time to pause and do things for ourselves. We always come up with excuses or push things off, but it’s important to make time for things that matter to us. Of course, work will always be important, but finding small moments every day to do something for you—even if it’s just a chapter a night—can be just as important, whether you are at school or at home. Honestly, if the pandemic had not come along to slow things down, I might not have realized just how caught up I was in the motions of everyday life. I think that sometimes we feel like entertainment is synonymous with wasting time, but it’s always important to take a breather, blow off some steam, and immerse yourself in something that makes you happy. It won’t always come easy, since as I’m sure we can all attest, these last few years have introduced us to a feeling of fatigue like no other, one that makes social activities or hobbies feel just as draining as work. Finding what gives you joy comes in bits and pieces and changes all the time, so just remember to be patient with yourself. 

And, if you’re looking to start your own version of take-out Wednesdays, use this coupon to get 10% off Indian cuisine from Punjab Palace!


By: Katie Reed

Katie Reed is a senior at Villanova University studying English and Communication. She is in utter disbelief that she just admitted to being a senior. She loves to read, but has made barely a dent in the increasingly large pile of books on her bookshelf that she told herself she would read this summer. She hopes to enter a career in the editing and publishing industry.


For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourages them to discover new places in the city and save money on food, clothing, and services. At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during the Welcome Week of 2015.

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You Are What You Read

Wednesday, June 29th, 2022

English novelist Angela Carter once said, “Reading a book is like re-writing it for yourself. You bring to a novel, anything you read, all your experience of the world. You bring your history and you read it in your own terms.” Escaping into the pages of a book is one of my favorite ways to feel both relaxed and creative at the same time. As a reader and writer, getting lost in a novel is a very therapeutic experience for me. Literature comes to life more so when I am able to relate to the story that is unfolding. Just like when I listen to Taylor Swift, when I read about a character that goes through the same experiences I do, it feels personal and safe.

Taylor Swift once told a fan she loves the novel Normal People by Sally Rooney. After reading it and watching the series adaptation on Hulu, I completely understand why she recommends it. The main characters, Connell and Marianne, struggle to communicate their feelings to each other throughout the novel. Their words get lost in translation and they never truly know what the other is feeling. While reading Normal People, I imagined myself in the story because there are often instances where I assume how someone else feels instead of asking straightforwardly. This can lead me to overthink and sometimes create irrational scenarios in my head. A part of me knows this can all be solved by being direct about my feelings, but it is easier said than done. But as Rooney’s characters showed me, I’m not the only one who does this. And certainly Taylor Swift has shown she does this too, with lyrics like “I’d tell you I miss you but I don’t know how” and “Here’s to silence that cuts me to the core.”

When I first read The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid, Swift’s song, “The Lucky One (Taylor’s Version),” instantly started playing in my head. The story goes into detail about the main character, an actress named Evelyn Hugo, who achieved great fame and success but lacks happiness in her life. Although she is viewed as “The Lucky One” because of her looks and wealth, she does not actually feel like it. “And they tell you that you’re lucky but you’re so confused ‘cause you don’t feel pretty, you just feel used,” is the Taylor Swift lyric I believe deeply connects with this character. Evelyn Hugo had to lock certain parts of herself away in order to maintain her public image, which is certainly a universal feeling among women.

Reading is inherently imaginative and expressive because we place our own lives and feelings within these plots. The way we interpret a story is what makes each person’s experience reading it individual. I feel lucky that I’ve read novels that give me the experience of being able to temporarily transport myself to a new, special world. However, I understand that this may not come easily to everyone. It took me a while before really finding a book that set off my love for reading, so here are a few tips to find the right book for you:

  1. Visit a local bookstore. Browsing through the displays, searching through your favorite genres, and asking for staff recommendations can lead you to the start of your reading journey.
  2. Social media. If you search “Booktok” on TikTok, you can easily find recommendations from so many different people and their unique opinions and perspectives. 
  3. Join a book club. Whether it be online, on campus, or in your city, this is a great way to integrate reading into your social life. Fun discourse can lead to deep and meaningful conversations.

Don’t forget to create a playlist of all the songs that remind you of the next book you’re reading to enhance this experience!


Use this Student Discount to pick up your favorite bagel and coffee!

By Jacqueline Rappa

Jacqueline Rappa is a rising senior at the Fashion Institute of Technology studying Advertising and Marketing Communications with a minor in English. You can find her aimlessly walking around New York City while drinking an iced coffee and listening to her favorite albums on repeat.


For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourages them to discover new places in the city and save money on food, clothing, and services.  At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during the Welcome Week of 2015.

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Behind the Scenes of Writing “The Gift of Listening”

Thursday, November 26th, 2020

How much pain can one endure? Everyone says it’s important to be brave and be resilient. The year of 2020 represents healing, hope and strength. During a time where our lives have turned upside down and traveling is limited. It can be easy to feel stranded with our thoughts, emotions, and overall surroundings. Our mental, emotional and physical stability is crucial during these difficult moments, as we continue to adapt to this new way of living. These new ways of living include: wearing a mask and maintaining distance. It is important to listen to ourselves, and find inspiration to be creative everyday. Oftentimes, we forget that we must discover different outlets to express our fears and concerns but it is also easy to forget about the beautiful things in life. Most occasions it’s not things that give significance to our lives but rather what fulfills us with tranquility and joy. In this occasion my experience writing my ebook was a momentum and a learning experience, it allowed me to transition my ideas to emotions and thoughts into a creative piece. 

Being given the opportunity to write my ebook called, “The Gift of Listening” fulfilled me with a peace of mind and served as a distraction from all the problems in the world. It also made me realize the power of effective listening especially during a global pandemic, you must have an open mind and appreciate the value that listening instills. Writing this ebook allowed me to share my thoughts, discover a new strength, and grow as an individual through implementing listening skills on myself as well.  The process of writing this ebook and writing in general enabled me to explore a space of my own- it helped me overcome the anxiety from the political season and civil unrest. Not to mention that writing itself is essential, and is part of our ideas and memories, conveying the influence that it has on the world.

Wagar, Hadi “Hiring Freelancer Writer|Do’s & Don’ts https://www.trendycrunch.com/hiring-freelance-writer-dos-donts/. Accessed 25 Nov 2020

During quarantine, I reconnected with my family after being busy for almost an entire year. Listening is actually the core to strengthening relationships, sharing connections, and communication. While writing my ebook I’ve been working on using these skills to become more of an effective listener. Something I’ve truly learned is the importance of focusing on the speaker versus making the conversation about yourself. There is always space for improvement, it is part of our individual growth and can be beneficial in the long run. At CampusClipper, our current weekly podcasts, requires engagement to be involved and interests in the topic of the speaker but also through the art of listening and communication. I believe that it helps us progressively grow our confidence together, it also builds a safe working environment as interns to work productively. 

Writing is a piece of art that instills creativity, effort, and dedication. Therefore, while writing my ebook, self care played a prominent role in having stability with my health apart from other responsibilities in my personal and student life. Being an effective listener is also about listening to the needs of your mind, body, and soul. Personally, my goal was to write concisely and to convey positive energy. It’s also made me appreciate the effort that goes into writing and value the hard work of publishers themselves. Writing is more than ideas or thoughts, it is a set of values. “The Gift of Listening” was an experience and a pleasure writing. I am proud of my work, as it has inspired me to explore my psyche. It has also encouraged me to manage my time to put the best collaborative effort into this ebook to empower myself. 

Here are some helpful tips to inspire you to write and use it as a creative form of expression:

  • Set a purpose behind your writing to motivate yourself
  • Set a goal to write daily, or weekly and celebrate yourself.
  • Feel free to allow yourself to write messy without critiquing your work; “free write”.
  • Remind yourself why you’re writing, it is okay to edit, delete and rewrite.
  • Be imaginative, aspire, and be creative.

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By: Yadira Tellez

Yadira is currently enrolled at the Fashion Institute of Technology, majoring in Fashion Business Management and minoring in English literature. She’s worked in retail and has had the opportunity to work behind the scenes during NYFW. Her dream is to be a Fashion Stylist, but enjoys creative writing to relieve stress and express her mind.

For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourages them to discover new places in the city and save money on food, clothing, and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during the Welcome Week of 2015.

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Study Tips from an Expert

Tuesday, July 25th, 2017

As I mentioned in my last post, a lot of the study methods most college students rely on have no scientific basis. In fact, there are even a few quick changes you can make to your study habits that will help you absorb information much more quickly and store it in the long term, so you can ace your cumulative finals with ease and retain that knowledge for when you enter the job market.

Peter C. Brown’s 2014 book Make It Stick exposes these hidden truths about studying, explaining which methods are the keys to success and which are simply the same trite  unsubstantiated claims recycled over and over again.

Recently, I had the opportunity to ask Mr. Brown a few questions about his book and its implications for learners and educators and lovers of knowledge alike. Check out my interview with him here:

http://schoolsweek.co.uk/

http://schoolsweek.co.uk/

Q: I love that your book touches on students’ tendencies to be discouraged by failure and thereby categorize themselves as specific “types” of learners despite the absence of scientific evidence to substantiate these labels. What do you think people find so difficult about initial failure? If you had to give a word of encouraging advice to those people, what would you say?

A: “I grew up with 4 older brothers who knew how to do everything that I didn’t. It’s just central to one’s self image to avoid looking stupid at all costs. Nobody explained to me back then that trial and error are essential. What we need are classrooms where trial and error are celebrated. My advice is to find a like-minded friend for mutual support, assume the persona of one who is fearless, and forge ahead. Setbacks are evidence that you are hard at work while the timid people sit back chewing their nails and privately envy your confidence.”

Q: Make It Stick’s references to the learning techniques and high-pressure situations surrounding the experiences of pilot Matt Brown and neurosurgeon Mike Ebersold illustrate the importance of making information personal in order to recall it effectively. Do you have any tips for the average person trying to make schoolwork more personal or more relevant to his or her own life?

A: “You have to pause and ask how is this like something I already know? Can I think of a parallel in my own life? Why not say to the teacher, “I think I would understand and remember this better if I could think how it is useful to me, or how it connects to what I already know. Can you help?” This would make for a good class discussion.”

Q: Are you surprised that so many institutions (like George Mason University and Dartmouth College) offer study advice that is just blatantly incorrect? What do you think is the reason for this?

A: “I have not checked their websites since writing Make it Stick; perhaps they have revised their advice. Educators do not have a tradition of basing instruction on empirical evidence, largely because there has not been a body of such evidence until recently. But science has made huge strides, and we know from feedback to our book and others’ that many schools, notably through their centers for teaching and learning excellence, are aligning their advice and resources with the empirical evidence.”

Q: Make It Stick cites an example of a Washington University professor’s success with an unconventional frequent quizzing system in the place of larger exams, and also offers a section devoted to tips for teachers. What are your aspirations for the book? Ideally, how widespread would the impacts of these suggestions be for our education system?

A: “I would hope teachers everywhere come to see themselves as bearing a dual responsibility, teaching content as well as process: helping students construct their own understanding of the classroom content through study strategies like elaboration and spaced and mixed retrieval practice that are not intuitive, so that students experience success with these strategies and they become second nature throughout school and beyond.”


By Madeleine Fleming

Madeleine Fleming is a Campus Clipper publishing intern and a rising sophomore at NYU.  A lover of reading, writing, and learning in every way possible, Madeleine is excited to be writing about college study habits for the Campus Clipper. For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services. 

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during the Welcome Week of 2015.

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Time for Revision

Saturday, December 31st, 2016

Image Credit: https://www.helpingwritersbecomeauthors.com/category/editing-your-novel/page/2/

Image Credit: https://www.helpingwritersbecomeauthors.com/category/editing-your-novel/page/2/

Yay! You’re finished! Congratulations. Pour yourself a nice flute of champagne and relax. You’ve earned it. You just wrote a novel.

If you just wanted to write a novel to write a novel and maybe brag about it to some people, then by all means, get on with it. If you want to share it with some of your closest literary friends or maybe send an excerpt to the New Yorker or Atlantic Monthly—still take your time enjoying the champagne. Put the whole thing out of your mind for at least a few days. When you’re still in the mindset of cranking out the words, it’s easy to get attached to passages or characters that actually drag down your writing. After a nice rest, prepare yourself for the revision cave.

 The Writing

Now’s the time to look carefully at your writing, its mechanics and logical constructions. Style has nothing to do with it; it’s strictly a close, word-by-word reading. Check your diction. Do you really need to use “twirl” twice in one short paragraph when you envision two different motions (other words: “swirl,” “spin,” “turn,” “stir”)? Do you really need to use different speech tags (said, shouted, murmured, whispered, accused, countered, replied, yelled, etc) when the characters are having a superficially low-key conversation and everything is actually just “said”? Jeffrey Eugenides raises a similar complaint about Oscar Wilde’s diction in The Picture of Dorian Gray; Wilde doesn’t abuse his thesaurus, he merely dramatizes everything. No one ever just sits, everyone “flings himself down” on something. If Dorian is uncomfortable, he always does things nervously, and when he’s nervous, he always twitches. Pick the right word for the right image.

 The Arc

Go through and, at the end of each chapter or section or what have you, record the characters’ progressions in that section, how it fits into their overall transformations, and major plot developments. If a character regresses at some point, does it make sense? People regress all the time. There’s usually an impetus. You can’t crowd everything under the umbrella of “it’s the character” just because that’s how they were at the start. Even if you’d prefer to keep a character static, make sure the justification comes through. Laying out developments in this outline can also help you pinpoint trouble spots in pacing.

 Excise, Excise, Excise

Just because it’s a novel and you can make it as long as you want doesn’t mean you need to devote lines to everyone’s hair color and outfit or the entire layout of a room. Of course, there will be parts that need more clarification, but for the most part, you can afford to cut out entire paragraphs without confusing anyone. Whatever you leave in has to have a purpose. You don’t necessarily have to follow Chekov’s Rule, but if you’re going to spend the time to note what your characters order from Starbucks, then their orders have to mean something. Hot chocolate? Iced coffee during a Russian winter? Drip coffee instead of a latte? Americano instead of drip coffee? In real life, that doesn’t indicate anything significant, but in a novel, it matters (unless your point is that it doesn’t actually matter, in which case you have more thematic issues to sort anyway). Oh, and that huge existential monologue/soliloquy with some beautifully flowery phrases you wrote in a feverish haze of inspiration can stand to lose half its length. Hemingway says of his writing process, “I write one page of masterpiece to ninety-one pages of shit. I try to put the shit in the wastebasket.” We’re not all minimalists like Hemingway, though. Hold onto some of your pretty, introspective bits. The good bits.

 Sidebar:

If you need a break or want to procrastinate even more, spend some time on www.reasoningwithvampires.tumblr.com, a snarky passage-by-passage critique of Twilight. It’s an equal opportunity hater with regards to all the things people find wrong with Twilight, so be forewarned…but definitely pay attention to perhaps the most indisputable problem with the series: it’s just not well written. There are periods of rampant thesaurus abuse; there are periods of predictable diction; there are moments when the limited first person is suddenly omniscient; there are illogical sequences of action, in which someone walks away and suddenly reappears to respond to something; there are sloppy (rather than stylistic) comma misuse. (What’s the difference between a sloppy and a stylistic one? In Twilight: “He lay, smiling hugely, across my bed, his hands behind his head, his feet dangling off the end, the picture of ease.” In Joan Didion’s “Goodbye to All That”: “It is easy to see the beginnings of things, and harder to see the ends.” Didion said in an interview, “every word and every comma and every absence of a word or comma can change the meaning, make the rhythm, make the difference.” Sometimes you have to earn the right to flaunt grammar. Life’s not all fair.) Forget Bella and Edward’s questionable status as “heroine” and “the best dark brooding boyfriend ever.” When your words and their order distract a reader from the throwaway details they describe, something is wrong.

By Robin Yang


Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

Become a fan on Facebook and follow us on Twitter and Instagram

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Writing a Good Ending

Saturday, December 24th, 2016

Image Credit: http://jasonfischer.com.au/i-finished-my-damn-novel/

Image Credit: http://jasonfischer.com.au/i-finished-my-damn-novel/

So you’re finally at the end. All ready to wrap up these 50,000 words. Feels great, right? You just need to write the ending…which can be tricky. My ghostwriting friend once said, “I actually hate the ending to most books. A lot of them have great last lines, but I’m always underwhelmed.”

When it comes to endings, novels and short stories again can have completely different natures. It’s all right to write your ending first—some of the better stories I’ve written started with the last line. It’s just another matter of getting the characters from the climactic fallout to the last line. It’s also important to know exactly where to start or stop the resolutions. A short story can be an interlude; it can lead right up to a huge battle or a nervous confession, and then end. The momentary crisis has been resolved. Leave the character to confront bigger issues by himself. There will always be people who wish that a story would extend longer than it did—that’s fine. But in a novel, which is all about life changes, there needs to be some indication that life has changed. Resolution is key.

At the same time, “resolution” and “open-ended” aren’t necessarily mutually exclusive. Open endings are great, and often more realistic. It’s rare to find people who’ve completely closed off parts of their lives. (For example, people always complain that the “real” world is just like high school, and it’s true: people tend to get stuck on high school resentments, and, no matter what, they’ll always keep tabs on a few classmates and laugh when someone ends up getting fat.) Bret Easton Ellis never indicates whether any of the events in American Psycho or Rules of Attraction actually happened; the truth is left ambiguous, the mad characters’ fates hanging uncertainly after the fallout. Of course, that’s the entire point that Ellis is trying to make in his novels, so it works.

Whether you choose to end ambiguously or more resolutely, consider your novel’s themes again. How does your ending cap off the larger questions in your conflicts? Is total, unabated personal freedom worth the societal breakdowns that might happen? Is it right in theory, only just for certain people (and more on the nose, maybe it’s not right for the character you killed off fifty pages earlier)? Does the vapid, soul-sucking glamour of the famous and rich inevitably destroy morality and meaning in life?

On the opposite side of the spectrum, there’s also the danger of overwriting your ending. To draw on a movie, The Lord of the Rings: Return of the King essentially has three endings: Frodo waking up in Rivendell and reuniting with the Fellowship, Aragorn’s coronation and wedding in Gondor, and the elves’ (and Frodo’s and Gimli’s) final departure from Middle Earth. This isn’t to say that these resolutions aren’t necessary. It’s just that the end of Frodo’s mission, Aragorn’s reinstatement as an honorable king of Men, and the conclusion to the elves’ saga in Middle Earth are all treated separately (and all three end on those long fade-to-white shots that clearly should fade into credits). Consolidate your resolutions, but do it thoroughly.

Sidebar: The greatest advice I’ve ever gotten is from Susanna Moore, who once said of my short story ending, “It’s a little too squishy. Too much.” She uses “squishy” in her criticism, which can stand for triteness, overly sentimental passages, sentences that sound nice but don’t indicate anything…and endings are especially vulnerable to squishiness. Novel endings are not huge dramatic banners. Don’t overshadow your climax.

By Robin Yang


Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

Become a fan on Facebook and follow us on Twitter and Instagram

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Spice Up Your Plot

Sunday, December 18th, 2016

Image Credit: http://www.australiangeographic.com.au/outdoor/guides/2010/05/guide-to-insurance-for-adventure-travel

Image Credit: http://www.australiangeographic.com.au/outdoor/guides/2010/05/guide-to-insurance-for-adventure-travel

Sometimes life goes according to plan and everything is awesome and your vague (or incredibly detailed) plot outline pulls together perfectly after months or years of staring at a screen muttering, “I know where they need to go, I just need to get them there.”

Sometimes you finally hit the climax of your novel and it feels very anticlimactic. You’ve written the final reveal — a shootout, a betrayal, a Dave Caruso-esque realization — but it doesn’t feel big. The stakes just aren’t high enough.

Well, before you jump that shark, let the novel sit. You’ve been thinking about it for a while, off-and-on since you started writing. Of course, you know what’s going to happen — you’ve probably also considered several other ways it could go, which can lessen the importance of whatever line you picked. Walk away for a little while. Don’t think about it at all for a bit — a day, a week, until finals are over… Then reread it from the start. This is a novel, not a TV show or movie. The place for small, understated stories is much larger in print than it is on a screen. Don’t amp it up just because a main character always gets shot in the third season of any crime show ever and what could top potentially fatal gunshot wounds? (The answer is a lot. Funerals and weddings, for example.)

At the same time, if you do feel that your stakes need a boost, here are a few things you can add:

  • Kill Off a Character – it doesn’t have to be a drawn-out emotionally fraught death. It can even happen off-page. The aftermath is what’s important. Just keep in mind that deaths have a ripple effect, and every remaining character is going to be affected beyond the climax. Pick a character whose personality logically fits dying in whatever manner you choose. Go back and scatter foreshadowing through the rising action.
  • Throw in a Pregnancy – nothing upends a tense wedding scene/tentative reunion like a nice illicit pregnancy. Pregnant news affects people differently, and, of course, there’s an entire undercurrent of whatever character histories are at play, which can add a layer to the events, such as resentment, concern, anger, angst, etc.
  • Make It A Family Betrayal – if your protagonist is on the verge of solving a mystery (spy, murder, theft, drug cartels, etc), and someone tips off the opposition, add a little family drama. It can be completely blindsiding (and devastating) or somewhat expected (bad family relationships are mines for exposing character flaws). This also makes everything more personal, which is great for adding personal desire vs common desire conflicts.
  • Put a Bomb Under the Table – Alfred Hitchcock used this example to champion suspense over surprise. Say two people are having breakfast, and suddenly, a bomb explodes under the table. The reader is surprised for about fifteen seconds. Now say that a saboteur has planted the bomb under the table, and these two people unwittingly sit down to breakfast. The bomb will go off — oh, it will — but now the reader knows it’s there, and the breakfasters do not. There’s an extra investment of when will it go off and will important things get resolved before it goes off. Clue your readers in before you do the same for your characters. Introduce the danger and risks covertly. The issue with this suspense trick is that it only raises stakes for the reader. The unsuspecting people involved don’t know any better (this is why many pre-World War II stories are both amusing and dully formulaic).

Sidebar:

Of course, these apply to broad, more commercial plots. Your particular novel might not be able to incorporate any of these. In that case, there’s always the option to end the world and then take some characters through the ensuing zombie apocalypse. If you’re feeling particularly uninspired, read some more books and take a crisis from one of them. Or several. Good writers borrow, great writers steal, and so on.

By Robin Yang


Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

Become a fan on Facebook and follow us on Twitter and Instagram!

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It’s Time To Start Writing

Saturday, December 3rd, 2016

Image Credit: http://www.professorbeej.com/2010/07/writing-my-novel-keep-on-writing.html

Image Credit: http://www.professorbeej.com/2010/07/writing-my-novel-keep-on-writing.html

So you’ve amassed enough raw ideas and information to start actually writing your novel (or maybe not. You might work better just free-writing and then fact-check-editing all at once. I don’t know your life). The task of sitting down to commit your ideas to paper can be a tough one, I know. It’s like writing a final term paper; you chose your final topic based on your greatest interest (maybe strategically planning to hold off on this topic until the final paper) and it’s actually a fun time doing the prep work—but you still have to write the paper.

At this stage, you should experiment with your writing environment and figure out what works best for what mood. A café might be great for regrouping your thoughts. A silent library might be best for sitting down and grinding out a chapter or two in a few hours. Or perhaps you’ll find that like Virginia Woolf, you work best in your own room. Make a working playlist. Try writing out your initial draft by hand. Maybe borrow a typewriter. Your novel doesn’t have a concrete deadline. Spend a few days just optimizing your productivity.

Places for Writers in New York

Café’s: ‘Snice (45 8th Street), Hungarian Pastry Shop (1030 Amsterdam Avenue), B Cup Café (212 Avenue B), The Tea Lounge (837 Union Street, Brooklyn), Outpost Lounge (where I write, 1014 Fulton Street, Brooklyn)

Workspaces: The Writer’s Studio at the Mercantile Library Center for Fiction (17 E 47th Street, by application and with membership fee), Paragraph (35 W 14th Street, by application and with membership fee), Brooklyn Creative Lounge (540 President Street, Brooklyn, by application ad with membership fee), New York Public Libraries…your…campus libraries?

If you are not terribly distractible when working with other people, it could help to join a writers’ salon so that you can discuss your writing or perhaps motivate yourself to write with other people.

Sidebar: Writing habits or haunts of various authors

Joyce Carol Oates writes in longhand for six to eight hours every day.

Truman Capote wrote while lying down, drinking and smoking cigarettes.

Vladimir Nabokov wrote his novels all on index cards.

Tom Wolfe writes ten pages every day, regardless of how long it takes for him to finish.

Edgar Allan Poe as well as Jonathan Franzen spent some time at The Writer’s Studio at the Mercantile Library Center for Fiction

Joan Didion consistently rewrites her novels from the beginning (or almost beginning) every day.

Bob Dylan and Jack Kerouac both wrote in the Village bar, Kettle of Fish

By Robin Yang


Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

At the Campus Clipper, not only do we help our interns learn new skills, make money, and create wonderful e-books, we give them a platform to teach others. Check our website for more student savings and watch our YouTube video showing off some of New York City’s finest students during last year’s Welcome Week.

Become a fan on Facebook and follow us on Twitter and Instagram!

Share