Archive for the ‘onTalent’ Category

Niche-ing New York City: Feeling Untalented

Monday, August 25th, 2025
Me in Times Square (the first and only time I went)

It’s been a pleasure, thus far in Niche-ing New York City, to pretend we live in a perfect world – one in which there’s a talent for everyone, everyone has the time and the resources to practice their talent, and no one ever feels lost, exhausted, or untalented. It’s no secret to any of us that this world will never be perfect, and – now that we’ve explored ways to find and hone our skills – it’s important to think about ways to push through the hard parts. There will be times when work, the news, the world will exhaust you to the point that you can’t be bothered to immerse yourself in your talent, to the point that you can try your hardest at your talent and still feel untalented. 

This feeling can have disastrous and lasting effects. When I was nine, my mom enrolled me in an art camp because it was closer – and way cheaper – than the day camps offered by the YMCA. Unknowingly, she helped me discover what would come to be a favorite talent of mine, one that was immune to the mind-numbing effects of being forced to learn a skill in school, and one that I was immediately and inexplicably good at – at least, when I was given the chance to try it. Drawing was all I did from then on, in classes, all over my homework, during every school break. It was fun for me and it was incredibly validating to hear how good I was at it – a combination that, prior, I had never experienced. 

As I entered high school, and classwork and extracurriculars began to take up more of my time, I could feel it dwindling. But it was the COVID outbreak in the second semester of my freshman year that killed it. Like everyone, I was incredulous, then, gradually, depressed. I had the most free time I’d ever had in my whole life – and four years’ worth of art supplies accumulated – and I did want to draw. I just couldn’t.

My mind was numb and nothing inspired me. I was exhausted mentally from a year spent sleeping through my Zoom classes, staring out the window, and doomscrolling on TikTok (though I’m not sure that term was around then). Since 2019, I have been able to complete exactly one (1) piece, and none that I’m proud of. But don’t worry, please – it’s not that my art block lasted six whole years, but that the two years of pandemic-induced art block made me forget that I was good at it, that I enjoyed it. It was, in some way, replaced by writing, a new talent that I discovered when we returned to in-person class – and school kept me busy with it. Then, I made the natural decision to major in English and Communications and spend my free time engaged in work and research, and suddenly I had no time to make up for the six years of skill I had lost.

So how am I going to fix it? And how can you fix this feeling of talentlessness when it inevitably happens to you?

The first thing I did was take my art supplies out of the box they’d been in under my bed. Simply having them out, in my periphery and often in my way, ensured that I couldn’t forget about art again. I took a few of my favorites – my charcoal pencils, my mixed-media paper, and my Copic markers – to school my freshman year and proceeded to do nothing with them. But still they remained in my way. Next, I revisited some of my favorite YouTube artists (if you need recs, DrawingWiffWaffles, Jazza, and elliotisacoolguy) and, in watching them, subliminally reminded myself of certain techniques and skills I now struggle with, and that I actually enjoy art. 

Here’s the kicker (and you can’t make fun of me for this): last fall, I scrolled past a picture of Jeff Buckley some fan account had posted for his birthday. I did a digital double take, and when I scrolled back up I was hit with a rush of adrenaline I hadn’t felt in years – I was inspired. For the first time in two years, I opened my sketchbook and put pencil to paper. I worked for an hour or so, lighting a candle and listening to his music for some added immersion. When I finished, I stepped back with a heaving chest and a manic smile on my face. It was horrible. It was too bad, even, for me to show you here. It might be the worst thing I’ve ever drawn. But I loved creating it. And I learned from it – the next day I flipped the page and tried again to recreate a different picture. It was also bad, but I loved drawing it just as much. 
Your talent is something you can learn to love doing even when you’re bad at it. And it is essential that you do, if you want to avoid the six years of feeling like there’s nothing you are good at. When you can love doing it even if you hate the product, it becomes your best outlet when social media has numbed you, when your nine-to-five has exhausted you, rather than another activity so stress-inducing you’d waste the day bedrotting to avoid it. Never allow yourself to keep it in a box under your bed, to forget the joy it gives you when it feels like nothing will ever make you happy again. If you already have, here’s your reminder to take it back out and put it in your way, give it one last try – it could change your life.


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By Lauren Male

Lauren is a senior at Pace University majoring in English and Communications, with a minor in Journalism. She is pursuing Pace’s M.S. Publishing program. When she’s not reading, Lauren can be found trying new coffee shops, thrift shopping, and spending all of her money on concert tickets.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus. Open publish panel

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Niche-ing New York City: Honing Your Talent (Affordably!)

Saturday, August 2nd, 2025

Congratulations! You’ve found your niche and you want to start putting your talent into practice. 

While simply being good at something is often free, honing that talent can get expensive – in terms of both money and time. Many of us will not get the chance (or have the time and money to spend) to earn a degree in our talents, but this doesn’t mean that we shouldn’t be able to develop those talents. In fact, it is often necessary; like we heard from Heather earlier in this series, many corporate employees in New York City live a double life to maintain their mental health and work-life balance through a creative outlet – accounting by day and painting by night, for example. Others depend on the income from two jobs, the way a Broadway actor might wait tables between shows. While you’re studying finance in preparation for your mind-numbingly boring career in banking compliance, there are plenty of ways to fill your free time productively and creatively. Here are some accessible and affordable ways to hone your talent in the city:

Free Classes and Workshops 

  1. The New York Public Library system is great not only in the amount of free events and workshops it offers, but also in the spread of library branches across the boroughs. They have a helpful filtering system to choose between the 93,000 programs they offer every year, such as date, location, topic, and audience types and age groups. Supplies are provided for the most part, making the vast majority of these classes completely free. Some examples include tango and flamenco dance lessons, creative writing workshops, and classes to help you create your first business
  2. Club Free Time is a great resource for finding other free events in the city, including workshops in a wide range of talents like portrait photography, juggling, and singing in a choir. Club Free Time also lists free concerts, lectures and presentations, galleries, tours, and more. If you’re interested in theatre, becoming a member at CFT can also get you 2 to 5 free tickets to small and innovative (but pricey) shows!
  3. Shape Up NYC is a free group fitness program with events in parks all over the city. If you’re a talented fitness teacher, you can volunteer to lead these classes and give back to your community. Or, if you’re just breaking into your future in fitness, you can join classes like Caribbean dance, intenSati (kickboxing meets yoga), and dynamic stretching.

Affordable Classes and Workshops 

  1. One of the most expensive talents to pursue is a musical instrument, but it is also one of the most rewarding and beneficial to your brain health. The Brooklyn Conservatory of Music offers hour-long group lessons or ensemble sessions in 16-week semesters for $40-50 per lesson. It’s a great way to continue practicing your instrument or to start a new instrument as a beginner. They also offer financial aid, as well as free and cheap one-off events to help you pursue your talent as affordably as possible.
  2. The Brooklyn Brainery is a helpful resource for affordable classes that may be more targeted toward your niche than many free options. For example, there are classes on cyanotype, Shibori, and decoupage if you want to dive into a skill that most people have never heard of – and are unable to pronounce. Their teachers also offer walking tours, unique book launches, and online classes that all land in a range of $20-100.
  3. CourseHorse is a similar resource with a much broader range of classes and activities – and thus, a broader price range. For example, they list a drink and draw event for $15, but also a hybrid, 658-hour software engineering certificate program for $10,995 (which, at $17 per hour, is still quite affordable). They offer everything from dance classes to tours to mig welding workshops – a great one-stop shop for any and all talents.
On a networking panel.

Networking Events

  1. For those with less hands-on or purely artistic talents, networking is a great way to build skills like public speaking, strategic communication, and – of course – networking while building your community and learning more about your niche and others’. Eventbrite has a great list of free and low-cost networking events in the city with a wide variety of subjects, such as influencers, AI startups, and the entertainment industry
  2. Similarly, Luma lists some of the biggest events in the city, with waitlists hundreds of people long. While these can get expensive and might require registration months in advance, some of the cheaper options include Climate Changemakers Manhattan’s free community picnic and a mid-summer momentum panel and mixer for interns in New York City. 

The great thing about living in NYC is that whatever you’re into, someone else is into it too – and they’re willing to teach you (and if not, there’s plenty of people out there who can teach you how to turn your hyper-specific talent into a business of your own). Take some time this summer to follow your passion and hone your talent!


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By Lauren Male

Lauren is a senior at Pace University majoring in English and Communications, with a minor in Journalism. She is pursuing Pace’s M.S. Publishing program. When she’s not reading, Lauren can be found trying new coffee shops, thrift shopping, and spending all of her money on concert tickets.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Dreamland Ch. 7: Why you should send that cold email

Thursday, July 24th, 2025

You’ve surely been told that the worst thing someone can say is “no.” It’s true, and useful, but I think it’s a bit unempathetic. No one ever tells you how awful it can be to actually hear “no” then have to move on knowing there’s nothing you can do — and no real reason to feel resentful of that response. As a teen writer, I heard “no” quite a bit, from publishers who didn’t work with minors, agents who weren’t interested in representing me because they “didn’t fall in love with the idea,” and other professionals who passed on the work for some reason or another. I just had to accept this and move on, every single time.

Like I’ve said, I’m self-published. Not traditionally published. It’s definitely a hurdle, as there is no reason for anyone to go looking for my books, and I’m still learning how to market myself. But for any young authors out there looking for accessible ways to put your work out there, I definitely still recommend self-publishing. Try out other things, but this is always an option, not just a last resort.

I started off looking for professionals on Reedsy, where you can hire freelance editors, illustrators, etc. to work on your project remotely. I found an editor based in London who provided a more seasoned perspective on my work, even for a book targeted to teens. Then I found an illustrator, but I actually should have found a formatter first as I needed to send the fully formatted manuscript to the illustrator so that she could size the cover and deliver the proper files. This was a mistake I made, and then I did it right for the second book.

However, the second book had a completely different issue. Due to extenuating circumstances, my illustrator had to drop out of the project. This was mainly an issue because she took months to communicate this to me and didn’t help me find someone else, meaning I couldn’t rely on Reedsy anymore as I needed a quicker response and turnover time.

So I went hunting. I found websites and portfolios that were similar enough to the previous illustrator’s style that they could adapt. I found covers that those artists created that I liked, that would suit the genre of my book. One email I sent didn’t immediately produce a collaboration, but the artist sent profiles of other artists that she thought would be able to work with me. And it was one of those profiles that ended up becoming my illustrator for the second book.

It was a hectic and scary process. Things fall through, and you always have to hope for the best and prepare for the worst. I’m so grateful I managed to secure these collaborations each time, and I pray I’m able to keep them for when I’m finished with this third book. 

This whole ordeal reminded me that I’m still responsible for the labor of getting my work out there, since I don’t have a big company investing in my talents to do it for me. If you’re looking to self-publish, send out emails. Find freelancers and professionals that are familiar with young writers and can teach you about the industry. Don’t be afraid to not know everything and everyone immediately. 

Since I had to do all this myself at such a young age, I’m truly an expert at cold emailing. I can’t even tell you how many applications I’ve sent out into the void, how many email threads I’ve followed up on weeks after getting completely ghosted, how many reporters and publications I’ve contacted as a marketing intern. It can be tiresome and tedious, but you never know what lifelong connection you’ll forge from a simple email.

Self-ownership is both terrifying and freeing. It’s wonderful to have control over my work and authority over the people I work with, but it creates so much more labor for me, a full-time student, and also has little to no guarantee of profit. Amazon, which hosts Kindle Direct Publishing (KDP), takes far more royalties than I do. It’s quite irritating. If you self-publish, be aware that it does more to build your portfolio than build your bank account. It’s still valuable, but you should definitely look into different ways you can use your storytelling skills to make a long-term career.

Until then, cherish the liberty of being creative. You are no less an author if you publish online. You’re just taking the necessary steps to put yourself out there. Always aim for the stars, but it’s also always alright to just aim for an email back.



By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Niche-ing New York City: Building Your Community

Monday, July 21st, 2025
Our suite’s first walk across the Brooklyn Bridge

It was late August, 2023. I was hot, red-faced, dripping with sweat. My heart was racing – from the three trips up and down twenty-three stories or from the debilitating anxiety and uncertainty, I wasn’t sure. There were nine of us, plus a few siblings and too many parents, and we all tried to act cool around each other even though any one of us could have (and later would have) broken down and cried. It was late August when I unknowingly stepped foot into a too-small room inside a too-small suite that would change my life. 

My suitemates were my first community and, two years later, my closest community. We were each others’ therapists before we knew about the Counseling Center, we were each others’ financial advisors before we knew about Career Services, we were each others’ built-in friends before we even knew who we were going to become. It’s surreal to look back on this moment now; I seem to have forgotten the period of time in which we transitioned from roommates to family. Maybe it was when we played We’re Not Really Strangers the first night, or maybe it happened so slowly over our first year that I never noticed the change, but it feels like our community has existed as long as we’ve been alive; it feels like I know each one of them inside and out – and they me.

Me (right), Leah (second to right), and Caroline (second to left)

Two members of this community, Leah Eastwood and Caroline Lattanzio, offer their insight into the necessity of community in finding ourselves and developing our talents. Something I’ve found to be missing in conversations around a certain unifying skill, trait, or opinion is the importance interacting with a diverse range of talents. Yes, as an English major, I thrive in the community I’ve built within the English department. They commiserate with me on the struggles of research as much as they push me to dive deeper, to follow the rabbit hole. But if I was surrounded by this throughout my university experience – if Leah was only surrounded by Film majors or Caroline by Business majors – I likely would not only grow tired of it, but also fail to learn anything else. From Leah, I have learned nuances of screenwriting and directing I wouldn’t have otherwise. From Caroline, I have gained insight into the inner-workings of the music industry.

Caroline and Leah tend to agree with me. “I moved to New York City from Arkansas to avoid being around the same type of person every day,” Caroline notes. Similarly, Leah is glad that our suite had such a vast range of majors, interests, and talents. Seeing other suites break up because they were all members of the same – very competitive – major was disheartening. When we weren’t all competing with each other it was because we used our knowledge and talents collaboratively to help on a creative final or a research project and, miraculously, they all seemed to fit together perfectly.

The Pforzheimer Honors College at Pace provided us a similar diverse range of people, though who all had one thing in common: drive. Being around passionately motivated people – regardless of your talent or theirs – is necessary to keep going when it gets tough. Our Honors advisors are also a huge help in discovering our niches, assuring us that everyone has something that they’re good at, even if we don’t know it yet. Then, like our suitemates and our major departments, they push us to follow that niche, to try it out if not build a career in it. College is a unique time in which our lives are dedicated to perfecting a craft and to learning from everyone else’s crafts as they master their own. There is support and there is help everywhere around us, and it’s not hard to find if we only look.

However, there may be nothing so unique in this way as attending university in New York City. Leaving our tiny city campus, we find ourselves with exponentially more opportunity and community than we ever could have thought. Everyone you pass on the street is doing something cool, exciting, and necessary. Everyone has important knowledge and advice to impart. We just have to listen.


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By Lauren Male

Lauren is a senior at Pace University majoring in English and Communications, with a minor in Journalism. She is pursuing Pace’s M.S. Publishing program. When she’s not reading, Lauren can be found trying new coffee shops, thrift shopping, and spending all of her money on concert tickets.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Dreamland Ch. 6: The Notes App, and other holy grails

Wednesday, July 16th, 2025

If you’re getting sick of my complaining, you’re in luck — I’m finally going to talk about my actual process of writing. My routine is hardly defined and not in any way a rulebook, but I believe it capitalizes well on my sudden bursts of motivation but also works well with a lack of powerful motivation.

It always starts with a note. The birth of an idea, the concept of a concept, that I scramble to make real with text before it fades away. 

I first conceived my fantasy series when I was in sixth grade.My memory of this time of my life is hazy, so for the purposes of this first step I’m going to use a slightly more recent example. In tenth grade, I did a project on World War I and spent a lot of time researching that era of history. I had also been reading a lot of young adult and teen fantasy, returning to recreational reading for the first time since middle school. Sitting in that overlap for multiple months, much of my imagination branched off from this mindspace, and one night I shot up from my bed in the pitch black, already reaching for my laptop. 

I ended up with an incoherent, garbled mess of ideas listed in my Notes App — the early scraps of a duology set in a fictional world based on 1910s Slavic Europe. The main takeaway here is that inspiration will strike quite randomly, so if you aren’t able to force yourself to find it (just as you might not be able to force herself into “the zone”), do what you can to more naturally find a spark. Engage with the things that you are already interested in. Read books, watch movies, learn new topics and skills. While I was fostering an interest in history, I discovered a wellspring of images and narratives. You might encounter the same phenomenon doing something completely unrelated, like with a niche hobby or even while scrolling on your phone mindlessly. You’re never truly mindless, is what I mean.

After this initial conception, I reconfigure the mess into something more comprehensible: a vague summary, followed by a bulleted outline of story beats, and then a chapter-by-chapter outline. Essentially, break your book down, and then break it down some more. Each book in my current series is split into three parts (you obviously don’t have to do this), which helped me visualize the arc for each part and then sever those arcs into individual chapters. I determine what each arc needs to accomplish, so even if I end up shifting chapters around, I don’t lose focus.

For the story I’m currently working on, the third in the series, the main notes folder currently holds three pages: an outline, a bulleted list of various things to look out for during my rounds of edits, and random notes that include a hastily drawn map and outlines for very specific events in the book. For example — spoiler alert — a prison break. 

My three homepages. Don’t mind the caps lock.

There is also a sub-folder for “potential scenes” that I need to have prematurely written lest I go insane with all the circulating images in my head. Remember, your story may follow a certain chronology, but you don’t have to. Even in my drafting, if I don’t have the motivation for a certain scene or I want to skip a little ahead, I’ll type in something like “[more dialogue]” or “[walking along the road]” to signal to future me that a transitional or elaborating scene has to be entered here. If you have the motivation to write at all, don’t waste it — write what feels right.

Of course, the outlining structure depends on the book and what I think feels right for this particular style and/or genre. Below is the way I created sub-folders for the 1910s-inspired story I mentioned earlier. Here I have a section for characters, because of the multiple points of view, and world-building because of the more intricate details of the setting. 

An alternate way to organize your folders.

Don’t box yourself into my process, because I don’t even box myself into my process.

The rest of the method varies. I draft the entire story, rewrite scenes or even entire chapters, and cycle through rounds and rounds of editing until I feel confident in sending the manuscript to my editor. Sometimes, I find things like Google Calendar or Notion helpful to carve out time during the week to work on writing. Next chapter, I’ll talk about the process of finding professionals and self-publishing, but for a long time you as the author have sole authority over your draft. It sounds terrifying, and it is, but it is also liberating.

Your process is your process, ultimately, but I highly recommend taking the steps to make the actual writing and publishing part feel less daunting. It will take more than that to surpass the initial insecurities, but I promise you will benefit from breaking down your ideas into palatable, consumable pieces. Even if things change later on, even if you as a writer and person change later on, outlining and planning will keep the heart of your original idea alive — thus honoring who you were when you woke up in the middle of that fateful night, already opening up the Notes App.



By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Niche-ing New York City: Embracing Your Talent

Tuesday, July 15th, 2025
Caroline Lattanzio (left) and Leah Eastwood (right)

Talent is natural, yes. It’s inherent, born-in, perhaps passed down. But it is not always easy. In many cases our talent must be drawn out of us, through practice, exposure, experience. In the past articles we have learned how to expose ourselves to new – and affordable – genres of talent, and, once we’ve found our talent, how to set a foundation for success in that niche field. But how do we move from point A to point B? Before the acting conservatory or the internship, we need ways to nurture our talents and find a safe and motivating community in which to do so. I sat down with two friends who have been an important part of my community since I first set foot in New York City to talk about how those around us have helped us find and develop our talents.

Leah Eastwood is double majoring in Psychology and Film at Pace and planning to pursue master’s degrees in Psychology and Business. She always had a passion for Film, having directed, filmed, and edited movies with her siblings and friends since she was seven, but she never truly considered film as a career path. It was in a high school drama class, when she had turned in a professional-level short film as her final, that one of her favorite teachers opened her up to the possibility and urged her to further her studies in Film.

However, Leah felt the need to hedge her bets. She knew Film was her talent and her passion, but she also knew it would be a difficult field to succeed in. Having enjoyed and excelled at AP Psychology in high school, she decided she would major in Psych and pursue a career in therapy. As a rising senior in college, though, those lines have blurred. While her Psych classes have solidified her decision to earn her bachelor’s and master’s degrees in the field, she has found that her production classes and the hands-on learning have simultaneously allowed her to develop her skills and to seriously consider a Film career. Behind the camera is where she is happiest, and while she still wants to help people, she has found that Psych and Film work together beautifully to create meaningful media with moving messages. 

Caroline Lattanzio moved to New York City from Arkansas, a place devoid of the same kind of creative spirit and diversity in talent that we enjoy here. In her small college prep school, she wasn’t exposed to the same kind of artistic and alternative opportunities that many of us were. To add fuel to the flame, she never really excelled in her classes, either. There was nothing and no one to show her that failing math didn’t mean the end of the world, and there was no activity or outlet to turn to after class. In a particularly tough time, she sat on her floor crying, afraid of failing, even if she didn’t know what she might fail at. Her mom asked her, “What do you actually like to do? What makes you happy?” 

The answer was easy: music. Playing it on the guitar, yes, but also listening to it, experiencing it. She thought back to her first ever concert – Taylor Swift, before ticket prices were what they are now – and remembered how meaningful it was to her, knowing that she wanted to be a part of delivering that experience to others. This is how Caroline landed on Arts and Entertainment Management, a business program on the outskirts of the business department at Pace. It combines perfectly her talent in simply talking to people, advertising herself and charming artists and customers, with her passion in music and concert experiences, and has only helped her develop her skill and knowledge in these areas.

In the next article, we will discuss the community that Leah and Caroline have fostered since starting at Pace, and how they have helped each other grow as people, develop their skills, find solutions to the toughest problems, and connect with an ever-expanding web of similarly- and differently-talented people. It only takes one experience, one person telling you for the first time that you’re good at something or asking you seriously what you enjoy doing, to jumpstart a career, a talent, a life. Our advice: open yourself up to those experiences, those people, and take the risk. Listen closely to those who know you best and learn from them what you might be blind to in yourself. It could change your life.


Seaport Deli is a great 24-hour spot in FiDi for fresh sandwiches, salads, and smoothies. Summer is the best time to go and try their amazing ice cream! Take 10% off your order with this coupon and your student ID.


By Lauren Male

Lauren Male is a senior at Pace University majoring in English and Communications, with a minor in Journalism. She is pursuing Pace’s M.S. Publishing program. When she’s not reading, Lauren can be found trying new coffee shops, thrift shopping, and spending all of her money on concert tickets.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Dreamland Ch. 5: Worldbuilding at 2am, breakfast at noon

Wednesday, July 9th, 2025

There is one thing that any artist understands: the elusive “zone.” The runner’s high of writing. Your brain, your heart, and your fingers forming a holy trinity. The story unfolding on its own. It’s a constant chase, finding the zone. It escapes you, but you don’t escape it. Some people melt into it, some dissolve completely, while some throw pebbles at it until it remembers that you’re still there waiting. I covet this feeling all the time, even when I’m working on schoolwork or writing an email. Hell, even this chapter. I feel the healthiest when I’m at my most productive, and vice versa, but per the last chapter, striking this productive balance is a battle of its own.

Something that’s been fairly difficult to admit to myself is that in order to be productive, I need structure. I’ve always been an imaginative kid at heart, and I’ve always aspired to have free time and flexibility. In my mind, this gives me the space where I have the most control, where I decide what I do, and I determine my own capabilities and limits. Instead, I retreat into a less productive, less ambitious, less willing version of myself, when I am normally very eager to be doing something. Idleness is one of the worst feelings to me, and yet I seek it out so frequently.

If I don’t have something to do in the morning, I don’t get out of bed before 11 AM. Without classes and deadlines, I spend the hours until lunch on my phone or computer doing nothing. In the evening, I might push myself to write half a chapter or work on something for my internship, or at least talk to my friends in a way that feels emotionally or intellectually stimulating. But ultimately, the day ends the way it did the night before, with me thinking to myself, “Tomorrow will be better. Tomorrow won’t be a waste.”

In my most introspective moments, I wonder if this regression happens because it’s safer than trying and failing. Safer than realizing I’m not as good as I’ve been made to believe. Safer than confronting my shortcomings. Or I might just be lazy — until, of course, I know that something is expected of me by someone else, and I have a time limit. 

None of us need a Hallmark card to know that the only real failure is a lack of trying. 

Still, the pressure of a blinking cursor near equals the potential. I am just as anxious as I am excited. Every day, I wish I could airlift the beautiful images I’ve conjured in my head and put them to paper without having to lift a finger. I can imagine all I want, and I do, but if I want to write, I have to just write

In my experience, the strategy is to be willing to write without the zone. If you’re a student, or you work, or you just have many obligations, you likely will have long stretches of time only once or twice a week. Which is why you can’t be afraid to just spend five to ten minutes writing uninspired paragraphs of nonsense that you can return to when you’ve actually found the zone, gawk at them because they’re so bad, and edit.

This is a tough habit to contend with because it makes my fear of mediocrity a self-fulfilling prophecy. I delay writing because I don’t want to be bad at it, and every time I try writing, it’s bad — and I just have to accept that. Consider it a sort of exposure therapy, and remember that by writing something, literally anything, you’ve already evaded failure. 

As you do this, structure will follow. You’ll find the times of day that feel the most motivating. You’ll improve as a writer, little by little, until you’re confident enough in writing past those ten minutes, maybe even reaching a whole hour. You’ll realize you have a couple boring, unoccupied hours here and there. Once you develop a willingness to start writing, set timers and do nothing but write until the alarm goes off. You might not begin in a zone, but you’ll induce one and stay there for longer than you expect.

The idea here is to stop crucifying yourself for not meeting your expectations of productivity or quality but to also stop enabling your lazy behavior. Not everyone can naturally fall into an ideal routine, especially in a world with so many things begging for your attention. 

Your attention is so much more valuable than you think. Direct it to fulfilling, meaningful activities. If you think you aren’t good enough, prove yourself wrong. 


Create a custom fragrance at New York’s Fragrance Shop! 20% for students with valid coupon and ID.

By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Niche-ing New York City: Surrounding Yourself with Talent (Affordably!)

Monday, July 7th, 2025

One of the best ways to find and develop your own talent is to experience it. Living in New York City, talent surrounds us, envelops us, everywhere we go. It poses for pictures with fans just as it passes us unnoticed on the street; it exists at the top of the tallest skyscrapers and under our feet in basements and subway stations. It may be easy to miss, but it’s not hard to find when you look for it. Here are some accessible and affordable ways to surround yourself with talent in the city:

Student Rush/Lottery Broadway Tickets

My roommates and I after rushing tickets for Shucked. Only $40 for great seats!

Whether or not your niche is musical theatre, Broadway is a must-see experience for everyone – but not everyone can afford $200 tickets. Thankfully, many shows offer day-of rush tickets which, if you’re a student willing to wake up early and wait in line at the box office, can get you in for under $50. This rush schedule is a helpful tool to gauge the time and days you should get in line to secure those rush tickets. Similarly, there are online lotteries that you can enter to win tickets under $60 (including Hamilton, which offers $10 tickets – a steal!)

Script Readings

If you’re an aspiring actor, screenwriter, or playwright, script readings are a great way to experience a panel of actors and a new screenplay for free! Script Club NYC is a group that gathers for table reads at Roots Cafe every Wednesday at 7:30 p.m., and writers have the chance to submit their new piece to be read in front of an audience at an upcoming Wednesday meeting! Similarly, The Drawing Board meets every 4th Monday and are taking applications for more actors, observers, and submissions.

Discounted and Free Museum Tickets

At the MoMA. Highly recommend!

Up-and-coming artists can only benefit from experiencing art up close and personal at some of the world’s most encompassing and renowned art museums – for cheap! The Metropolitan Museum of Art is pay-what-you-wish for all NYC residents, which includes out-of-state students of a NYC school. The Museum of Modern Art offers $17 student tickets every day of the week, but all New York State residents are eligible to reserve free tickets for Friday evenings from 5:30 to 8:30 p.m. The newly-reopened Frick Collection also offers $17 tickets to students, and pay-what-you-wish admission is offered every Wednesday from 2 to 6 p.m. NYC Tourism has a great guide to help you find more deals like these!

Free Summer Music and Dance Classes

Whether you’re a musician yourself, a dancer, an avid listener, or find your talent in niches like stage production and event management, the city’s parks are a great place to experience free music and dancing this summer! Parks across the boroughs are hosting huge artists like Grace Jones and Janelle Monáe, popular indie artists like mxmtoon, Still Woozy, and Men I Trust, and talented jazz bands like The Jimmy Heath Big Band and The Captain Black Big Band. You can also find DJ sets and dance workshops to live music. Secret NYC has an all-encompassing list of the lineup this summer!

As we’ve learned thus far in Niche-ing New York City, practicing your talent goes hand-in-hand with surrounding yourself with talents – those of your friends, your mentors, and complete strangers – and learning from those around you. Finding your niche can be difficult for a multitude of reasons: maybe you feel like you’re good at everything or you’re good at nothing, or maybe you simply haven’t heard of your talent yet, haven’t experienced it, examined it, felt a rush of adrenaline and goosebumps down your arms. In future articles, we’ll look at affordable ways to dive head-first into your talent and get your hands dirty, but for now, seeing the beauty and talent in the city around you is a great way to start!


I highly recommend the teriyaki beef rice burger from Kyuramen. Check it out and get 10% with this coupon and your student ID from Monday-Wednesday!


By Lauren Male

Lauren Male is a senior at Pace University majoring in English and Communications, with a minor in Journalism. She is pursuing Pace’s M.S. Publishing program. When she’s not reading, Lauren can be found trying new coffee shops, thrift shopping, and spending all of her money on concert tickets.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Niche-ing New York City: Talents Out of School

Monday, June 30th, 2025
Heather Male

In an attempt to begin this guide with a success story, I met with one of the most talented, most successful people I know to tell her story: Heather Male. My aunt, friend, and role model, she has accomplished what many young creatives living in New York City long to – a balance between a great salary and a fulfilling creative outlet. After work at her corporate day job, she spends evenings writing at coffee shops, taking acting classes at the Kimball Studio, and collaborating with photographer Charles Johnstone on their photo books, one of which is currently on display in The Helmut Newton Foundation Museum for Photography’s Polaroids exhibition. 

What many of us broke liberal arts students long to understand is this: how did she get here? What steps did she take after graduating that can land us a successful career built on our talents? Unfortunately, as Heather has found, no two paths to success are the same, even within the same niche. Her first piece of advice is that we learn to live with that and become nimble and adaptable when it comes to change. Her second piece of advice, however, is that we set up a good foundation upon which to build; while we won’t ever be able to replicate the exact same opportunities – what she calls “happy accidents” – that landed her where she is today, the things we can plan for – like going to school and getting trained – will set for us a foundation that will yield the most opportunities. 

For her, that meant graduating from Fordham University with a double major in Film and Theatre and a minor in Communications followed by a two-year acting conservatory at Esper Studio. Dedicated to the Meisner Technique – based on emotionality and improvisation, producing especially instinctive, empathic, authentic actors – the Esper Studio has also trained well-known actors like Jeff Goldblum, Kristen Davis, Ian Somerhalder, and Kathy Bates, among others. Excellent actors, Heather notes, who are successful and getting paid. It was here, and in the consequent years at the Kimball Studio, where she built her community. She found herself surrounded by actors of different ages, at different stages of their lives, whom she could teach and from whom she could learn – she had a lineup of exceedingly intimate friends to go to for help and advice no matter the problem. 

Outside of acting class, Heather grew her network by bussing tables, running food, and cocktail waitressing, jobs that she found made her the best money while also providing her the opportunity to meet hundreds of new people every day and to develop relationships with her regulars. She never felt like she was sacrificing time that could be spent creating because the job was layered with possibility and benefit – you never know who you’ll be talking to that night, and in New York City, it is a near-guarantee that you’ll meet someone important. Whether you work in food service, retail, or as a barista at Starbucks, Heather just advises that you stay in the mix. College students should find a way to spend their breaks in the city, get out of the apartment, and establish your community – “To have the highest odds of a happy accident, you have to be here.” 

Believe me, Heather knows it’s not the easiest city to live in, especially compared to the glamorized New York City we all dream about. Whatever your talent, however, suffering will help you – it will add a new dimension to your character in a play, it will add a unique emotion to your painting, it will prepare you for any conflict that comes up in your PR job. We learn by experiencing, and the best way to experience is to get out there, to meet people, to begin building your foundation for success.


Treat yourself to authentic Italian pizza in the Financial District! Take 20% off with this coupon and your student ID.


By Lauren Male

Lauren Male is a senior at Pace University majoring in English and Communications, with a minor in Journalism. She is pursuing Pace’s M.S. Publishing program. When she’s not reading, Lauren can be found trying new coffee shops, thrift shopping, and spending all of her money on concert tickets.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

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Dreamland Ch. 3: Humility, and how the city of dreams can make you feel like a nobody

Wednesday, June 25th, 2025
The city of dreams in question. Image Credit: https://www.rolcruise.co.uk/blog/a-guide-to-new-yorks-skyline

It turns out I’m not the only person in the world who loves to write. Wild, no? I grew up around Indians and Indian Americans, which meant that, generally speaking, any artistic prowess was meant to be fostered in between better, more lucrative things. But more than that, I just happened to not surround myself with people who would’ve thought to seriously pursue English. I didn’t think myself above or below them in any way; we were just different. I appreciated that, honestly. But I did spend those months before college eager to meet more like-minded people, and it was still a shock to see the gradient of creatives walking down the street alongside me.

Something I didn’t expect to contend with was this feeling of no longer being special. I’ve always been friends with curious, bright people, but at NYU it’s as though every single person I meet has created something, reinvented something, pushed something to its limits and then beyond. I, on the other hand, have written something that falls in a long line of stories in the same exact genre, and will soon fall to obsolescence. 

In New York, I began to feel this immense pressure to be entirely singular. I have always been reserved about sharing the details of my writing with other people, but I now felt obligated to add caveats: I wrote these books at such a young age that they are bound to be less than perfect, I plan to move beyond this genre when I’m older, I read so much more than this (I read classical literature, please recognize my intellect). 

The craziest part about this? Nobody cares. 

I keep having to remind myself that I can still take pride in having put in the effort to bring something to fruition. It doesn’t make sense that I can write two entire novels and still feel inadequate, then turn around and assure everyone else that there is no time limit to accomplishment. Why can’t I apply that logic to myself?

Also, there are students at NYU better at writing than I am, big shocker. I see that every day I sit in a creative writing class, and before the disheartenment sets in, I force that fact to motivate me instead. I get more passionate, and I become a stronger writer.

What people actually love to hear is you talking about why you care, what you’re passionate about, the things that make you happy, whatever that might be. Not once have I experienced judgment or scrutiny for not looking to write the next Great American Novel, but I preempt my explanations in anticipation of that. It’s more pathetic, I think, than actually facing judgment. If someone does not want to hear about your dreams, they will not be privy to their fulfillment. That is their loss, not yours.

I can go on and on about this, prove with receipts what you can learn by understanding your merits and embracing your shortcomings, but the truth is, I’m still working toward practicing the certain, unadulterated self-confidence I preach about. I can be awful about taking compliments from other people, and even worse from myself, so I imagine it will take a while to talk myself up to other people without feeling the weight of unease. Even during interviews, when I enumerate my skills and qualities, I am simply performing. If I get the position, it isn’t me I have to thank, it is that facsimile of myself. The city and its endless opportunities can at once make you feel like a star and an imposter.

But I am the one who wrote those books. I am the one meeting those people, getting those internships, putting myself out there. I am the one experiencing the countless rejections, and I am the one who breaks down and picks myself back up to try again.

Whatever it is that you do, if it is something you are passionate about, the people worth your respect will respect your passion in kind. But more importantly, you will learn your own value once you set aside the impression that you must be uniquely expert in all that you do. Someone will be better than you, more reputable than you, and receive accolades you’ll take years to touch, but that’s no excuse to stop. 

The people you meet are not looking to rate you but to learn about you. So tell them, and leave nothing out.


Students get 10% off at Compilation Coffee Roasters in Brooklyn with valid ID. Redeem now for coffee and pastries.

By Oshmi Ghosh

Oshmi Ghosh is a rising junior at NYU’s College of Arts and Sciences, pursuing a bachelor’s degree in English with minors in Creative Writing, History, and Entertainment Business. You can usually find her appreciating the simple things in life: tea with milk and sugar, a good book, and/or intensely competitive board games.


For over 25 years, the Campus Clipper has helped college students in New York City—and later in Boston and Philadelphia—save money and succeed in city life. We offer a digital coupon booklet with discounts on food, clothing, and services, plus an Official Student Guidebook with real advice on how to navigate college life in a big city. Our internship program lets students build skills, earn money, and publish their own e-books. Follow us on Instagram and TikTok @CampusClipper, and sign up for our newsletter to get deals straight to your inbox. To access the digital coupons, scan the QR code on our printed card—available in dorms, student centers, and around campus.

Share