Archive for May, 2010

Make new friends AND keep the old?

Monday, May 10th, 2010

I have these two friends, and they’ve been dating for seven years. A few months ago, they got engaged. I’m always surprised when I think about them because their relationship is so strong, and growing stronger, yet ever since high school ended they hardly ever see each other. The guy is currently in upstate New York with the Navy, and before that he was in the Midwest somewhere – Chicago, I think. The girl is in South Jersey for college, and understandably doesn’t get to visit him all that often. Regardless of all that, and despite their young age, they’re one of the most together couples I’ve ever known.

My question is: How do they make it work? Sure, it can be said that distance makes the heart grow fonder, but enough distance is equally as likely to make the heart forget what it loved about a person in the first place. I’ve been in New York for two years, and I find it extremely hard to keep up with my friends and family back in South Jersey.

I always find myself dividing my relationships up into two sections – New York and Home (because even though I have an apartment up here and live here, I will always think of my parents’ house as Home). It’s very rare that the two ever merge, though I often share stories of home to people up here and vice versa. When talking about friends, I say, “Oh, my best friend back home…” or, “You remember, I told you about her…she’s my best friend at school?” I never just use a person’s name, it’s always with some epithet – a way to keep everything separate and clear in my own mind.

Stories about home are getting less and less the more time I spend up here. I always find some excuse not to visit; oh, I’d come home this weekend but I don’t want to leave Sassy (my cat) alone and she doesn’t like travelling; dude, sorry I’m gonna miss your birthday but I have, like, a zillion tests I need to study for next week. I even missed my Aunt’s wedding because of school obligations and the hassle of travelling two hours on the New Jersey Turnpike.

What I want to know is how people who go away for college – or even if they don’t go away, but are too busy with new responsibilities to enjoy old fun – stay in touch and up to date with their pre-college lives. Is it really as hard as I feel it is, or is it like it is for my two engaged friends, meaning easy and natural?

-Mary K

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Di Fara

Monday, May 10th, 2010

It’s the first blog post and introductions are in order. My name is Sabina, and I’m an upcoming sophomore at NYU. I’ll be writing this summer about some of the restaurants New York has to offer, as well as some of the interesting events students can afford to attend in the city. I hope to cover a little of everything—from museums to taco stands, baklava to free concerts, community gardens to pierogis. I am always open to suggestions, so feel free to send some in via email or respond to anything I post. I’m starting off with one of the best-known culinary spots in New York—the famous Di Fara Pizza of Brooklyn.
This past Sunday I finally gathered the right group of people and enough motivation to head out to the famous pizzeria, claimed by many to be the home of the best slices the East Coast has to offer. It’s a 40-minute schlep on the Q to Avenue J from my nearby 14th Street Union Square stop, but after such hype I decided to brave the unusually cold Sunday weather and make the trek. Luckily I went with some friends who had been before, and therefore insisted we leave by 11. We arrived at 11:45 and were the third party in line.
Without the people waiting outside, the small pizzeria would fail to stand out against the low-key corner of Midwood, a neighborhood spotted with Jewish bakeries and a few bagel stops. Once inside, however, the characteristics that distinguish the small restaurant became apparent. For one, lines can start forming 1-2 hours before opening. The counter-space was crowded with no semblance of a line, and there were not nearly enough chairs or tables to accommodate the eager customers. Although the lack of comfort can infuriate some restaurant enthusiasts, I’ve always been drawn to a small establishment willing to retain its old atmosphere. As a friend noted, the cheap napkins indicated where priorities lied.
Only one man, Domenico DeMarco, handles the pizzas, which are made of ingredients shipped exclusively from Italy and Israel. While his son was on hand to take orders, Domenico was the only one drizzling on the olive oil or pulling the bubbling dough from the oven to check if it was done. Other special touches included the three types of cheeses hand-grated directly onto the hot crust, and the basil leaves clipped straight off the stems. We bought two pies (it is far more expensive to order by the slice) and waited about 20 minutes for them after ordering.
I’m not a huge pizza enthusiast, but Di Fara’s slices were certainly the best I’ve had in New York. After we brought the hot pies to the table, no one spoke as they made their way through their three slices. The biggest pizza connoisseur of us all had four.
Part of the fun of making your way down to Di Fara’s is to watch Domenico handle his ingredients. If you’re not down for waiting, or want to be sure you’ll get a table, the ride on the Q might not be worth it. Many worry the small restaurant has turned into a tourist-trap (there were a couple of overbearing camera wielders), but if you can’t stand the customers, take a pizza to go and find a nice spot outside. The fresh ingredients alone are worth it.

-Sabina A

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Let’s Dance: MMC Spring Repertoire 2010

Sunday, May 9th, 2010

Each semester, the dance department at Marymount Manhattan College produces two shows. The first is a student-choreographed exhibition, and the second is choreographed by established dancers. In the Fall, our teachers choreograph, and in the Spring, we have outside artists come in.

This semester, the annual Spring Repertoire at MMC featured a work by the newly-appointed head of Alvin Ailey American Dance Theater, Robert Battle, as well as works by Lar Lubovitch, Kate Weare, Erick Hawkins, and Benoit-Swan Pouffer.

It was an eclectic show that ranged in style, from 1986 Lubovitch excerpt “Concerto Six Twenty-Two” to the several world premieres such as the hauntingly beautiful “Channels” by Battle and the edgy work “for all of us” that Pouffer set on the MMC Dance Company.

My personal favorite is tied with Pouffer’s “for all of us” or Kate Weare’s “Primavera.” Both works were exciting and upbeat, with a lot of personality displayed by the individual dancers. in Pouffer’s work, there was a distinctly contemporary movement vocabulary, and it was obvious that the students enjoyed the movement: which is always a pleasure to watch. Similarly, Weare’s piece engaged the students in both group work and series of duets and solos, all of which were interactive and intensely physical and exciting to watch. The dancers at MMC have strong personalities, and they were definitely allowed to shine in these pieces.

It’s always interesting to see student performances; I highly recommend it. Although they may not be perfect and as technically stunning as a night at Lincoln Center, you do get an opportunity to see the up and coming generation of artists. Shows produced at MMC, Juilliard, NYU and the like are of extraordinary quality – it’s no middle school talent show. Seeing performances at my own school is particularly interesting, because I take class with most of the performers. It’s a very different perspective to see your peers perform, but I walk away from almost every show in awe of the talent… and this semester was no different.

So next time you’ve got some free time, see if there are any student performances going around in the city. Not only is it cheaper than a normal performance (they often accept donations, have student rates, or are free), but it’s also sure to be of interest to the college aged crowd. You know going in to it that it won’t be a pitch out of left field – they are meant to educate the students performing through experience, so it must be something topical to our generation. Although I suggest first attending shows at your own school (it’s a great way to see a whole new side of your peers!), branching out and visiting other schools is always a fun time to see something completely different, since each school in NYC has a very different style. Whether it’s dance or theater, or even an art exhibition – check it out!

-Meghan Q

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Let’s Dance: Alwin Nikolais 2010: From the Horse’s Mouth

Saturday, May 8th, 2010

Welcome to my section of the Campus Clipper blog: all of my posts will have the title Let’s Dance because that’s the title of my own blog that I’ll be keeping up with after this publication is done. Yes, it is a reference to David Bowie: but it’s appropriate, because I’ll be giving advice on dance performances as well as other arts and entertainment opportunities throughout the city. To start off, here’s some information on a performance I just saw!

On April 30, 2010 at the Abrons Arts Center, there was a performance celebrating the life and work of famous modern choreographer and teacher Alwin Nikolais.

According to the program,

“From The Horse’s Mouth is structured so that only four people are on stage at one time. Sitting in a chair center stage, each performer tells a brief story relevant to their past or current involvement with dance, then performs his/her own movement phrase – first in place then traveling through space, sometimes improvising with another dancer. A chance element is introduced by picking a card from a box. The card suggests how to vary the phrase. These sections are juxtaposed with stage crossings with the performers appearing in full costume. Some costumes depict a favorite dance; others represent a costume they have always wanted to wear.”

Overall, the night was intriguing to someone who has studied Nikolais technique for a year while in college – although those not familiar with his improvisational ideas and emphasis on space, time, motion, and shape may not understand some of the jokes or movement on stage.

Still, even those not familiar with Nikolais and his approach to dance were sure to have a few laughs. You did not need to know the importance of Murray Louis or the company history to appreciate many of the stories told. Several of the former (and still practicing) dancers were eccentric characters – especially Beverly Blossom, who made the audience erupt in laughter incessantly.

These experimental dance performances are a great treat – not everyone has the patience to sit through an evening-length ballet, but an event such as this often incorporates humor and movement that even a non-dancer can find amusing.

The piece also related directly back to the theater – the Abrons Arts Center was once under the direction of Nikolais, and many of the recollections were of learning and performing in the very space the audience was sitting in. It was a charming, old space. I had never been in the theater before, but it was full of character, comfortable, and seems to have a varied line-up set for the coming weeks.

To reach the Abrons Arts Center, take a bus or the F train to Delancey Street. It is a relatively short walk over to 466 Grand Street – and tickets for the events can either be bought online or at the door. Leave some spare time to get lost if you’re not familiar with the non-gridded downtown streets: I myself ran a few minutes behind schedule after taking a quick detour down a wrong street!

-Meghan Q

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Dear Future: What ever will I do?

Saturday, May 8th, 2010

In my junior year of high school I joined the Academy of Finance, a respectable two year business program offered in many high schools that gives youngsters a substantial peek into the business world. Getting paid to be a summer intern at a company like Citigroup was just one perk, and perhaps it was the only one that I felt adequately substantial for my participation in the program.

Before this internship experience, I was expected to pass a number of business related classes, some of which included accounting, finance, economics, financial planning, and business law.

Without much surprise, these courses caused me to drift from my naive, puffy cloud dreams of becoming a fancy suit-wearing business woman, because, quite frankly, I did not enjoy them. In a brave attempt to hide from debts and assets, I sought refuge in my English classes. Lusting over the luxurious pages of Dorian Gray proved to be one of the few things I genuinely enjoyed in school. Staying up late to write thought provoking and personally fulfilling essays was something I looked forward to. I should have heard the futures blatant whispers in my ear at the time, but I didn’t think English could get me anywhere, so I just kept my interest as an extreme hobby.

My first few years of college were engrossed in complete confusion. I had no idea what I wanted to pursue, what my interests were, or even what the elements of my own individuality consisted of. I was a sad case, moping the halls, endlessly jealous of all the other kids that knew what they wanted to be when they grew up— of course not every face I grilled to a crisp knew, but it was easy to feel sorry for myself when I took upon that belief. In an act of desperation, I leaned towards the business side of my (Ready for it?…) business school.

Two years passed, still without a set major, I bravely went where few go, and even less actually survive— the English Department. My love for literature had been apparent since high school, but it was a passion that I believe I repressed. Today, I think it was a combination of the fear of not knowing what I’d want to do with my English degree, conjoined with the typical college student jitters of setting firm marks onto the blueprints of our lives.

Winding down on my shpeel, if you find yourself unsure of the future, as a current college student, and even beyond that, take a firm step back, and try to remember. Remember what it was that struck that fervent chord in your soul that made you feel creative, alive… happy. Once you remember, go from there without hesitation, and see where it leads you. You can always go back to past plans if need be, but you can’t go back if you don’t go forward.

-Angela M

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Untimeliness Is a Bad Strategy

Friday, May 7th, 2010

If a college class is an hour long and you are 15-20 minutes late, you missed a big part of it. If you thinking about the part of the lecture you did not hear, keep in mind that your loss is not limited to this. There are several things you deprive yourself of when you are constantly late.

First of all, all the colleges have latenesses and absences policies and your repeating untimeliness may hurt your grade. Do you really think that sleeping for several more minutes is wotrh lowering your GPA? Sometimes you are giving up your sleep in order to prepare for the class. Give it up once again and remember that coming on time is a part of your preparation process as well.

Here is a tip for you: do not turn off your alarm clock and then go back to bed to indulge for a couple of minutes. Most likely, you will fall asleep again, then what was the point in putting the alarm on so early. If you believe that sleeping more is essential, then do not forget to put the alarm on again. This way you won’t miss it.

Secondly, your coming late is a great distraction for your professor and your class. Imagine that your classmate is late. He (or she) enters the classroom desperately trying to find an available seat. There seems to be none and he (or she) keeps walking around with a backpack not knowing where to land. Unfortunately for you, the seat next to you is empty. He (or she) notes this with happiness and takes out books, notebooks and a breakfast. Chewing his (or her) English muffin with egg and cheese, he (or she) tries to find out what was going on before he (or she) appeared. You are at a loss choosing whether to listen to the professor, to the classmate, who demands concrete answers, or to your stomach that did not get breakfast. Why should you ever do something like that to a person who studies with you?

Lateness is very annoying for professors as well. No one likes to be interrupted when speaking. So if you are late repeatedly, your professor may think that you are an unreliable or careless student and all your last night efforts will remain unnoticed, as discipline is sometimes more valuable than the work you do.

Third, sometimes there are written assignments professors give in the beginning of the class, for example, quizes or short answer questions. If you miss them, it may hurt your class participation as well and your grade keeps lowering.

And last but not least, remember that the main thing the college does to you is preparing you for your future occupation.

Therefore, your class is like your future workplace. No boss will tolerate chronic latenesses. So prepare for it now and develop a habit of coming to your classes on time. Maybe, you should just get a more sound alarm clock, one you will be happy to hear when you wake up in the morning.

Ekaterina Lalo

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The Love We Deserve

Friday, May 7th, 2010

In the quintessential coming-of-age high school novel, The Perks of Being a Wallflower by Stephen Chbosky, the following exchange takes place:

    Bill smiled and continued asking me questions. Slowly, he got to “problems at home.” And I told him about the boy who made mix tapes hitting my sister because my sister only told me not to tell my mom or dad about it, so I figured I could tell Bill. He got this very serious look on his face after I told him, and he said something to me I don’t think I will forget this semester or ever.

    “Charlie, we accept the love we think we deserve”

    The Perks of Being a Wallflower, page 24

As students caught up within the hustle and bustle that comprises New York, there could be no truer sentiment. There is so much that we are consistently told we ought to be, whether it is by our parents, roommates, friends, bosses or more importantly, the media at large. New York is a glamorous city and the billboards and advertisements scream that attractive equals thin, utterly gorgeous women who are wasting away and whom we must all strive to look like. Yet the reason behind the urge to change oneself or otherwise undergo makeovers often has less to do with the simple desire to fit in and more to do with the simple craving, desire and need to be loved. The question, of course, then becomes: what does it mean to love or to to be loved? There is a sentiment expressed in C.S. Lewis’ The Great Divorce that it isn’t what we might imagine:

    You mean,” said the Tragedian, “you mean- you did not love me truly in the old days?”“Only in a poor sort of way,” she answered. “I have asked you to forgive me. There was a little real love in it. But what we called love down there was mostly the craving to be loved. In the main I loved you for my own sake: because I needed you.”

    “And now!” said the Tragedian with a hackneyed gesture of despair. “Now, you need me no more?”

    “But of course not!” said the Lady; and her smile made me wonder how both the phantoms could refrain from crying out with joy.

    “What needs could I have,” she said, “now that I have all? I am full now, not empty. I am in Love Himself, not lonely. Strong, not weak. You shall be the same. Come and see. We shall have no needfor one another now: we can begin to love truly.”

    But the Tragedian was still striking attitudes. “She needs me no more- no more. No more,” he said in a choking voice to no one in particular. “Would to God,” he continued, “but he was now pronouncing it Gud- “Would to Gud I had seen her lying dead at my feet before I heard those words. Lying dead at my feet. Lying dead at my feet.”

How to find love in New York City? The first, and perhaps the most difficult task, is to actually identify what love means. The craving to be loved and possessed, to live out the decadent but dark fairy-tale romances that appear in fantasy or fiction, doesn’t cut it. Struggling to identify love between the Edward-and-Bella, Blair-and-Chuck, Stefan-and-Elena images that we are consistently fed via television is difficult. Simply listen to the radio; women are consistently disrespected in the lyrics. I’m no feminist and I’m guilty of dancing to “Sexy Bitch” and enjoying it. I know all the words to 3OH!3’s song “Don’t Trust Me,” which blares from Z100 or 92.3 when I wake up in the morning. I intellectually know that there’s a problem with lyrics that reflect an attitude that disrespects woman and totally objectifies and sexualizes them, but in my party mode, I rationalize it away. The problem occurs when the pressure of school, work, parents, friends and the media all combine to create an unhealthy cocktail where we determine that acquiring a boyfriend/ girlfriend and via that person, love and status, is worth the ultimate sacrifice on our part. By this I don’t reference any groom running from bride-wielding-ball-and-chains type of scenario, but rather the danger there is of entering into verbally, emotionally or God forbid, physically abusive relationships simply due to the desire to feel less alone within The City That Never Sleeps.

I recently read a fantastic book entitled Loose Girl: A Memoir of Promiscuity written by Kerry Cohen. She beautifully and movingly explains exactly how it can be that a woman desirous of being loved can become promiscuous, thinking to herself that the men she’s sleeping with care about her:

    What statistics can’t get at are the feelings of uncertainty and confusion that surround a young girl’s sexual behavior. They don’t get at how easy it is for a girl to use sex for attention. A boy once said to me, “Boys have to put forth real effort to get laid, while all you have to do is stand braless in the wind.” It’s true. What’s easier for a girl than to get noticed for her body? Using my sex appeal was default behavior. To not do so would have required more effort. Add to this the fact that I was desperate for attention- any attention-and men’s interest in my body was the easiest avenue to being noticed. Of course, I confused their base interest with love. I needed to believe it meant something. Don’t get me wrong. I don’t see myself as entirely innocent. My story is also about addiction. Addiction to power, to the attempt to control others through my body. It is about how desperate I was to feel loved, less alone, and how, misguided by all those cultural mixed messages, I tried to fill my need with male attention and sex. How, as with most addictions, I managed to push most everyone away, foiling my greatest intentions. And finally, how I learned to stop.

    ~Loose Girl by Kerry Cohen, page 3

One of the most disturbing things I noticed in college was the plethora of bright, talented and otherwise creative and attractive young women who themselves did not feel as though they were worth anything. Male attention, especially sexual, made them feel noticed and better about themselves. They would seek it out and enter into relationships in which they were dominated and controlled by their partner, often not realizing the extent to which this had happened. It was almost impossible for them to voluntarily extricate themselves from these emotionally abusive relationships because they loved simply in terms of need and the need to be needed or craved. And as Bill says in ‘Perks,’ we accept the love we think we deserve.

Love is a great, complex, complicated and grand adventure, but it is something which requires work and commitment in order to thrive. Anyone who hurts, disrespects or abuses his/her partner in any way is feeding into a false belief which they firmly espouse: namely, that they don’t deserve to be loved, respected or thought of as worthwhile. The reason I know this is because I was once such a girl.

-Oliva W

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