Archive for the ‘Movies’ Category

Breaking Dawn: I Really Don’t Know Where to Begin

Saturday, November 26th, 2011

I saw the new Twilight movie yesterday with my mother and two teenage brothers (a mistake), and I can confidently say that it was the worst movie I’ve ever paid money to sit through.

And I don’t think it’s the filmmakers’ fault. The storyline is just… so offensively and violently weird that it’s almost to difficult to stomach. Almost. While my eighteen and fifteen year-old brothers groaned and writhed in pain throughout the entire film, nobody got up and left (though there were threats). When the two hours finally ended, we walked into the sunlight, blinking gratefully, completely unable to find the words to describe what we’d just seen.

Breaking Dawn: Part One opens with the ever-bland Bella rejecting a pair of truly gorgeous shoes because she’s above learning to walk in heels for her wedding. As something of a shoe-freak and heel-lover, this made me audibly scoff over and over. I was essentially infuriated from minute 1. They were such pretty shoes, white with silver detailing, and REALLY BELLA? Can’t stoop to such a materialistic level and class it up at YOUR WEDDING? Ugh. Anyway.

It’s time for The Wedding. Bella’s dressed in a Star Trek Next Generation-type shiny skintight number with a very pretty hairdo. Edward looks like a wax figure that’s been airbrushed. Every guest got the memo to wear neutral golds and lavenders, and there are flowers everywhere. It’s very pretty to behold, and it’s over-the-top-ness prompts some great banter from the adorable and witty Anna Kendrick et al, Bella’s high school friends who are in the same boat with me on the ridiculousness of the scene. And THANK THE LORD that some characters seem wise to the craziness of the storyline: Bella is marrying at eighteen years old in a ceremony more elaborate than Kim and Kris and Kate and Wills’ combined. There are a few tender moments between Bella and her dad that really get the waterworks going (my mom was like a hosepipe throughout the entire scene), a vomit-inducing five-minute long make-out scene at the altar, and some fairly cute toasts at the reception. Everything seems to be going perfectly until Preteen Werewolf Jacob shows up, eliciting heavy amounts of cheers and sighs from the group of middle school girls in the row in front of us.

Jacob decided to make an appearance at the wedding even though he’s all depressed because he’s in love with Bella too (again, WHY?) and proceeds to get WEREWOLF ANGRY when she informs him that she and Edward are planning to consummate their marriage on their honeymoon. He hulks out and turns into a wolf and runs away, and Edward had to pick up the pieces. It is at this point that I realized Bella was wearing white sneakers under her wedding gown, and I became about as angry as Jacob.

Bella and Edward go off on their honeymoon via private jet to a pretty large island that the vampires just seem to own. Edward and Bella finally Do It and apparently it’s great for her but his super-vampire-strength causes him to break the bed and bruise her up a bit. I’m actually not sure because I was pretty focused on covering my baby brother’s eyes, but folks, it ain’t much to write home about.

Edward doesn’t want to Do It with Bella anymore because of the bruises, so for the next few minutes the audience is treated to a montage of Bella attempting to seduce Edward whilst engaging in honeymoon-type activities like cliff diving and chess. Her wardrobe is splendid, and Edward looks more handsome than creepy despite the glittering skin. And then, in the plot twist of the century, we discover that Bella is With Child. Enter the awkward political debate. I don’t even want to get into all of that because there are so many seriously-skewed messages being sent by this plot line, but Bella makes her own choice to keep her Vampire Fetus, and Edward is enraged.

Cut to two weeks, and Bella is so gross-looking I almost barfed. They’ve really outdone themselves in making her look awful, and her pregnant belly is covered in bruises because apparently the Vampire Fetus is as strong as Edward. There’s a lot of discussion between werewolf and vampire alike about terminating the Vampire Fetus, but Bella will not hear of it and there’s a lot of anger and wolf-fighting and hilarious stuff that made me laugh. Whatever.

Bella finds out she’ll probably die because the Fetus is taking all of her nutrients, and somehow it’s decided that she should drink some O- out of a sippy-cup. IT’S SO GROSS. She’s all skinny and the blood is in her teeth and I DON’T KNOW WHY I PAID TO SEE THIS. So Bella’s chugging blood at this point and she and Edward are starting to get excited at the prospect of their Vampire Baby.

Bella stands up and I guess the baby kicks her in the spine because some really disgusting body contortions happen and I covered my face for most of it, but Edward essentially eats the baby out of her, and she names it Renesmee (for time’s sake I won’t discuss the name). Edward shoots Bella up with vampire venom to save her life/turn her into a vampire, and Jacob decides to kill the CGI baby as the wolves gather to help take it out. But in another Shocking Plot Twist, Jacob looks at the CGI baby and falls madly in love with it, which the werewolves define as “imprinting,” resulting in a really weird montage of the CGI baby growing up and spinning in a forest. Jacob kneels in front of the CGI baby, and the wolves have to call off their attack because they can’t harm the subject of an “imprinting.”

This movie is not worth paying to see in a theater. I can’t believe I did. It’s so offensive and you can tell that the filmmakers TRIED THEIR DARNDEST and I really pity them because they were making a movie out of a book that contained all of this material. It isn’t at all reminiscent of how real relationships work and everybody looks so weird all of the time! Why aren’t the people of Forks wise to this? I’ll probably end up seeing it on DVD at some point, but as my baby brother said, “The only good thing that came from seeing that movie is I’m 100 percent sure I’m not going to see Part 2.”

Olivia, Fordham University 2012

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There’s a pretty good chance you’ll enjoy “50/50”

Wednesday, November 2nd, 2011

On Sunday night my roommates and I decided to drag ourselves off of the couch, shake off the candy wrappers and tortilla chip crumbs that covered our laps, and go see a movie. We’d all seen trailers for “50/50,” and being girls who always welcome a good cry we thought a cancer-comedy might suit us better than “Puss in Boots” or “Paranormal Activity 3.”

“50/50” is a film based on the real-life experiences of screenwriter Will Reiser that addresses the difficult question of how a young twenty-something deals with a life-threatening illness. The movie is headlined by a pretty impressive cast: Joseph Gordon-Levitt takes the lead as Adam, our tumor-stricken protagonist, and Seth Rogen gives a sweet portrayal of Levitt’s steadfast comic relief of a best friend. Anjelica Huston, one of my favorite women on earth, plays Levitt’s overprotective, smothering mother and Bryce Dallas Howard succeeds in getting the audience to despise her in her role as Adam’s cheating girlfriend.

Levitt’s Adam is your everyday guy, 27 years old and working in radio when he learns that the back pain he’s been experiencing is actually indicative of a huge malignant spinal tumor. His life begins to unravel as he accepts his illness, faces chemotherapy, and deals with a girlfriend who says his cancer is “too much” for her. For me, the shining star of the film was Seth Rogen, whose portrayal of Adam’s best friend Kyle is believable, touching, and definitely relatable.

I also enjoyed Anna Kendrick’s performance as Adam’s therapist– I’ve always thought she was a great actress. Indeed, in my opinion she was the single best part of “The Twilight Saga: New Moon,” and she didn’t fail to deliver in this film. Her performance was believable, as well as the perfect counterpart to Bryce Dallas Howard’s mean-girlfriend archetype.

The film’s real success lies in its delicate balance of humor and drama– corny as it is, I laughed and I cried (mostly cried). The subject of cancer is a sensitive one, and “50/50” deals with the pressures and heartbreak of facing a life-threatening illness gracefully.

Without giving too much away, dear readers, I really enjoyed this film. I even recommended it to my mom, (something I wouldn’t normally do with a Seth Rogen film; profanity is not something she appreciates), to whom I found many similarities in Anjelica Huston’s character. I highly recommend a trip to your nearest movie theater, (I went to the one on the corner of 86th and 3rd), with your pockets stuffed with tissues. It’s not the easiest movie to watch, but I think there’s a 90/100 chance you’ll walk out of the theater smiling.

And what could complete an evening better than adding dinner to your movie? After your film viewing, why not head over to Singa’s for a delicious, (and free), pizza meal with your student ID and this coupon!

 

Olivia, Fordham University 2012

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Until The Very End

Monday, July 18th, 2011

The beginning of a great legacy.

I can still remember my first experience with Harry Potter. The year was 2001 and I was seeing a movie whose title and content I have no memory of with my younger sisters and Dad at a local movie theater. But what I do remember seeing was the trailer for the upcoming release of the first Harry Potter film: Harry Potter and the Sorcerer’s Stone. The glow of November on the screen till this very day is still present in my mind. I was captivated and that following November I saw the film and so began my love for both Harry Potter books and films. I often find that I associate Harry Potter with my childhood, and I certainly believe it is representative of my generation. People my age all over the world essentially grew up with Harry Potter and this is why the release of the second and last installment of the final film this past week is considered widely a bittersweet moment.

Without a doubt, I felt it was absolutely necessary to view a midnight showing of Harry Potter and The Deathly Hallows Part 2 this past Thursday for its U.S. premiere at the same theater I saw the first. I brought along my younger sister who was equally excited and completely aware of the likely possibility I would embarrass her by tearing up, which I did. My local theater was overrun by avid Harry Potter fans some dressed in Gryffindor uniforms and many foreheads were marked by a lightning bolt scar.  Luckily my sister and I were spotted by a group of High School friends and acquaintances that allowed us to join them on line and then began the nostalgia. The overall consensus amongst the group was the feeling that their childhood was coming to an end. In simple words: the idea of not being a kid anymore makes me sad. However, I’m happy that my transition to imminent adulthood has become jarringly clear because of a franchise that I’ll always love.

I had no qualms whatsoever with the film. It truly is an achingly beautiful adaptation of the final moments configured by JK Rowling.  Also, the epilogue perfectly captured the bittersweet feeling shared by fans worldwide. It was just a perfect balance of melancholy and sheer optimism. Proof of this is the combined mix of smiles and tears I experienced when watching the films end. And for the sake of my own street cred, let it be known the theater was chock full of young adults, both male and female, tearing up because of the films content and its projection, but also because of it’s beautiful parallel to the life of a growing individual. It really is the end of an era, a great one at that. But at the same time, the Harry Potter franchise is certainly forever because its legacy is so great. I’m sure many fans my age anticipate a future where they could share the magical world of Harry Potter with their own children. Similar to the way many of us have shared the bewitching experience with our parents.

My mom mentioned looking forward to owning all of the films on DVD because it’d be both incredibly nostalgic and fun to watch all of them in a row. I personally cannot wait for such a time too! Luckily this can be the case too for students who are conscious of student discounts.  I suggest checking out DVD Funhouse, they have a discount were you can purchase five DVDs for only ten dollars! This means you can invest in buying five of the films for a Harry Potter movie night.

Harry Potter will always serve as a reminder of the curious kid that still exists within me. In many ways the Harry potter experience has preserved my nine-year-old self in both memory and continued spirit. I know I’ll always be in awe of the magical world I watched on screen and read about. I’m sure until the very end.

Anjelica LaFurno (Baruch College)

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Movies with a Language Barrier

Sunday, July 10th, 2011

When there is a language barrier involved, it can be hard to find an activity that pleases everyone.  We found this out one night when my dad, my grandmother (on my mom’s side) and I were home one night, in search of something to do.  My grandmother is Japanese and speaks no English, my dad is American and speaks no Japanese, and I am half-Japanese with an eight year old’s grasp on the language. My mother, the main translator, was out on a reunion with old friends, and my sister, the one who often lightens the mood, was at a birthday party.  It was an impasse.  Maybe in another situation we would have tried an activity without words, like a game of catch or some other sport.  But as much as I love my grandmother, I didn’t imagine a pickup game of soccer would be her thing.

Image credit: moviemikes.com

It was my dad’s idea to put on a movie.  He found some Japanese films on Netflix, and, hoping they were subtitled, put several of them on instant. To our dismay, most of the films, even the ones from the foreign film genre, were dubbed over with English voices.  Not only was this disappointing, but in our case, it completely defeated the point of watching a Japanese movie at all.  So when we finally found a movie with the original Japanese voicing and English subtitles, we were so glad that we just agreed to watch it, without even really considering what the story itself was. It turned out to be a drama, titled High and Low, about a businessman who has to decide between his company and saving his chauffeur’s kidnapped son (guess which he decides).  Although it was a wordy film, the acting was great to watch, and this made it enjoyable for everybody.

Although I didn’t think of it at the time, another movie option would have been something wordless, like a silent film.  Silent films are something of a rarity these days—I’m not particularly a fan, and it seems that few other than dedicated film-lovers would choose a film without dialogue. However unlikely, my sister is a fan of Abbot and Costello, and she swears the films are accessible to anyone. They’re not too popular now, but I can’t imagine a more appropriate time for a silent film than when language itself is the problem.

Other times, when my dad isn’t around, we watch animated movies in Japanese.  Although a relic from when my sister and I were younger, all of us still have something of a weak spot for cute characters, and Miyazaki films are prime material for that.  Our favorites are My Neighbor Totoro and Kiki’s Delivery Service. My sister or I might miss a few key points if the characters talk too fast or use more sophisticated words, but animated movies in general are pretty easy to follow even with a spotty understanding of the language being spoken.  Not only that, but they almost always have a happy ending, and none of us would have it any other way.

Movie nights are a great way to connect with people regardless of differences. DVD Funhouse offers student discounts; with these student savings, everyone will be pleased.

Ana Dicroce (American University)

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Fathom Events/The Lord of the Rings

Tuesday, July 5th, 2011

Over the past three weeks, Fathom Events had a special showing of The Lord of the Rings trilogy in their extended editions, one each weekend for June 14th, 21st, and 28th. The Lord of the Rings films, based on the books series by J. R. R. Tolkien, follow Frodo Baggins, a hobbit, on his adventure through Middle Earth to destroy the last of twenty powerful rings, forged to bring power to he/she who wears one. Each wearer of the ring is soon corrupted by the evil forces with which it possesses, and the movie’s adventure is both a battle on land against armies of Orcs and other evil creatures, as well as of the mind, in an attempt to thwart the call of evil. Until the ring is destroyed—only possible in the fires from which it was made, in the fires of Mount Doom, smack in the middle of antagonist, Sauron’s, territory—it will continue to be sought by those in power greedy enough to desire more. This trilogy is a fantasy adventure film series classic, gaining rave reviews across the world, a definite worthy use of your time, despite their length of about three hours each (for the non-extended versions).

Back to Fathom Events, a company that aims to set up “live one-night entertainment events, engaging business events, and even church worship” for the public to attend. Fathom Events puts on many different types of shows, including performing arts, sporting events, concerts, original shows, and classic films. Though they do cost money, they’re a great way to spend time and bring more culture into your life. Some things coming up in July include a live showing of Wimbledon, Giselle, many operas, the Israeli Philharmonic, and more.

If you’re looking for something to do this summer, or even past this summer into the year, this should definitely be on your list. And if you don’t want to spend the extra cash, you can recreate the movie theater experience at home with popcorn and sodas bought inexpensively from your local super market, such as Morton Williams.

/elizabeth Kaleko, Tufts University

Image from: lotr.wikia.com

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Art Movie Divides Audience, Defies Description

Friday, June 24th, 2011

Earlier this week, when I saw the very new, very ambitious, and very polarizing Terence Malick film, The Tree of Life, with a couple of friends, I did not know what to say, beyond “what just happened?” More than any film I’ve ever seen on the big screen, The Tree of Life defies not only explanation but even plain description. It is the kind of movie that your most pretentious friend would love, and marvel that you didn’t enjoy, while your friend who likes Transformers would likely fall asleep in the first half hour, or leave. It includes (so far as I can tell from reading a few reviews and seeing the film itself) the beginning of the universe, and its end; dinosaurs; dinosaurs being merciful; Brad Pitt being an emotionally abusive Southern father; lots of mysterious new age-y religious narration; and Sean Penn as a depressed modern day architect, on screen for about ten of the film’s 138 minutes.

Despite (or thanks to) the film’s expansive weirdness, it has received the kind of glowing reviews that are usually reserved for films with more than minimal dialogue, plot, and character development.  When it premiered at the Cannes Film Festival, some viewers gave it a standing ovation while others booed, and the film then won the festival’s highest prize, the Palm d’Or.  This seems to be the simplest encapsulation of the film and the kinds of responses that it provokes. Some of the country’s most prominent film critics have called it a masterpiece, but others have accused Malick and the film of a certain high-minded pretension that seems to sneer at the very idea that people might seek nothing beyond entertainment from the movies. But all critics, pundits, bloggers, and my friends agree that the movie is, as they say, visually stunning.

Let me attempt a few expository words, to give an idea of what viewers are in for when they sit down for Tree of Life, although the difficulty of doing so probably reveals more about the movie than whatever description I can come up with. The film opens with a wavering, pink, flame-like light, that appears to represent the early universe, or whatever preceded it. It is beautiful but inexplicable, like much of The Tree of Life. Then Brad Pitt and his redheaded wife, played by Jessica Chastain, get some very bad news, and we meet Sean Penn, their eldest son all grown up and tormented by the death of his brother from many years ago. Penn talks to his father on the phone, stares pensively at his very modernly appointed office and its parking lot, and then the film cuts to the big bang, complete with pseudo-religious narration by various members of the family, followed by a volcano-studded Earth and the origin of all life. Dinosaurs ensue (as promised). The film returns to the framing semi-plotted story, of the young and growing Pitt-Chastains. As the family’s three sons grow, more mystifying existential shots are intercut with regular family movie moments, and the exact chronological order of the different family scenes seems to be unimportant.  Boys act like boys, Pitt acts like an oppressive 1950’s patriarch, and Chastain acts as his comforting and graceful counterpart.

Consider yourself warned.

Although I’m afraid I couldn’t really explain more of the film’s plot even if I wanted to, I can assure you that it is always very pretty, and, if you let yourself stop waiting for something to happen, often mesmerically beautiful. The astrological sequences are breathtakingly strange, and the lights and colors of Malick’s imagined genesis are a sight to see, resembling abstract photography in motion more than a movie. But the more conventional domestic parts of the movie are shot no less carefully, and the boys’ growth is presented with a tender precision that movingly evokes an age when blades of grass can be something to stare at and study, and the rectangles of sunlight created by windowpanes can be a source of wonder.

When I walked out of the Sunshine theater on Houston St. after seeing The Tree of Life, I was more bemused than anything—kind of tickled by the film’s oddness and the tidal wave of breathless sentiment among critics and movie lovers. But over the next few days, nearly every time that I thought about the film, I’d recall a particularly gorgeous shot or puzzling moment, and I couldn’t help pondering the whole weird movie. I was honestly bored for parts of it, and some of the more heavy-handed existential bits were almost comical to me (dinosaur mercy?), but the movie stuck with me, and I’m sure I’ll watch it again, just probably not in theaters. With The Tree of Life, Malick aims about as high as a filmmaker can aim, and if the movie isn’t perfect, I can hardly imagine another film being even glancingly similar. Don’t expect to love it or even to understand it, and it just might take your breath away.

—Aaron Brown

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Super 8

Thursday, June 23rd, 2011

The other day I was fortunately able to convince my friend to go see Super 8, the new movie written and directed by J. J. Abrams. The movie follows a few pre-teens in a small Ohio town in 1979 as they try to write and film their own zombie movie to submit in a contest. But one night as the kids are filming they witness a fantastic train derailment, which then throws the town into a frenzy as air force militia try to keep the incident under wraps.

As the kids attempt to overcome their parents’ proscriptions and grudges so that they can finish their film, they delve deeper into the mystery behind the train accident and discover that the U.S. Air Force is attempting to hide something mysterious and terrifying from the townspeople. This movie is a great portrayal of a family trying not to fall apart and the bonds of friendship being tested, as well as a young budding romance—all tied up with a classic Steven Spielberg-style alien encounter, which makes perfect sense since the king of the blockbuster is one of the producers of Super 8.

Although I found the final scenes slightly predictable, I feel I definitely got my money’s worth from the great mix of emotions that the movie provokes, ranging from desperation, infatuation, fear, anger, and joy. I strongly recommend this film, and even if you’re not willing to pay the outrageous $13 NYC ticket price, try going to a matinee showing instead—they’re often half price, just check out the theaters near you to see which ones offer this discount.

And after, if Joe and his friends have inspired you, maybe you can try to write and film your own homemade zombie flick—or a romance, whichever you prefer! It’s a fun project to do with friends, and screening the finished product is a great way to bring people together and show off. Phototech can cover all of your camera repair needs if things get a bit heated and your lens cracks, as Charles’ does in Super 8, and all for a 10% off student discount.

/elizabeth Kaleko

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X-Men: First Class

Monday, June 20th, 2011

You might be a bit hesitant after X-Men Origins: Wolverine flopped two years ago (and X-Men: The Last Stand, three years before that), but I would like to ask you to put your caution to the side and give X-Men one more chance. X-Men First Class was intriguing. It takes us back to the 1940s and then 1960s, explaining the child- and young-adult-hood of many of the characters such as Mystique, Magneto, and of course, Professor X. I found each person’s back stories to be fascinating, and as the story developed, I continually found my self in awe as I realized the turning point in each person’s life that led them to be who we know them as today, in the very first X-Men.

The movie opens as a young Erik discovers his ability to control metal in his attempts to return to his mother during their forced separation during the Holocaust (perhaps you remember this scene from previous movies). Antagonist Sebastian Shaw recognizes Erik’s skill and attempts to harness and train the boy’s power for himself by inflicting on him pains which increase his talent, yet create a mortal enemy. In another part of the world, a young Charles Xavier meets Raven, and together they grow into young adults, studying the intricacies of mutation and their implications on human evolution.

As Shaw attempts to spur nuclear war between Russia and the United States in hopes of creating a new super-mutated race from the nuclear after effects, it’s a race against time for Xavier and his newly found mutant friends as they try to stop the atomic war while simultaneously gaining acceptance as ‘humans’ in the outside world.

Battles between good and evil are only part of this movie, which also explores the character’s self-identities in a world telling them they are abnormal. A touching story of friendships made and broken, self-acceptance, and origins explored, X-Men First Class is definitely a step in the right direction in the franchise’s attempts to redeem itself.

Follow my footsteps and spend a day with a friend watching this movie at Regal Cinemas Union Square Stadium 14 , and dining at Burger Creations which offers a 15% student discount with your student ID and the coupon, which can be found in the Campus Clipper coupon booklet or online here.

/elizabeth Kaleko

Picture from: www.iwatchstuff.com

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